Unpacking the Value of "Limited" and Signed Guitars
Youāve hung in this far ā only one more installment to go and weāll get back to our normal Trash or Treasure articles. Last month, I really dove into the meat and potatoes of guitar evaluation, and Iām going to finish it up with some tangents and a conclusion.
Limited Editions
This is a phrase so many of us like to hear because it makes the guitar in question sound special. What is a limited edition? The American Heritage Dictionary of the English Language, Fourth Edition defines it as āAn edition, as of a book or print, that is restricted to a limited number of copies.ā That sounds simple enough, but what does it mean when it is applied to guitars?
Letās say Joe Buck Guitars built 1,000 instruments, finished 750 in standard colors, 250 in custom colors, and called the smaller batch limited editions. Would you pay more for a guitar that is exactly the same but has a limited edition finish? Gibson is notorious for this, and it confuses many people into thinking they have a Custom Shop model when it is nothing more than a standard production guitar with a special finish. In order for a limited edition guitar to be worth a premium, it has to have some real collector appeal or other special feature.
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Remember the scene in Half Baked when Jim Breuerās character Brian is at work at the record store. He offers a customer $5 for a used Kenny Loggins record, when the customer, obviously offended, reminds him that Kenny Loggins himself has signed it. Brian replies, āAlright, Iāll give you $4.ā Iāve appraised several guitars and when theyāre signed, most people think they have a nine-pound piece of solid gold, shaped like a guitar. 99.9% of the time, the only value attached to the signature is the nostalgia the owner has to the person who signed it. When originality dictates how much collectors will pay for a certain guitar, a signature may actually take away from the value of the instrument! If you had an original ā59 Burst, would you have anybody sign it, even if it was Ted McCarty himself? Donāt get me wrong, a signed guitar can be cool, but donāt expect the guitar to be worth more because of the signature.
Originality and Authenticity
These are words all guitar collectors need to take seriously. When it comes to value, originality is almost as important as condition. Look for replaced parts, repairs and refinishes on guitars. A refinished guitar is typically worth only 50% of an original finish. Sometimes if a person refinishes a 60% guitar it becomes worth less because the 60% price is higher than half the 98% mint price. There are a lot of nonethical builders that are trying to cash in on the vintage guitar boom by producing excellent copies and fakes. Some copies are really good, and people have been fooled into shelling out too much cash for a ā59 āBurst that they believe is authentic, but in reality was a fake built in Japan! Make sure you inspect a guitar from endto- end to ensure authenticity ā otherwise you may find yourself taking an unwanted bath.
Trash or Treasure
Hopefully youāve learned something over the past couple of issues when it comes to identifying, dating, and evaluating your guitar. However, if I give you too much information, guitar owners will be able to do all of this on their own and Iāll be out of a job! There are only a few things you really need to know to determine āTrash or Treasure.ā Identify the proper manufacturer and model, date the guitar, and use the tools I provided to evaluate it. Next month, it is back to individual models and I encourage readers to send in guitars that you are curious about ā you never know what I may dig up!
Zachary R. Fjestad
Zachary R. Fjestad is the author of the Blue Book of Acoustic Guitars, Blue Book of Electric Guitars, and the Blue Book of Guitar Amplifiers.
Guitar Trash or Treasure Questions can be submitted to:
Blue Book Publications
Attn: Guitar Trash or Treasure
8009 34th Ave. S. Ste #175
Minneapolis, MN 55425
800-877-4867
www.bluebookinc.com
guitars@bluebookinc.com
Please include pictures of your guitars.
Whitman Audio introduces the Decoherence Drive and Wave Collapse Fuzz, two innovative guitar pedals designed to push the boundaries of sound exploration. With unique features like cascading gain stages and vintage silicon transistor fuzz, these pedals offer musicians a new path to sonic creativity.
Whitman Audio, a new audio effects company, has launched with two cutting-edge guitar pedals, the Decoherence drive and Wave Collapse fuzz. Combining science and art to craft audio effects devices, Whitman Audio aims to transcend the ordinary, believing that magic can occur when the right musician meets the right tool.
Delivering a solution for musicians looking to explore a wide range of sounds, each pedal offers a unique path to finding your own voice. The Decoherence drive injects a universe of unique saturation into your music arsenal while the Wave Collapse fuzz takes you to uncharted sonic territories.
Decoherence features include:
- Cascading stages (Gain A > Gain B) each with a unique sound and saturation character
- Gain A - Medium to high gain stage with a mid focus for clear articulation and punch
- Gain B - Low to Medium gain with a neutral EQ that compliments and expands Gain A
- G/S Toggle - Selects the clipping diodes for Gain B (NOS Germanium or NOS Silicon)
- Tone Knobs (H & L) - Tuned active Baxendall style EQs that boost or cut Highs and Lows
- True bypass switching, accepts standard 9V DC power supplies (does not accept battery)
Introducing: Decoherence Drive -Ā YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Wave Collapse features include:
- Vintage Silicon transistor fuzz that goes from vintage clean to doom metal mean
- Buffered input and pickup simulation ensure it sounds great anywhere in your chain
- Bias Knob - Allows for a huge range of texture and response in the pedals gain structure
- Range and Mass Toggles - Provide easy access to three diverse bass and gain ranges
- Filter Knob - A simple-to-use tilt EQ enhanced by the Center toggle for two mid responses
- True bypass switching, accepts standard 9V DC power supplies (does not accept battery)
The Decoherence drive and Wave Collapse fuzz pedals carry retail prices of $195.00 each.
For more information, please visit whitmanaudio.com.
Introducing: Wave Collapse Fuzz - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.In our third installment with Santa Cruz Guitar Company founder Richard Hoover, the master luthier shows PG's John Bohlinger how his team of builders assemble and construct guitars like a chef preparing food pairings. Hoover explains that the finer details like binding, headstock size and shape, internal bracing, and adhesives are critical players in shaping an instrument's sound. Finally, Richard explains how SCGC uses every inch of wood for making acoustic guitars or outside ventures like surfboards and art.
Featuring torrefied solid Sitka Spruce tops, mahogany neck, back, and sides, and Fishman Presys VT EQ System, these guitars are designed to deliver quality tone and playability at an affordable price point.
Cort Guitars, acclaimed for creating instruments that exceed in value and quality, introduces the Essence Series. This stunning set of acoustic guitars is designed for musicians looking for the quintessential classic acoustic guitar with fabulous tone all at an exceptional price point. The Essence Series features two distinct body shapes: The Grand Auditorium and the OM Cutaway. Whatever the flavor, the Essence Series has the style to suit.
The Essence-GA-4 is the perfect Grand Auditorium acoustic. Wider than a dreadnought, the Essence-GA-4 features a deep body with a narrower waist and a width of 1 Ā¾ā (45mm) at the nut. The result is an instrument that is ideal for any number of playing styles: Pickingā¦ strummingā¦ the Essence GA-4 is completely up for the task.
The Essence-OM-4 features a shallower body creating a closer connection to the player allowing for ease of use on stage. With its 1 11/16āth (43mm) nut width, this Orchestra Model is great for fingerpickers or singer/guitarists looking for better body contact for an overall better playing experience.
Both acoustics are topped with a torrefied solid Sitka Spruce top using Cortās ATV process. The ATV process or āAged to Vintageā, āagesā the Spruce top to give it the big and open tone of older, highly-sought-after acoustics. To further enhance those vintage tones, the tops bracing is also made of torrefied spruce. The mahogany neck, back, and sides create a warm, robust midrange and bright highs. A rosewood fingerboard and bridge add for a more balanced sound and sustain. The result is amazing tone at first strum. 18:1 Vintage Open Gear Tuners on the mahogany headstock offer precise tuning with vintage styling. The herringbone rosette & purfling accentuates the aesthetics of these instruments adding to their appeal. Both acoustics come in two choices of finish. Natural Semi-Gloss allows the Sitka spruceās natural beauty to shine through and classic Black Top Semi-Gloss.
A FishmanĀ® Presys VT EQ System is installed inside the body versus other systems that cut into the body to be installed. This means the instrument keeps its natural resonance and acoustic flair. The Presys VT EQ System keeps it simple with only Volume and Tone controls resulting in a true, crisp acoustic sound. Lastly, ElixirĀ® Nanoweb Phosphor Bronze Light .012-.053 Acoustic Strings round out these acoustics. This Number 1 acoustic guitar string delivers consistent performance and extended tone life with phosphor bronze sparkle and warmth. The Essence Series takes all these elements, combines them, and exceeds in playability, looks, and affordability.
Street Price: $449.00
For more information, please visit cortguitars.com.
Cort Essence-GA4 Demo - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Moth Electric's C. regalis overdrive pedal offers massive boost, natural overdrive, and searing distortion for guitar and bass. With active treble and bass controls, clean blend, Smooth/Crunch modes, and true-bypass switching, this USA-made pedal is a versatile addition to any pedalboard.
Adding a new model to their line of overdrives, Moth Electric has released the C. regalis. Equally suited for guitar and bass, the meticulously designed C.regalis is capable of massive boost, natural, singing overdrive, and searing mid-gain distortion. Its six op-amps power a dynamic, crunchy overdrive circuit with a suite of features including:
- Active treble and bass controls that allow for +/- 15db boost and cut. Perfect for tailoring the C. regalis to your instrument and amp.
- A powerful clean blend for introducing either your ampās natural character or another effect into the equation. Allows the C. regalis to become a more transparent overdrive.
- Smooth/Crunch modes, provide a subtle change in feel with āSmoothā increasing sustain and āCrunchā introducing high-order harmonics for additional texture.
The C. regalis offers the following features:
- Bass, Treble, Blend, Volume, Drive controls
- Smooth/Crunch modesā More volume than youāll ever need
- True-bypass switching, top-mounted jacks for easy placement on crowded pedalboards
- 9-volt DC operation with external power supply ā no battery compartment
- Designed and hand-built in the USA using through-hole components
The C. regalis carries a $179.99 price and is available for purchase at mothelectric.com.
For more information, please visit mothelectric.com.