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NAMM '13 - D'Angelico Guitars EXL-1 Demo, USA Masterbuilt 1942 Excel Reissue, Compressor/DI Pedal

PG's Rich Osweiler is on location in Anaheim, California, for the 2013 NAMM Show where he visits the D'Angelico Guitars booth. In this segment, we get to see and hear a demo of their EXL-1 archtop, while seeing and learning more about several models, including the USA Masterbuilt 1942 Excel Reissue, Standard Excel EX-SS, Standard Excel EX-SD, Standard Excel EX-Bass, and the Compressor/DI D'Angelico pedal made by Pigtronix.



PG's Rich Osweiler is on location in Anaheim, California, for the 2013 NAMM Show where he visits the D'Angelico Guitars booth. In this segment, we get to see and hear a demo of their EXL-1 archtop, while seeing and learning more about several models, including the USA Masterbuilt 1942 Excel Reissue, Standard Excel EX-SS, Standard Excel EX-SD, Standard Excel EX-Bass, and the Compressor/DI D'Angelico pedal made by Pigtronix.

Jack Higginbotham, PRS COO, trains guitar makers on fretboard approval and round at Cor-Tek’s factory in Indonesia.

Paul Reed Smith believes “that it’s not about the country that an instrument is made in. It’s always been about the skill level of the guitar makers.” Here’s why.

For us, import guitars started when Carlos Santana asked, “Paul, can we make a PRS that’s much more affordable for all the students that talk to me about owning one of my guitars?” I said, “Sure. I’ll get you a prototype for your approval.” When we brought him the prototype, he was impressed, and his comment was, “This was made in America, right?” And I said, “No. This was made overseas.” The contract for his approval was on the table, and he leaned over and signed it as fast as he could. It was a good moment for him and my company because our integrities were on the line, and we had a product we thought was a real instrument.

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Diamond Pedals introduces the Dark Cloud delay pedal, featuring innovative hybrid analog-digital design.

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Handcrafted by the Gibson Custom Shop, only 100 guitars will be made, featuring premium appointments and a Murphy Lab Light Aged Walnut finish.

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Digital control meets excellent Brit-favored analog drive and distortion tones in a smart and easy-to-master solution.

Tons of flexibility and switchability that’s easy to put to practical use. Many great overdrive sounds spanning a wide range of gain.

Takes a little work up front to get your head around the concept.

$349

RJM Music Technology Full English Overdrive
rjmmusic.com

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Programmability and preset storage aren’t generally concerns for the average overdrive user. But if expansive digital control for true analog drive pedals becomes commonplace, it will be because pedals like the Full English Programmable Overdrive from RJM Music Technology make it fun and musically satisfying.

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