The Sexiest Gear from the Year''s Biggest Show
Score one for the indomitable power of music! Had you done little in 2012 apart from fret over the bells tolling doom for the economy, you might have expected the halls of Winter NAMM 2013 in Anaheim, California, to be strewn with dust and tumbleweeds. But as the Premier Guitar staff ās harried schedule and oft-out-of-breath greetings to company reps proved, the truthāat least in the realm of guitar gearāwas something rather different. Winter NAMM was, in fact, teeming with new gear and happy hawkers of guitars, basses, pedals, amplifiers, and accessories. And there were plenty of companies doing anything but playing it safe, too.
Pedal offerings from Z.Vex, Electro-Harmonix, Eventide, and garage-builders like Electro Faustus showcased inventive, bold wares that speak volumes about the musical boundlessness of the guitar. High-gain amps were plentiful, too, suggesting that players are still itching to tear it up loud and proud outside the confines of the bedroom. Old-school looks and sounds were strongly represented, too: One had to look no further than Magnatoneās triumphant return, or to guitars like Gibsonās gorgeous and numerous Custom Shop offerings, to appreciate the enduring sonic and stylistic power of the classics.
There was a lot to take in at NAMM, so we were pretty gassed by showās end. But each of us came away invigorated by the ample evidence that the creative spirit that drives musicians and instrument builders is very much alive and inexhaustibleāand that the goods theyāll make available in the year to come will doubtlessly stoke your own creative fires.
Electric Guitars
Baudier Guitars
Roadster
A NAMM newcomer, Baudier Guitars brought several
head-turning models, including this rad-looking Roadster. It
features a custom-painted alder body, a 25.5" scale, body-mounted
Baudier humbuckers, a triple-truss-rod maple bolt-on
neck, a graphite bridge, a kill switch, and a 4-way pickup
selector with split-coil settings.
baudierguitars.com
Epiphone
Genesis Deluxe Pro
Epiphone resurrected this underrated early-ā80s import in a new version complete with
mahogany body, fl amed-maple top veneer, coil-tappable ProBucker 2 (neck) and 3 (bridge)
pickups, and Grover tuners.
epiphone.com
Fano
GF6
The new GF6 knocked us out on numerous levels. The carved swamp-ash top deviates
from the usual laminate approach to semi-hollow construction and, paired with Lindy Fralin
P-90s, itās got the potential to be a living, twitching, fi re-breathing beast. Lament your
lost Starcaster no more!
fanoguitars.com
Fender
Pawn Shop Bass VI
Fender resurrected the
30"-scale Bass VI, which
last appeared in the ā90s as
a Japanese-made reissue,
as part of the Pawn Shop
seriesāwhich accounts
for the cool twists on the
original. The latest incarnation
of the VI includes a
stacked-coil, Jazzmaster-style
bridge pickup and
two Special Design Hot
Jaguar single-coils.
fender.com
Kauer Guitars
Starliner
Kauer Guitarsā new Starliner
succeeds at achieving a
look thatās at once familiar
and unique. It features a
Spanish cedar body with a
maple cap, and itās available
standard with Wolfetone
humbuckers or P-90s.
kauerguitars.com
Framus Vintage
5/168 Golden
Strato
De Luxe
The original Strato De Luxe was
cradled by the likes of Kurt Cobain
and Thurston Moore, and
the maple-bodied new Vintage
5/168 Golden Strato De Luxe
reissue is a dead ringer for the
early-ā60s version. A Tune-omatic-style bridge with a vintage
vibrato system mean this version
will probably stay in tune
much better, though, and there
are enough controlsāincluding
a spring-loaded, pinky-activated
manual tremolo circuitāto
make a Vox Starstreamer feel
inadequate!
framus.com
Ravenswood by Hanson Guitars
12-String
This new sub-brand from Hanson features individually intonatable saddles for
each string, and the solid-mahogany body is based on the companyās Cigno model.
The set neck features a rosewood fretboard, block inlays, a slotted headstock,
and a wider nut than youāll fi nd on most traditional-style 12-string solidbodies. The
three DeArmond-style single-coils are voiced for classic ā60s tones, and theyāre
controlled by master volume and tone knobs, as well as a 5-way pickup selector
that combines neck and bridge pickups in the middle position.
hansonguitars.com
Silvertone
Classic Series 1478
Silvertone revisited a few of the models that have made it a legend
among budget vintage enthusiasts. They showed off a new U2,
along with this 1478 prototype outfitted with a Bigsby and a beautifully
chunky neck that we hope makes it to production versions.
silvertoneguitar.com
Viktorian Guitars
Grace Status
Viktorian Guitarsā new, lightweight, and elegant-yet-racy Grace Status features
composite construction and a dual-chambered body. Weighing in at about 4.5
pounds, it features vintage-voiced Viktorian humbuckers that yield an almost ES-
335-like voice. Controls include volume and tone, as well as a bass-roll off knob
for taming the feedback that plagues semi-hollowbodies at high volumes.
viktorian.com
Guitar Amps
Bogner
Atma 18
The new 18-watt, 3-channel, EL84-powered Atma features a compact aluminum enclosure
and has a power attenuator down to 1 watt. Other features include an effects
loop, a matching aluminum-and-wood cabinet, and tones that vary from Fender-y
cleans to ā70s grind and higher-gain realms.
bogneramplification.com
Crazy Tube Circuits
Paradox
Crazy Tube Circuits from Greece made their NAMM debut this
year, bringing four way-cool new pedals and this new ampāwhich was one of the most unique and dynamic-sounding boxes
we heard at the show. The single-channel Paradox isnāt just
powered by EL84sāit uses two of them in its preamp and one as
a phase inverter, too. The result is a tone thatās articulate, sparkling,
and gritty, but with tons of loud headroom. The left-hand
input reduces output to 12 watts for a spongier, more laid-back
tone, while the right-hand output dishes out 18 watts and also
features a rear-panel switch for boosting mids and treble.
crazytubecircuits.com
Immix Eleven
Amplification
V-Series 30
The completely redesigned V-Series 30 is
powered by four EL84s and features two
channels. Channel 1 uses an EF86 preamp
tube and has a 6-position tone selector and
a brightness cut knob. Channel 2 uses three
12AX7s and a 3-band EQ section. The color
control lets you select the shade of the isolated
LEDs that illuminate the logo panel as
well, which definitely makes it a contender in
the most-stylish amp sweeps.
immix11.com
Magnatone
Twilighter
After several years of painstaking research
into what made vintage models so unique,
Magnatone returned to NAMM with a line of six
new amps, each of which sounded spectacular.
Pictured here is the 22-watt, twin-6V6-powered
Twilighter 1x12 combo. And yeah, it has that
delicious pitch-shift vibrato and tremolo. While
we were at the booth, the Black Crowesā Rich
Robinson stopped in and effortlessly conjured
sounds from creamy to crunchyāand loud!
magnatoneusa.com
Phil Jones
AirPulse One Eight
This new little amp that could packs 500 watts
of power, a 3-band EQ, and a convection cooling
system into a 1x8 enclosure with a handsome
slotted-metal grille and classy red covering.
philjonespuresound.com
Peavey
Vypyr VIP-2
With 36 amp models, 36 effects (including the interesting āviolinā and āsliceā
settings), and instrument-modeling presetsāincluding 12-string and resonatorāPeaveyās new and super-affordable Vypr VIP-2 is bound to be a weapon
in bedroom studios everywhere.
peavey.com
Roland
Cube Lite
The newest member of the enduring and ever-expanding Cube family, the
Cube Lite, includes iOS interfacing that enables you to play and record
using your iPhone, iPad, or iPod touch. The clean, compact design also
makes it about the most inconspicuous little amplifier youāll ever sneak
into the office, too.
rolandus.com
Guitar Effects
Caroline Guitar Company
Kilobyte Lo-Fi Delay
The new Kilobyte Lo-Fi Delay moves with ease
from rockabilly slapback echo to avant textures
and enables the mixture of both. Itās equally
adept at lo-fi and clean voices, or you can hold
down the momentary footswitch (right) to craft
self-oscillating freak-outs with infinite feedback.
carolineguitar.com
EarthQuaker Devices
Disaster Transport
SR.
With tape-like bright (300 ms) and dark (600 ms)
delays that can be run separately, in parallel, or
in series, as well as reverb and the ability to create
multi-head-style delays, the Disaster Transport
SRās wealth of delay flavors might keep a lot
of echo freaks studio-bound for weeks. And, like
so many EarthQuaker pedals, itās just as likely to
please forward-looking musicians as vintage-minded
guitarists.
earthquakerdevices.com
Dunlop
Mini Fuzz Faces
The new Mini Fuzz Facesāwhich come in
Silicon, Germanium, and Jimi Hendrix versionsāaddress the issue of pedalboard space thatās no
doubt deterred a lot of space-conscious, would-be
Fuzz Face fiends over the years. And we love
that Dunlop managed to retain the signature
look of what, in our humble opinion, might be
the coolest-looking fuzz box ever, all without
sacrificing sonics.
jimdunlop.com
Electro-Harmonix
45000
EHX brought several new products to Anaheimāincluding the 8-Step Program synthesizer,
HOG2, and 45000 looperāand some of our
favorite NAMM moments include watching their
intrepid demo dudes navigate the almost infinite
possibilities of a rig with all three. If we have to
choose just one, though, weād probably take
the awesome 45000, which uses a multitrack-recorder-style interface to enable complex loop
textures.
ehx.com
Dwarfcraft Devices
Surrender Dorothy
Dwarfcraftās new Surrender Dorothy fuzz is
ferocious, deep, and muscular but also delivers
plenty of the noisy irreverence and anything-but-the-same-old fuzz flavors weāve come to expect
from designer Benjamin Hinz. The three simple
controlsāresonance, cutoff, and levelāput
heaps of fuzz deviance at your disposal.
dwarfcraft.com
Eventide
H9
Eventideās H9 Harmonizer is a crazily powerful
multi-effector that consolidates the companyās
Space, ModFactor, PitchFactor, and TimeFactor
effects, and adds a new Ultra Tap Delay. It can
be controlled by iPhone or iPad via Bluetooth,
but all parameters can also be accessed via the
pedalās controls. Itās likely to be a bonanza for
guitarists who dabble in production, or who play
experimental or electronic music.
eventide.com
Hammond
Leslie Pedal
Although the digital Leslie pedal looked a bit
diminutive amongst all the hulking speakers and
organs at the Hammond booth, it looked sharp
nonetheless. And with spot-on emulations of
122, 147, and Model 18 rotary speakers, as well
as a model of the PR-40 stationary cabinetāwhich lends sweet, organic overdrive tonesāit
sounds incredibly fat and delicious.
hammondorganco.com
Z.Vex
Fat Fuzz Factory
Z.Vex seems to have dredged the
new Fat Fuzz Factory up from the
molten magma at the center of the
Earth. Itās got all the muscular fuzz
and squirrelly delights of the original,
but it adds bowels-of-the-earth
low-end capabilities that will freak
out guitarists and bass players alike.
zvex.com
Ibanez
Echo Shifter
Ibanez has often returned to vintage looks with excellent practical
results. Visually, the ES2 Echo Shifter delay seems to riff a bit on
the old Ibanez Standard Fuzz, which also had slider controls, It
has an analog signal path but uses DSP for tap-tempo functions.
The tones range from subtle to tape-delay-style mayhem that you
can make wilder still with the oscillation and modulation toggles.
ibanez.com
Bass Gear
Diffusion Audio
Quiver Q505A
The new Quiver Q505A
amp system is built with
bassists and acoustic
guitarists in mind, and it
features slots into which
you can install up to five
of 300 available modules
from manufacturers such
as Moog, Elysia, and
Empirical Labs.
diffusion-audio.com
EBS
Billy Sheehan Signature Drive
Swedenās EBS debuted the Billy Sheehan
Signature Drive, which was designed in
conjunction with the bass master himself.
It allows you to mix clean and overdrive
tones, and features drive, tone, level, and
clean controls, a bypassable compressor
with high and mid settings (mid is adjustable
via internal trim pot), and two effects loops
for adding different effects to the clean and
dirty signals.
bass.se
Fender
American Vintage '58 Precision Bass
This bass is outfitted with an alder body (ash
for the white-blonde version), a C-shaped
maple neck with a 20-fret maple fretboard and a
bone nut, a gold-anodized aluminum pickguard
surrounding a new vintage-voiced split single-coil,
and period-correct chrome covers for the
bridge and pickup.
fender.com
Gibson
ES-335 Bass
For the first time in nearly 50 years, Gibson is
building an ES-335 semi-hollowbody bass. This
gorgeous 4-string features a 34" scale, 24 frets,
a pair of humbuckers, and a historically accurate
3-point bridge.
gibson.com
Lakland
Hollowbody 30
The 30"-scale, classic-looking Hollowbody 30
beauty features Laklandās trademark oval stop-tail
bridge, a bound rosewood fretboard, and a
pair of vintage-style single-coils with a volume
for each and a master tone knob.
lakland.com
PRS
Grainger 4 and 5 Basses
Paul Reed Smith was
positively bass-happy
at NAMM, debuting two
34"-scale, mahogany-bodied
rumble machines
with flamed-maple
caps and a 24-fret
maple neck topped with
a rosewood fretboard.
Both models have dual
humbuckers, a 3-band
EQ section, and push-pull
volumes for each
pickupādown selects
active circuitry, and up
selects passive.
prsguitars.com
Stenback
Bass Interface DI
Combining style with function, this classy-looking direct box has
dual footswitchesāone for muting and one for bypassing the
EQālevel and mojo knobs, and three EQ dials with sliders for
selecting the range of the controlā45ā80 Hz for lo, 400ā800 Hz for
mid, and 3.5ā6.5 kHz for hi.
tomstenback.com
Warwick
LWA 1000 Head
This new 1000-watt (@ 4Ī©) class D bass head was designed by Jonas Hellborg and
features two channels with independent EQ and compression, and enough horsepower
to drive every ride at Disneyland.
warwick.de
Acoustic Gear
Andrew White Guitars
Gypsy Jazz-E
West Virginia acoustic builder Andrew
White Guitars brought a whole line of
impressive guitars to NAMM. His all-solid
import flattops were impressive at less
than $1,200, but the Gypsy Jazz-E shown
here was what had heads turning the most.
It features a solid Italian spruce top, solid
curly walnut back and sides, a 1-piece
mahogany bolt-on neck, and a fretboard
and bridge made of ebony.
andrewwhiteguitars.com
Guild
Orpheum Orchestra
Master luthier Ren Ferguson (who previously
helped restore Gibsonās acoustic
brand to greatness) is now building for
Guild, and his latest creations are part of
the new Orpheum series. They feature
looks and appointments more typical of
guitars from 20 years before the companyās
1953 debut, including Adirondack
tops and bracing, hide-glue construction,
and stunning golden-age-of-American-flattops
styling. The line includes some very
un-Guild-like shapes, including a slope-shoulder
dread, as well as this Orchestra
with Adirondack red spruce and rosewood.
guildguitars.com
Cole Clark
Angel 1AC and 2A3
Aussie acoustic builder Cole Clark brought the new Angel 1AC
(left) and 2A3 to Anaheim. The 1AC features the companyās original
Dual Input pickup with bass, mid, treble, blend, and volume
sliders, and a lovely sunburst or black finish. The 2A3 (right) is
the first Angel without a cutaway, and it also features Clarkās new
3-way pickup systemāwhich incorporates a small condenser mic
thatās shelved at 1.25 kHz to eradicate feedback problems while
serving up an airy, natural sound.
coleclarkguitars.com
L.R. Baggs
Lyric Mic System
The Lyric acoustic microphone system impressed
us with its unobtrusive design and
absolutely blew us away with its super-organic
tones and feedback resistance. It features
TRUā¢MIC noise-cancelling technology, analog
signal conditioning, a discrete mic preamp, and
presence and volume controls.
lrbaggs.com
Lowden
Paul Brady
Renowned Irish luthier George Lowden brought the redesigned Paul Brady signature model to
NAMM. Because Brady is now using an external mic during live performance, he wanted Lowden to
build him a model that would project a little more powerfully. To that end, the new signature model
uses figured bubinga back and sides matched to a red cedar top.
lowdenguitars.com
Martin
000-17SM
Unlike the original
all-mahogany
Martin 000-17,
the new-for-2013
000-17SM has
a spruce top as
well as a 12-fret
neck and slotted
headstockāmaking
this a sweet
amalgam of
classic Martin elements
and a silky
smooth fingerstyle
machine.
martinguitar.com
RainSong
Parlor
Available in both 12- and 14-fret
versions, RainSongās new Parlor
model uses the companyās
Projection Tuned Layering and
is all but bulletproof. This little
beauty is stage ready, too, with
its Fishman Acoustic Amplification
Prefix electronics and
built-in tuner.
rainsong.com
Taylor
Grand Orchestra
Taylorās latest series comes in a
multitude of tonewood combinations
that were knocking out
folks right and left with beautiful
aesthetics, trademark crystalline
responsiveness, and the same
silky playability the company is
renowned for. The Grand Orchestra
shown here features spruce
and mahogany and Expression
System electronics.
taylorguitars.com
Acoustic Gear
Andrew White Guitars
Gypsy Jazz-E
West Virginia acoustic builder Andrew
White Guitars brought a whole line of
impressive guitars to NAMM. His all-solid
import flattops were impressive at less
than $1,200, but the Gypsy Jazz-E shown
here was what had heads turning the most.
It features a solid Italian spruce top, solid
curly walnut back and sides, a 1-piece
mahogany bolt-on neck, and a fretboard
and bridge made of ebony.
andrewwhiteguitars.com
Guild
Orpheum Orchestra
Master luthier Ren Ferguson (who previously
helped restore Gibsonās acoustic
brand to greatness) is now building for
Guild, and his latest creations are part of
the new Orpheum series. They feature
looks and appointments more typical of
guitars from 20 years before the companyās
1953 debut, including Adirondack
tops and bracing, hide-glue construction,
and stunning golden-age-of-American-flattops
styling. The line includes some very
un-Guild-like shapes, including a slope-shoulder
dread, as well as this Orchestra
with Adirondack red spruce and rosewood.
guildguitars.com
Cole Clark
Angel 1AC and 2A3
Aussie acoustic builder Cole Clark brought the new Angel 1AC
(left) and 2A3 to Anaheim. The 1AC features the companyās original
Dual Input pickup with bass, mid, treble, blend, and volume
sliders, and a lovely sunburst or black finish. The 2A3 (right) is
the first Angel without a cutaway, and it also features Clarkās new
3-way pickup systemāwhich incorporates a small condenser mic
thatās shelved at 1.25 kHz to eradicate feedback problems while
serving up an airy, natural sound.
coleclarkguitars.com
L.R. Baggs
Lyric Mic System
The Lyric acoustic microphone system impressed
us with its unobtrusive design and
absolutely blew us away with its super-organic
tones and feedback resistance. It features
TRUā¢MIC noise-cancelling technology, analog
signal conditioning, a discrete mic preamp, and
presence and volume controls.
lrbaggs.com
Lowden
Paul Brady
Renowned Irish luthier George Lowden brought the redesigned Paul Brady signature model to
NAMM. Because Brady is now using an external mic during live performance, he wanted Lowden to
build him a model that would project a little more powerfully. To that end, the new signature model
uses figured bubinga back and sides matched to a red cedar top.
lowdenguitars.com
Martin
000-17SM
Unlike the original
all-mahogany
Martin 000-17,
the new-for-2013
000-17SM has
a spruce top as
well as a 12-fret
neck and slotted
headstockāmaking
this a sweet
amalgam of
classic Martin elements
and a silky
smooth fingerstyle
machine.
martinguitar.com
RainSong
Parlor
Available in both 12- and 14-fret
versions, RainSongās new Parlor
model uses the companyās
Projection Tuned Layering and
is all but bulletproof. This little
beauty is stage ready, too, with
its Fishman Acoustic Amplification
Prefix electronics and
built-in tuner.
rainsong.com
Taylor
Grand Orchestra
Taylorās latest series comes in a
multitude of tonewood combinations
that were knocking out
folks right and left with beautiful
aesthetics, trademark crystalline
responsiveness, and the same
silky playability the company is
renowned for. The Grand Orchestra
shown here features spruce
and mahogany and Expression
System electronics.
taylorguitars.com
Premier Guitar is on location in Anaheim, California, for the 2013 NAMM Show, where PG's Shawn Hammond visits the Viktorian Guitars booth. In this segment, we get to hear the El Grace guitar.
Premier Guitar is on location in Anaheim, California, for the 2013 NAMM Show, where PG's Shawn Hammond visits the Viktorian Guitars booth. In this segment, we get to hear the El Grace guitar.
Premier Guitar is on location in Anaheim, California, for the 2013 NAMM Show, where PG's Shawn Hammond visits the TV Jones booth. In this segment, we get to see the PAF-Style Humbucker.
Premier Guitar is on location in Anaheim, California, for the 2013 NAMM Show, where PG's Shawn Hammond visits the TV Jones booth. In this segment, we get to see the PAF-Style Humbucker.