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Summer NAMM '12 - TC Electronic BH250 Bass Amp Demo

PG's Rebecca Dirks is On Location in Nashville, TN, for the 2012 Summer NAMM Show where she visits the TC Electronic booth. In this segment, we get to see and hear a demo of their newest bass amp -- the BH250, which also features Tone Print technology allowing players the ability to use their iPhone to swap out a desired Artist-approved effect like chorus, flanger, etc.



PG's Rebecca Dirks is On Location in Nashville, TN, for the 2012 Summer NAMM Show where she visits the TC Electronic booth. In this segment, we get to see and hear a demo of their newest bass amp -- the BH250, which also features Tone Print technology allowing players the ability to use their iPhone to swap out a desired Artist-approved effect like chorus, flanger, etc.

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Curious about building your own pedal? Join PG's Nick Millevoi as he walks us through the StewMac Two Kings Boost kit, shares his experience, and demos its sound.

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Handcrafted by the Gibson Custom Shop, only 100 guitars will be made, featuring premium appointments and a Murphy Lab Light Aged Walnut finish.

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Digital control meets excellent Brit-favored analog drive and distortion tones in a smart and easy-to-master solution.

Tons of flexibility and switchability that’s easy to put to practical use. Many great overdrive sounds spanning a wide range of gain.

Takes a little work up front to get your head around the concept.

$349

RJM Music Technology Full English Overdrive
rjmmusic.com

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Programmability and preset storage aren’t generally concerns for the average overdrive user. But if expansive digital control for true analog drive pedals becomes commonplace, it will be because pedals like the Full English Programmable Overdrive from RJM Music Technology make it fun and musically satisfying.

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LA LOM from left: Jake Faulkner, Nicholas Baker, and Zac Sokolow

Guitarist Zac Sokolow takes us on a tour of tropical guitar styles with a set of the cover songs that inspired the trio’s Los Angeles League of Musicians.

There’s long been a cottage industry, driven by record collectors, musicologists, and guitar-heads, dedicated to the sounds that happened when cultures around the world got their hands on electric guitars. The influence goes in all directions. Dick Dale’s propulsive, percussive adaptation of “Misirlou”—a folk song among a variety of Eastern Mediterranean cultures—made the case for American musicians to explore sounds beyond our shores, and guitarists from Ry Cooder and David Lindley to Marc Ribot and Richard Bishop have spent decades fitting global guitar influences into their own musical concepts.

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