PG's Joe Coffey is On Location in Nashville, TN, for Summer NAMM '09 where he swings by the Jay Turser Guitars booth. In this segment, we get to see two of their newest acoustic models - the JTA - 530 (Alaskan sitka spruce top, rosewood neck and bridge) and the JTA 560 (double-A grade Alaskan sitka spruce top, rosewood fingerboard and bridge and solid maple binding).



PG's Joe Coffey is On Location in Nashville, TN, for Summer NAMM '09 where he swings by the Jay Turser Guitars booth. In this segment, we get to see two of their newest acoustic models - the JTA - 530 (Alaskan sitka spruce top, rosewood neck and bridge) and the JTA 560 (double-A grade Alaskan sitka spruce top, rosewood fingerboard and bridge and solid maple binding).

A bone nut being back-filed for proper string placement and correct action height.

It doesn’t have to cost a lot to change your acoustic guitar’s tone and playability.

In my early days, all the guitars I played (which all happened to be pre-1950s) used bone nuts and saddles. I took this for granted, and so did my musician friends. With the exception of the ebony nuts on some turn-of-the-century parlors and the occasional use of ivory, the use of bone was a simple fact of our guitar playing lives, and alternative materials were simply uncommon to us.

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Johnny Winter's Burning Blues by Corey Congilio

Learn to rip like one of the all-time masters of modern electric blues.

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