PG's Jordan Wagner is On Location in Anaheim, CA, for NAMM 2010 where he visits the Martin Guitars booth. In this segment, we get introduced to two of their newest models; the OMCE Mahogany and the OMC-LJ Pro - Laurence Juber Signature Model. The OMCE features certified mahogany blocks with Mortise/Tenon neck joint, solid certified European Spruce top, maghogany sides and black richlite. The OMC-LJ Pro uses big leaf maple as its primary tonewood and has scalloped Adirondack spruce top braces to assure impressive resonance and dynamic range. The Adirondack spruce top, providing the full bottom associated with vintage Martin tone, combined with flamed big leaf maple back and sides, the bass is much more defined and the midrange more prominent and complex. Deftly accented by a Style 28 wood fiber rosette, fine herringbone top inlay, fine black/white wood fiber back inlay, HD-style zigzag center strip purfling, and grained ivoroid binding. The grained ivoroid endpiece is framed by fine black/white wood fiber inlay. The ebony belly bridge is fitted with a compensated saddle The two-piece maple neck, like that on many archtop guitars, contributes generous sustain and features a "Modified V" profile and a diamond volute at the base of the headstock. The handsome black ebony headplate bears the classic Old Style gold "C.F. Martin & Co." decal and nickel Waverly tuners with butterbean knobs. The ebony fingerboard is unadorned - with no position markers.



PG's Jordan Wagner is On Location in Anaheim, CA, for NAMM 2010 where he visits the Martin Guitars booth. In this segment, we get introduced to two of their newest models; the OMCE Mahogany and the OMC-LJ Pro - Laurence Juber Signature Model.

The OMCE features certified mahogany blocks with Mortise/Tenon neck joint, solid certified European Spruce top, maghogany sides and black richlite.

The OMC-LJ Pro uses big leaf maple as its primary tonewood and has scalloped Adirondack spruce top braces to assure impressive resonance and dynamic range. The Adirondack spruce top, providing the full bottom associated with vintage Martin tone, combined with flamed big leaf maple back and sides, the bass is much more defined and the midrange more prominent and complex.

Deftly accented by a Style 28 wood fiber rosette, fine herringbone top inlay, fine black/white wood fiber back inlay, HD-style zigzag center strip purfling, and grained ivoroid binding. The grained ivoroid endpiece is framed by fine black/white wood fiber inlay. The ebony belly bridge is fitted with a compensated saddle

The two-piece maple neck, like that on many archtop guitars, contributes generous sustain and features a "Modified V" profile and a diamond volute at the base of the headstock. The handsome black ebony headplate bears the classic Old Style gold "C.F. Martin & Co." decal and nickel Waverly tuners with butterbean knobs. The ebony fingerboard is unadorned - with no position markers.

The author’s Collings D2H rests on his favorite Fender amp combination for acoustic guitar: a Bandmaster Reverb atop a 1x12 extension cab with an Eminence Maverick inside. The amp has a custom-made baffle board with two 8" speakers, so can go it alone for smaller gigs.

Interested in plugging a flattop into your favorite silver- or black-panel beauty? Here’s what you need to know.

Have you ever tried to plug your acoustic guitar into a classic-style Fender amp? There are some hurdles to overcome, and this month I’ll provide some advice on how to get past them. But first, some background.

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A lightweight, portable amp series developed after months of forensic examination of vintage valve amps.

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Need an affordable distortion pedal? Look no further.

We live in the golden age of boutique pedals that are loaded with advanced features—many of which were nearly unthinkable a decade or so ago. But there’s something that will always be valuable about a rock-solid dirt box that won’t break your wallet. Here’s a collection of old classics and newly designed stomps that cost less than an average concert ticket.

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