A processor for guitar and bass with intuitive color touch display and advanced BOSS tone technologies.
Fusing advanced BOSS tone technologies into a modern hardware design, the GX-100 delivers premium sound and ultra-intuitive operation with a vivid color touch display. It features 23 AIRD amplifiers and over 150 effects derived from the flagship GT-1000, up to 15 simultaneous effect blocks, and deep real-time command via onboard footswitches, an expression pedal, and external control support.
The GX-100 features eight custom footswitches and an expression pedal with toe switch that can be assigned to control nearly any parameter. Switching into Manual mode provides direct stompbox-like control, and players can go even further with external control via footswitches, an expression pedal, or MIDI. There’s also a jack to remotely switch amplifier channels with memory selection or an assigned footswitch.
In addition to stage use, the GX-100 works as a USB audio interface for recording and performing with a computer. There’s also a headphones jack for quiet practice, plus an onboard looper for jamming, developing sounds and ideas, and performing. Using BOSS Tone Studio for macOS and Windows, players can tweak every GX-100 parameter, save sounds, and organize Live Sets for different gigs from a computer. And with the optional Bluetooth® Audio MIDI Dual Adaptor, it’s possible to wirelessly connect with a mobile device to adjust settings on-the-gig from the BOSS Tone Studio app and stream backing music through the GX-100.
BOSS GX-100 Guitar Effects Processor with Color Touch Display
The BOSS GX-100 Guitar Effects Processor is currently available in the U.S. for $599.99. To learn more about the GX-100 Guitar Effects Processor, visit www.boss.info.
The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.
PG’s Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the band’s bombastic guitar attack.
Brought to you by D’Addario.
Devilish Dunable
Guile has been known to use Telecasters and Gretsches in the past, but this time out he’s sticking with this Dunable Cyclops DE, courtesy of Gwarsenio Hall—aka Jordan Olds of metal-themed comedy talk show Two Minutes to Late Night. Guile digs the Dunable’s lightness on his shoulders, and its balance of high and low frequencies.
Storm Warning
What does Guile like about this Squier Cyclone? Simple: its color. This one is also nice and easy on the back, and Guile picked it up from Atomic Music in Beltsville, Maryland.
Crushing It
Guile also scooped this Music Man 410-HD from Atomic, which he got just for this tour for a pretty sweet deal. It runs alongside an Orange Crush Bass 100 to rumble out the low end.
James Guile’s Pedalboard
The Electro-Harmonix Micro POG and Hiwatt Filter Fuzz MkII run to the Orange, while everything else—a DigiTech Whammy, Pro Co Lil’ RAT, and Death by Audio Echo Dream 2—runs to the Music Man. A TC Helicon Mic Mechanic is on board for vocal assistance, and a TC Electronic PolyTune 3, Morley ABY, and Voodoo Labs Pedal Power 3 Plus keep the ship afloat.
