ESP debuted new Signature Series, limited-edition models and basses at NAMM 2024.
LTD GH SV-200
The LTD GH SV-200 is the newest Signature Series guitar for Gary Holt, one of the most influential musicians in the world of thrash metal. The LTD SV GH-200 is a more affordable version of Holt’s LTD GH-SV model announced in 2023, with the same offset ESP SV body shape, black finish, and red multi- binding as its higher-end version. Its features include bolt-on construction at 24.75” scale with a mahogany body and three-piece mahogany neck, a roasted jatoba fingerboard, 22 extra-jumbo stainless steel frets, a Floyd Rose 1000 double-locking tremolo, LTD tuners, and a set of direct-mount high-output ESP LH-301 pickups with red covers.
LTD GL Desert Eagle
ESP debuted a new Signature guitar for the company’s longterm artist endorsee George Lynch (Dokken, Lynch Mob) with the LTD GL Desert Eagle, a re-imagining of his famous Kamikaze model. It features an alder body and maple neck, joined with bolt-on construction at 25.5” scale. Its neck profile implements George’s original U shape, and it includes a Macassar ebony fingerboard and 22 extra-jumbo stainless steel frets. Components on the LTD GL Desert Eagle include a Floyd Rose 1000 SE double-locking tremolo with stainless steel screws, a special low-friction volume pot, and a special pickup combination that includes a Seymour Duncan Distortion pickup in the bridge, with push-pull coil splitting on the single volume knob, and an ESP SS-120 single-coil in the neck position. A portion of the proceeds of every LTD Desert Eagle will be contributed to George’s non-profit charity that assists Native American communities and causes. This guitar includes a deluxe ESP hardshell case.
LTD MK EC-FR
The LTD MK EC-FR is a new addition to the Signature Series for Mille Petrozza, founder of pioneering and influential thrash band Kreator. The MK-EC FR starts with the familiar single-cutaway shape of the ESP Eclipse, but offers a flat-top alder body with no bevels, horn scoop, or arm cut, and features black binding on the body, neck, and headstock. Other features include neck-thru-body construction at 25.5” scale, a three-piece thin u-shaped maple neck, and Macassar ebony fingerboard with mother-of-pearl dot inlays, Luminlay glow-in-the-dark side markers, and 24 extra-jumbo stainless steel frets. The all-black hardware on the MK-EC FR includes a Floyd Rose 1000 SE double-locking tremolo with stainless steel screws, precise Grover tuners, and a set of direct-mount EMG 81X (bridge) and EMG 85X (neck) active pickups with brushed black chrome covers. It includes a deluxe ESP hardshell case.
LTD Royal Shiva
The 2024 NAMM Show also saw the debut of a brand new Signature Series guitar for Bill Kelliher of award-winning American metal band Mastodon. Based on a guitar that Kelliher had built by the ESP Custom Shop, the LTD Royal Shiva has a completely unique double-cutaway body shape with a Silver Sunburst finish that extends to the back of the guitars body and neck. The Royal Shiva uses traditional set neck construction at 25” scale, joining a maple-capped mahogany body with a three-piece u-shaped maple neck. Its Macassar ebony fingerboard has large mother-of-pearl block inlays and 22 extra-jumbo frets. Components on the Royal Shiva include a TonePros TOM bridge and tailpiece, LTD locking tuners, a bone nut, a multi-ply black pickguard, and a set of Kelliher’s signature Mojotone Hellbender humbucker pickups. This guitar also includes a deluxe ESP hardshell case.
LTD TED-EC
The LTD TED-EC joins the Signature Series of Ted Aguilar, guitarist of Bay Area thrash band Death Angel. This single-cutaway EC has a Black finish sharply contrasting with white pickup covers/rings and white pearloid tuners. The TED-EC features special design aspects like neck-thru-body construction at 24.75” scale, mahogany body with maple cap, thin u-shaped three-piece mahogany neck, and Macassar ebony fingerboard with mother-of-pearl dot inlays and 24 extra-jumbo frets. Components on the TED-EC include a recessed Gotoh TOM bridge with string thru body, LTD locking tuners, and a set of EMG 81 (bridge) and EMG 60 (neck) active pickups with white covers. The TED-EC includes a deluxe ESP hardshell case.
LTD FL-4
Two new Signature Series basses also made their debut at the 2024 NAMM Show. The LTD FL-4 is the new signature bass for Fred Leclercq, bass player for German thrash metal band Kreator. The FL-4’s body shape is an adaptation of ESP’s Forest/F shape, but with a cutout at the tail end. It has an equally distinctive finish, with Satin Black that bursts to Red on the front and back edges of its body. The FL-4 features neck-thru-body construction at 34” scale, pairing an alder body with an extra-thin five-piece maple/purpleheart neck and Macassar ebony fingerboard with black binding, red offset dot inlays, and 24 extra-jumbo stainless steel frets. Its sound is driven by a single active EMG 35P pickup. Other components of the FL-4 include a Hipshot A Style bridge and Grover mini-tuners. The FL-4 includes a deluxe ESP hardshell case.
LTD MLB-4
ESP also announced the new LTD MLB-4, the company’s first Signature Series bass for Mike Leon of Brazilian-American groove/thrash metal band Soulfly. The MLB-4 is based on the musician’s personal ESP Custom Shop B Series bass, and features a textured sandblasted finish on its swamp ash body, a complementing black satin headstock, and an open-pore finish on the back of its extra-thin five-piece wenge/purpleheart neck. The MLB-4 features sturdy 6-bolt construction at 35” scale, a Macassar ebony fingerboard with 24 extra-jumbo stainless steel frets, and a premium active pickup set with two Nordstrand Big Splits. Other controls and components include individual volume knobs for each pickup, ABQ-3MS three-band EQ controls, Gotoh tuners, and a Gotoh 404BO-4 hardtail bridge. This bass includes ESP deluxe hardshell case.
ESP LTD Deluxe EC-01FT
The LTD Deluxe EC-01FT is a single-cutaway guitar with a flat-top body and clean electronics layout. It features a comfortable 24.75” scale with a smooth set-thru heel construction. It features a mahogany body and a distinctive brushed black pickguard. Its mahogany neck has a 43mm nut, slightly wider than is standard for EC models, allowing for comfortable ergonomics in power chords and fluid lead lines. It features a Macassar ebony fingerboard with pearloid block inlays and 22 extra-jumbo stainless steel frets. A recessed TonePros TOM bridge with string thru body keeps string height low and comfortable while maximizing resonance. Other components include LTD locking tuners.
Perhaps the biggest feature of the EC-01FT is the Custom 14, a new custom pickup designed exclusively for ESP by Seymour Duncan. Purpose-built to cover the specific needs of the ESP player, the EC-01FT’s flexible and dynamic Custom 14 pickup offers the range of tones needed by the contemporary guitarist, able to handle everything from clean, chimey intros to sizzling rock, classic metal, and hardcore tones, as well as the most crushing modern chugging and articulate, angular rhythm lines. A push-pull control on the volume knob splits this pickup to a wide-ranging single coil bridge tone.
Horizon Custom '87
The Horizon Custom ’87 takes the archtop body of the ESP Horizon, and offers it with minimal adornment for unencumbered playability. It offers neck-thru-body construction at 25.5” scale, pairing an alder body and an extra-thin three-piece maple neck. The Horizon Custom ’87 features a Macassar ebony fingerboard with 24 extra-jumbo frets and no inlays (using side position dots, like the 1980s Horizon version). Its components include a Floyd Rose 1000 double-locking tremolo, a Seymour Duncan TB-5 Custom Trembucker pickup in the bridge, and a Seymour Duncan Hot Rails pickup in the neck position. Coil spitting for single-coil tones on either or both pickups is available via push-pull controls on the volume and tone knobs.
ESP also announced updates to the Signature Series guitar of Lars Frederiksen of the iconic punk rock band Rancid. The LTD Volsung is now being offered in a new Oxblood Satin finish, and its design has been modified to a 22-fret design, maximizing the sweet spot for the neck pickup. The Volsung’s components include a TonePros locking TOM bridge and tailpiece, Gotoh tuners, and a set of Lars' signature EMG pickups, the LF-DMF. It also offers a unique three-control configuration, with individual knobs for each pickup volume plus a tone control. It includes a deluxe ESP hardshell case.
For more information, please visit espguitars.com.
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Chops: Intermediate Theory: Intermediater Lesson Overview: • Learn different ways to arrange scales. • Combine various sequences to create more intersting lines. • Solidify your technique by practicing unusual groupings of notes. Click here to download a printable PDF of this lesson's notation. |
Neutrik’s Timbre plug, made for toggling between capacitors.
Let’s begin with some typical additional capacitance values that certain lengths of cable (or capacitors) can bring to your system:
• 10’ vintage coiled cable (approx. 3 meters) -> 1 nF
• 15’ vintage coiled cable (approx. 4.5 meters) -> 1.5 nF
• 20’ vintage coiled cable (approx. 6 meters) -> 2.2 nF
• 30’ vintage coiled cable (approx. 9 meters) -> 3.3 nF
• Ritchie Blackmore-style, ultra-long vintage coiled cable -> 4.7 nF
I listed standard values here, so you should have no problem getting caps to match them in any local electronics store or online; the type of cap doesn’t really matter and will mostly be dominated by size, but I’ll share more about this in a minute.
Let’s quickly summarize the first installment of this column from last month’s issue: From a technical point of view, added capacitance shifts down the resonance frequency of the pickups, so they sound fatter, especially when using overdrive. This is exactly the reason why a lot of distortion and fuzz boxes with a vintage voicing use an additional cap at the input section; the resulting overdriven tone is fat and warm.
This month’s mod, which involves adding a capacitor to your signal, works best with vintage-flavored single-coil pickups (approximately 2.4 H inductance) or a typical old-school PAF-style pickup (approximately 3.8 H inductance). Modern high-output pickups are often sporting inductances of 6 H to 8 H, and don’t sound very good with this mod—when adding more cable capacitance to such pickups, the result is a dull and wooly tone without any clearness and definition. If you want to make your single-coil guitar sound more Les Paul-ish, you should try a 4.7n capacitor. It will shift the resonance frequency of your single-coil pickups down to the typical PAF ballpark, making for a very cool and usable old-fashioned guitar tone. It might feel a little muffled when playing clean, but ultra fat and punchy when using overdrive! In general, values higher than 4.7n are not recommended.
We have two options for where to install our cap.
On the Guitar Cable
This is the easiest location to add additional capacitance to your system, with several mod options:
1. The lightest mod ever isn’t a mod at all—it’s to simply buy a vintage guitar cable and plug it in whenever you need it! I don’t know of any company that offers modern guitar cables with intentionally high capacitance.
2. The Neutrik company offers a special angled plug, called the Timbre Plug, that you can solder to any guitar cable of your choice. The plug has a 4-way rotary knob on top to toggle between different capacitors. In addition to a bypass setting, the plug offers capacitances of 1nF, 2.2nF, and 3.3nF, letting you simulate different cable lengths on the fly.
3. You can add an additional capacitor to any guitar cable of your choice to convert it into a “longer-sounding” cable. You simply open one of the plugs to solder the cap between the hot and ground—that’s it. Small, 2.5 mm contact spacing ceramic caps are easy to put into a standard plug and are your weapon of choice here. It’s essential to only add the additional cap to one of the two plugs, but it doesn’t matter if you plug this side into your guitar, an effect, or your amp. This method allows you to build yourself some cables that simulate their older, longer relatives.
You can add an additional capacitor to any guitar cable of your choice to convert it into a “longer-sounding” cable.
Photo courtesy SINGLECOIL (https://singlecoil.com)
Inside the Guitar
You can also add a cap (or several) inside your guitar if you only need this mod for one instrument. If you’re looking for added capacitance with all your guitars, you’d be better off choosing one of the techniques mentioned above.
1. The easiest way is to solder your additional capacitor directly to your volume pot; this way it has a fixed value that can’t be changed and is always engaged. This operation is very simple to do, and you can use regular-sized caps for this.
You can add a cap (or several) inside your guitar if you only need this mod for one instrument.
Illustration courtesy SINGLECOIL (https://singlecoil.com)
2. If you want to make the cap switchable, such that you can run it either bypassed or engaged, you can install a SPST mini toggle switch or use half of a push-pull or push-push pot, which usually sport a DPDT switch underneath.
This drawing shows how to make your additional cap switchable.
Illustration courtesy SINGLECOIL (https://singlecoil.com)
3. If you want to use more than one cap to simulate different cable lengths, your weapon of choice is a rotary switch, setting up a kind of Gibson Varitone wiring without the inductor. Because we are switching capacitances, it is essential to run an additional 10 meg resistor in parallel to each of the caps, and to use a make-before-break, not a break-before-make, rotary switch to prevent loud popping noises when using the switch while your guitar is plugged into an amp. Leave the first lug of the rotary switch open for the bypass position without an additional cap.
If you want to use more than one cap to simulate different cable lengths, use a rotary switch.
Illustration courtesy SINGLECOIL (https://singlecoil.com)
4. If you want to make this mod even more flexible, you can add an additional “cable simulator pot” to your system. The pot should have the same resistance as your volume pot, and should be wired to your volume pot. This way, for example, you can add a 3.3nF or 4.7nF cap to the extra pot, and dial in as much cable capacitance as you like.
You can also add an additional “cable simulator pot” to your system.
Illustration courtesy SINGLECOIL (https://singlecoil.com)
On the Pedalboard
The idea of putting a rotary switch or cable-simulator-pot solution into an external unit to create a kind of extra-capacitance stompbox to use with all of your instruments is just around the corner, and yes, it’s possible! However, I don’t recommend this, because it’s physically located after the volume pot in the guitar, which means less volume (no unity gain) and less high end. But don’t worry: If you are looking for a pedalboard solution to simulate different cable lengths (which, as we defined earlier, means to shift the resonance frequency of the pickups), there are some active solutions on the market offering such a feature, usually in combination with a boost or buffer functionality. To name just a few, you should look into the Seymour Duncan Pickup Booster, Stellartone Micro Pedal, or the i2e Audio AG1.0 The PURR. Along with some other brands, these pedals will do the trick, and they’re not difficult to build if you are looking for a DIY solution.
So far, I’ve received several emails from readers asking for some more DIY guitar tools, so next month, we will look into some sustainable and environmentally friendly DIY guitar helpers—all of which you can build yourself easily by upcycling things you already have at home. Stay tuned!
Until then... keep on modding!
