
Each of the four new pedals houses 16 different effects, USB recording, and more.
IK Multimedia announces AmpliTube X-GEAR pedals. Each boutique, audiophile-grade pedal features 16 different effects, drawn from the most popular AmpliTube models and all-new reverb and delay algorithms, bringing IK's industry-leading effects out of the computer and onto pedalboards.
And each pedal is accompanied by an exclusive plug-in of the exact same effects. Using the plug-ins within AmpliTube 5 (SE version included), users can record, tweak settings and save presets back to the hardware pedal. Now guitarists can switch between stage and studio seamlessly, and enjoy world-class tone anywhere.
4 boutique digital effects pedals
AmpliTube X-GEAR pedals cover the 4 realms of guitar effects processing. There's X-DRIVE distortion and X-VIBE modulation, which offer a range of iconic, must-have analog pedal effects ā all recreated with our finest algorithms ever.
Custom-created by the IK team just for these pedals, X-TIME delay and X-SPACE reverb feature cutting-edge, studio-grade effects algorithms. All four X-GEAR pedals share the same audiophile hardware and bleeding-edge DSP for unsurpassed sound quality.
Show-stopping DSP inside
AmpliTube X-GEAR pedals leverage IK's latest technologies and 20+ years' experience as the #1 amp and FX modeling company. The state-of-the-art DSP onboard includes 16 custom high-end algorithms per pedal, drawn from the most popular AmpliTube models along with all-new reverb and delay algorithms.
Using 4x oversampling with 192kHz internal processing, X-GEAR pedals deliver amazing clarity to the stage with the realism and response that users love about AmpliTube 5.
Hardware that stands out
Built to last, X-GEAR pedals feature an aluminum chassis designed and made in Italy with components that guarantee the best possible sound in a stomp pedal. There's ultra-low noise, 24-bit/192kHz converters for class-leading sound quality, an extended 5 Hz ā 24 kHz frequency response to capture the full scope of your instrument's tone, and up to 123 dB dynamic range for whisper-quiet operation no matter how much gain is applied. With a pure analog dry path and selectable true or soft bypass, the guitar's tone will ring true no matter how simple or sophisticated the signal chain becomes.
AmpliTube X-GEAR boutique guitar pedals - Your studio sound onstage
Industry-leading integration
Each AmpliTube X-GEAR pedal includes a matching X-GEAR plug-in for Mac/PC. Opening any version of AmpliTube 5 (SE included), users will find a virtual X-GEAR pedal available as a stomp for use within the program. Adjust any of the pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Preset Manager lets users move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal, where up to 300 presets can be stored.
All-in-one recording
For recording, X-GEAR pedals feature a built-in USB audio interface so no other gear is needed. 24-bit/48kHz converters and a frequency response of 5Hz to 24kHz capture bass or guitar in all its range and nuance. Versatile routing options let users choose between sending the wet or dry signals to their DAW. There's also a headphone out (X-DRIVE only) or stereo out for monitoring and thanks to full MIDI implementation users can map the dials and stomps of X-GEAR to control AmpliTube and/or any compatible program.
From sound check to final encore
When it's time to play out, AmpliTube X-GEAR pedals offer everything players need to perform at their best. The guitar-friendly interface and intuitive knobs are easy to tweak on the fly. Indoors or out, a high-contrast LED display keeps users informed on their settings and preset banks. An expression pedal input adds additional control over any parameter, while full MIDI implementation is built-in for even the most complex setups. We've also included 3 cabinet impulse responses in each pedal to connect directly to the PA.
Signal chain to the stars
Combining AmpliTube X-GEAR pedals creates a formidable team, seamlessly sending and receiving MIDI commands for dramatic effects changes. With the included Preset Manager, users can easily set up one X-GEAR pedal as the master to send program changes to the other pedals, and then just drop the presets they want activated into the appropriate slots. Daisy-chain the pedals together via MIDI and let the show begin.
With open architecture for future updates, AmpliTube X-GEAR pedals will empower players for years to come. Now everyone can bring perfect studio guitar sound onstage or anywhere.
AmpliTube X-GEAR pedals will be arriving late Q3 and are currently available for pre-order from the IK Multimedia online store and from IK authorized dealers worldwide for $/ā¬299.99.*
*All pricing excluding taxes
For more information about AmpliTube X-GEAR pedals or to see them in action, please visit: www.ikmultimedia.com
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Empress Effects is proud to announce the release of the Bass ParaEq, a bass-specific parametric EQ pedal.
Building on the success of their acclaimed ParaEq MKII series, which has already gained popularity with bassists, the Bass ParaEq offers the same studio-grade precision but with features tailored for bass instruments.
Basses of all types ā including electric and upright basses with active and passive electronics ā can benefit from the Bass ParaEqās tone-sculpting capabilities.
The new pedal follows the success of the Empress Bass Compressor and ParaEq MKII Deluxe, which have become some of the companyās best-reviewed and top-selling products. The Bass Compressorās popularity confirmed what Empress had long suspected: bassists are eager for tools built with their needs in mind, not just adaptations of guitar gear.
The Bass ParaEq retains the lineās powerful 3-band parametric EQ and studio-style features while introducing a bass-optimized frequency layout, a selectable 10M⦠Hi-Z input for piezo-equipped instruments, a dynamically-adjusted low shelf, and automatic balanced output detectionāperfect for live and studio use alike.
The Bass ParaEq also offers an output boost, adjustable by a dedicated top-mounted knob and activated by its own footswitch, capable of delivering up to 30dB of boost. Itās perfect for helping your bass punch through during key moments in live performance.
Whether dialing in clarity for a dense mix or compensating for an unfamiliar venue, the Bass ParaEq offers precise tonal control in a compact, road-ready form. With 27V of internal headroom to prevent clipping from even the hottest active pickups, the Bass ParaEq is the ultimate studio-style EQ designed to travel.
Key features of the Bass ParaEq include:
- Adjustable frequency bands tailored for bass instruments
- Selectable 10M⦠Hi-Z input for upright basses and piezo pickups
- Auto-detecting balanced output for long cable runs and direct recording
- Three sweepable parametric bands with variable Q
- High-pass, low-pass, low shelf, and high shelf filters
- Transparent analog signal path with 27V of internal headroom
- Buffered bypass switching
- Powered by standard 9V external supply, 300mA (no battery compartment)
The Bass ParaEq is now shipping worldwide. It can be purchased from the Empress Effects website for $374 USD and through authorized Empress dealers globally.
The veteran Florida-born metalcore outfit proves that you donāt need humbuckers to pull off high gain.
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single āTrembling Level,ā back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December⦠A Season of Separation, in full every night.
PGās Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the bandās show at Nashvilleās Brooklyn Bowl for this new Rig Rundown.
Brought to you by DāAddario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Hetās Hardwired strings, .011ā.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab thatās been rebadged in honor of its nickname, āDonkey,ā while the Archon, which is like a ārefined 5150,ā runs through an Orange 4x12.
Ryan Primackās Pedalboard
Primackās board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taverās Teles
Vadim Taverās go-to is this cherryburst FenderĀ Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primackās recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have DāAddario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taverās Pedalboard
Taverās board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmonās favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which heās outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ā70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmonās Pedalboard
Harmonās board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
Kiesel Guitars has introduced their newest solid body electric guitar: the Kyber.
With its modern performance specs and competitive pricing, the Kyber is Kiesel's most forward-thinking design yet, engineered for comfort, quick playing, and precision with every note.
Introducing the Kiesel Kyber Guitar
- Engineered with a lightweight body to reduce fatigue during long performances without sacrificing tone. Six-string Kybers, configured with the standard woods and a fixed bridge, weigh in at 6 pounds or under on average
- Unique shape made for ergonomic comfort in any playing position and enhanced classical position
- The Kyber features Kiesel's most extreme arm contour and a uniquely shaped body that enhances classical position support while still excelling in standard position.
- The new minimalist yet aggressive headstock pairs perfectly with the body's sleek lines, giving the Kyber a balanced, modern silhouette.
- Hidden strap buttons mounted on rear for excellent balance while giving a clean, ultra-modern look to the front
- Lower horn cutaway design for maximum access to the upper frets
- Sculpted neck heel for seamless playing
- Available in 6 or 7 strings, fixed or tremolo in both standard and multiscale configurations Choose between fixed bridges, tremolos, or multiscale configurations for your perfect setup.
Pricing for the Kyber starts at $1599 and will vary depending on options and features. Learn more about Kieselās new Kyber model at kieselguitars.com
The Sunset is a fully analog, zero latency bass amplifier simulator. It features a ¼ā input, XLR and ¼ā outputs, gain and volume controls and extensive equalization. Itās intended to replace your bass amp both live and in the studio.
If you need a full sounding amp simulator with a lot of EQ, the Sunset is for you. It features a five band equalizer with Treble, Bass, Parametric Midrange (with frequency and level controls), Resonance (for ultra lows), and Presence (for ultra highs). All are carefully tuned for bass guitar. But donāt let that hold you back if youāre a keyboard player. Pianos and synthesizers sound great with the Sunset!
The Sunset includes Gain and master Volume controls which allow you to add compression and classic tube amp growl. It has both ¼ā phone and balanced XLR outputs - which lets you use it as a high quality active direct box. Finally, the Sunset features zero latency all analog circuitry ā important for the instrument most responsible for the bandās groove.
Introducing the Sunset Bass Amp Simulator
- Zero Latency bass amp simulator.
- Go direct into the PA or DAW.
- Five Band EQ:
- Treble and Bass controls.
- Parametric midrange with level and frequency controls.
- Presence control for extreme highs.
- Resonance control for extreme lows.
- Gain control to add compression and harmonics.
- Master Volume.
- XLR and 1/4" outputs.
- Full bypass.
- 9VDC, 200mA.
Artwork by Aaron Cheney
MAP price: $210 USD ($299 CAD).