The Stealth Pedal is a USB connector and MIDI controller that comes packaged with IK Multimedia''s software
What’chya Got There?
Designed specifically for recording and playing through AmpliTube amp modeling software, this USB interface/controller packs a lot into a compact but sturdy wah style pedal. The left side of the unit features a USB input jack, three status LEDs, a 1/8” mini headphone out, a 1/4” external dual footswitch jack and a pair of balanced/unbalanced 1/4” audio outputs— Mono/Left and Right. The right side has 1/4” Hi-Z Left and Right balanced/unbalanced inputs, a Volume/Midi control knob and 1/4” Expression pedal input. Besides the basic wah style integrated expression control and associated stomp switch, it also has 24-bit A/D and D/A converters.
Setup
Included in the package are the StealthPedal, a three-meter-long USB cable, AmpliTube 2 Live, Ampeg SVX UNO, AmpliTube X-GEAR (which, according to IK Multimedia’s website, stands for eXpandable Guitar Effects and Amps Rig) Version 1.5, RiffWorks T4, a selection of AmpliGrooves loops and AmpliTube Metal. They also include hardcopy of both the user and installation manuals (and on behalf of users everywhere, thank you).
On both Mac and PC platforms (ASIO and Core Audio) you first install the AmpliTube X-GEAR and then the StealthPedal MIDI Control application. Note that PC users will need to install the system drivers. Authorization is made simple, with only a few clicks online. X-GEAR will work with a basic set of amps, cabs or stomps when no other “Powered by AmpliTube” products are installed, however installing the included software expands your palette. Note that StealthPedal will work with any MIDI controllable software, not just AmpliTube products.
In Action
Keeping it as simple as possible, my first test was just to fire the unit up and plug in my guitar. Hooking the USB cable up to the Stealth, the LED first flashed red and then settled on green, letting me know we were ready. I launched X-GEAR and then the Audio MIDI setup from the Settings tab. Selecting StealthPedal as the Input audio interface and Channel 1 as the Input channel, I set the audio out to Line and left the buffer at 256 (options are 64, 126, 256, 512, 1024, 2048, 4096).
Next, I selected StealthPedal from the menu on the upper right of the GUI and turned it on. I noticed that all my previously installed AmpliTube products showed up in the Preset window, and I chose a ‘57 Deluxe from the Fender collection. Bam! I was playing a Deluxe through just a USB cable into my computer. The latency was totally acceptable, the converters sounded great, and the signal was seemingly as clean as you could get it. Unlike some other amp modeling solutions, the pickup choice and lower volume reacted accordingly—they actually sounded like a real amp. Cool.
Now it was time to test the pedal itself. By default (with AmpliTube software), the Stealth’s switch and pedal are assigned to the first pedal loaded onto the virtual pedal board, while the External Expression pedal (optional) is assigned to the second slot. Loading the Wah into the first slot, I simply stepped on the pedal until I heard it click, and voilà, I was in Jimmy-land. I then put a Tape Echo into pedal slot 2 and selectedTime from the dropdown Setup menu. My foot pedal now controlled the Time on the Echo—and I got some wild sounds.
Next I plugged in a set of headphones, went to the Audio MIDI setup, chose StealthPedal as the output, and was jamming through some iBuds. Doesn’t get much easier than that. (If I wanted to plug into a PA, I could have just run the left and right outputs into a console.) To adjust the master levels of the pedal, go to the Audio MIDI setup of the computer itself, and tweak the StealthPedal settings under Audio Devices. Very cool indeed.
I then installed the whole shebang on my laptop and called up GarageBand. With a few more clicks and within a few minutes, I was playing to a cool loop through a built-in GB amp, using my crappy laptop speakers. Not sonically pristine, but damn, this can be fun—and I see the big-picture potential here for live playing.
Digging Deeper
Stealth also has a few cool “behind the scenes” features up its sleeve. When plugging guitar, bass, or keyboard into the pedal, the jacks will automatically detect whether you’ve inserted an unbalanced 1/4” or balanced TRS cable. It can handle passive or active pickups, bass, keys or whatever you want to plug in. You can assign the Pedal to switch automatically to the Tuner screen when you step on the contact switch. Then you can tune using the pedal’s LEDs, where red is sharp, orange is flat and green is in tune.
For preset switching, you’ll need an optional footswitch, but by default it will do so with no additional setup. You can bank up or down between amp presets, or even assign it to turn effects on or off, such as Echo or Distortion. Options abound with this little bugger.
The Final Mojo
With all the included software, the StealthPedal clearly represents not only the best value for a USB guitar/instrument controller, but the best sounding package. The Deluxe package includes full versions of AmpliTube 2 and SVX, as well as all the standard fare.
My only gripes are that it does not work directly with Pro Tools (only with MIDI) and that it must be plugged directly into a USB slot, not a hub. But the limitations are far outweighed by the benefits and this is the place to start for anyone looking to jump into virtual guitar recording or live playing.
Buy if...
you want an affordable, high-quality, compact, USB instrument connection for playing MIDI controllable software, live or in the studio.
Skip if...
you don’t have any USB slots open on your computer, and you need to record guitars into Pro Tools.
Rating...
MSRP $269 - IK Multimedia - ikmultimedia.com |
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The voice of the guitar can make the unfamiliar familiar, expand the mind, and fill the heart with inspiration. Don’t be afraid to reach for sounds that elevate. A host of great players, and listening experiences, are available to inspire you.
In late fall, I had the good fortune of hearing David Gilmour and Adrian Belew live, within the same week. Although it’s been nearly two months now, I’m still buzzing. Why? Because I’m hooked on tone, and Gilmour and Belew craft some of the finest, most exciting guitar tones I’ve ever heard.
They’re wildly different players. Gilmour, essentially, takes blues-based guitar “outside”; Belew takes “outside” playing inside pop- and rock-song structures. Both are brilliant at mating the familiar and unfamiliar, which also makes the unfamiliar more acceptable to mainstream ears—thereby expanding what might be considered the “acceptable” vocabulary of guitar.
Belew was performing as part of the BEAT Tour, conjuring up the music of the highly influential King Crimson albums of the ’80s, and was playing with another powerful tone creator, Steve Vai, who had the unenviable role of tackling the parts of Crimson founder Robert Fripp, who is a truly inimitable guitarist. But Vai did a wonderful job, and his tones were, of course, superb.
To me, great tone is alive, breathing, and so huge and powerful it becomes an inspiring language. Its scope can barely be contained by a venue or an analog or digital medium. At Madison Square Garden, as Gilmour sustained some of his most majestic tones—those where his guitar sound is clean, growling, foreign, and comforting all at once—it felt as if what was emanating from his instrument and amps was permeating every centimeter of the building, like an incredibly powerful and gargantuan, but gentle, beast.
“The guitar becomes a kind of tuning fork that resonates with the sound of being alive.”
It certainly filled me in a way that was akin to a spiritual experience. I felt elevated, joyful, relieved of burdens—then, and now, as I recall the effect of those sounds. That is the magic of great tone: It transports us, soothes us, and maybe even enlightens us to new possibilities. And that effect doesn’t just happen live. Listen to Sonny Sharrock’s recording of “Promises Kept,” or Anthony Pirog soloing on the Messthetics’ Anthropocosmic Nest, or Jimi Hendrix’s “Freedom.” (Or, for that matter, any of the Hendrix studio recordings remixed and remastered under the sensibilities of John McDermott.) Then, there’s Jeff Beck’s Blow by Blow, and so many other recordings where the guitar becomes a kind of tuning fork that resonates with the sound of being alive. The psychoacoustic effects of great tones are undeniable and strong, and if we really love music, and remain open to all of its possibilities, we can feel them as tangibly as we feel the earth or the rays of the sun.
Sure, that might all sound very new age, but great tones are built from wood and wires and science and all the stuff that goes into a guitar. And into a signal chain. As you’ve noticed, this is our annual “Pro Pedalboards” issue, and I urge you to consider—or better yet, listen to—all the sounds the 21 guitarists in our keystone story create as you examine the pedals they use to help make them. Pathways to your own new sounds may present themselves, or at least a better understanding of how a carefully curated pedalboard can help create great tones, make the unfamiliar familiar, and maybe even be mind-expanding.
After all these years, some players still complain that pedals have no role other than to ruin a guitar’s natural tone. They are wrong. The tones of guitarists like Gilmour, Belew, Vai, Hendrix, Pirog, and many more prove that. The real truth about great tones, and pedals and other gear used with forethought and virtuosity, is that they are not really about guitar at all. They are about accessing and freeing imagination, about crafting sounds not previously or rarely heard in service of making the world a bigger, better, more joyful place. As Timothy Leary never said, when it comes to pedalboards and other tools of musical creativity, it’s time to turn on, tune up, and stretch out!
Follow along as we build a one-of-a-kind Strat featuring top-notch components, modern upgrades, and classic vibes. Plus, see how a vintage neck stacks up against a modern one in our tone test. Watch the demo and enter for your chance to win this custom guitar!
With 350W RMS, AMP TONE control, and custom Celestion speaker, the TONEX is designed to deliver "unmatched realism."
"The next step in its relentless pursuit of tonal perfection for studio and stage. Born from the same innovative drive that introduced the world's most advanced AI-based amp modeling, TONEX Cab ensures that every nuance of modern rigs shines onstage. It sets the new standard for FRFR powered cabinets for authentic amp tones, delivering unmatched realism to TONEX Tone Models or any other professional amp modeler or capture system."
Setting a New Standard
- Professional full-range flat-response (FRFR) powered cab for guitar
- True 350 W RMS / 700 W Peak with audiophile-grade power amps and advanced DSP control
- The most compact 12" power cab on the market, only 28 lbs. (12.7 kg)
- Exclusive AMP TONE control for amp-in-the-room feel and response
- Custom Celestion 12'' guitar speaker and 1'' high-performance compression driver
- 132 dB Max SPL for exceptional punch and clarity on any stage
- Programmable 3-band EQ, custom IR loader with 8 onboard presets and software editor
- Inputs: XLR/1/4" combo jack Main and AUX inputs, MIDI I/O and USB
- Output: XLR output (Pre/Post processing) for FOH or cab linking, GND lift
- Durable wood construction with elegant design and finish
- Swappable grill cloths (sold separately) and integrated tilt-back legs
Finally, Amp-in-the-room Tone and Feel
Thanks to its unique DSP algorithms, TONEX Cab's exclusive AMP TONE control stands apart from any other FRFR in the market today, allowing players to dial in the perfect amount of real amp feel and response to any room or venue.
It achieves this through advanced algorithmic control over the custom high-wattage Celestion 12'' guitar speaker and 1'' high-performance compression driver. Together, they deliver the optimal resonance and sound dispersion players expect from a real cab. Combined with a wood cabinet, this creates a playing experience that feels alive and responsive, where every note blooms and sustains just like a traditional amp.
Ultra-portable and Powerful
TONEX Cab is the most compact 12'' powered cab in its class, leaving extra room in the car to pack two for stereo or to travel lighter. Despite its minimal size, the TONEX Cab delivers true 350 W RMS / 700 W Peak Class-D power. Its unique DSP control provides true-amp sound at any volume, reaching an astonishing 132 dB Max SPL for low-end punch and clarity at any volume. With larger venues, the XLR output can link multiple cabs for even more volume and sound dispersion.
Amplify Any Rig Anywhere
TONEX Cab is the perfect companion for amplifying the tonal richness, dynamics and feel of TONEX Tone Models and other digital amp sims. It adds muscle, articulation, and a rich multi-dimensional sound to make playing live an electrifying and immersive experience.
Its onboard IR loader lets players connect analog preamps directly to the cab or save DSP power by removing the modeler's IR block. Precision drivers also work perfectly with acoustic guitars and other audio instruments, ensuring that time-based effects shine with studio-quality clarity and detail.
Pro-level Features
TONEX Cab offers plug-and-play simplicity with additional pro features for more complex rigs. Features include a 3-band EQ for quickly dialing in your tone to a specific room without editing each preset. You can program the eight memory slots to store both EQ and AMP TONE settings, plus your cabinet IR selection using the onboard controls or the included TONEX Cab Control software. Seamlessly select between memory slots with the onboard PRESET selector or via the built-in MIDI I/O.
On Stage to FOH
TONEX Cab's balanced audio output makes it easy to customize the stage or house sound. It features pre- or post-EQ/IR for cab linking or sending sound to the front-of-house (FOH). The AUX IN allows users to monitor a band mix or play backing tracks. These flexible routing options are ideal for fine-tuning the setup at each gig, big or small.
Stereo and Stacking
With two or more TONEX Cabs, any rig becomes even more versatile. A dual TONEX pedal rig creates a lush, immersive tone with spacious, time-based effects. Players can also build a wet/dry or wet/dry/wet rig to precisely control the direct/FX mix, keeping the core tone intact while letting the wet effects add depth and space. Stack multiple cabs for a massive wall of sound and increased headroom to ensure the tone stays punchy and powerful, no matter the venue size.
Designed to Inspire
The TONEX Cab's Italian design and finish give it a timeless yet modern look under any spotlight. The integrated tilt-back legs let users angle the cab and direct the sound, which is optimal for hearing better in small or dense sound stages. Swappable optional grills (Gold/Silver) make it easy to customize each rig's appearance or keep track of different TONEX Cabs between bandmates or when running stereo rigs.
Bundled Software
TONEX Cab includes a dedicated TONEX Cab Control software application for managing and loading presets and IRs. As part of the TONEX ecosystem, it also includes TONEX SE, the most popular capture software program, with 200 Premium Tone Models, unlimited user downloads via ToneNET and AmpliTube SE for a complete tone-shaping experience.
Pricing and Availability
TONEX Cab is now available for pre-order from the IK online store and IK dealers worldwide at a special pre-order price of $/€699.99 (reg. MSRP $/€799.99*) with a black grill as the default. The optional gold and silver grill cloths are available at a special pre-order price of $/€39.99 (reg. MSRP $/€49.99*). Introductory pricing will end on March 18, with TONEX Cab shipping in April.
*Pricing excluding tax.
For more information, please visit ikmultimedia.com