Watch this pianist-turned-guitarist intertwine the styles of Eddie Van Halen and Andy McKee, with 10-finger orchestrations tapped out on his Les Paul Axcess, enlivened by a flexible Friedman BE-100 and a healthy pedalboard. His rig helps him build many moods, from melodious to morose.
āI grew up wanting to be Eddie Van Halen and Randy Rhoads, but over time Iāve found my own dark and aggressive style. These days, my dream as a musician is to make people feel as connected to the cosmos as I feel when I play the guitar,ā wishes guitarist Sammy Boller.
Sammy Boller has been playing guitar most of his life. He played in high school orchestra and even attended University of Michiganās School of Music, Theatre & Dance. In 2012, his life forever changed when he won Guitar Centerās āMaster Satrianiā competition. (Watch his submission for āSatch Boogieā here.)
Catapulting off that success, the next year Boller joined Detroit rockers Citizen Zero. The band released their 2016 debut LP, State of Mind, and its lead single āGo (Let Me Save You)ā climbed to #17 on Billboardās mainstream rock chart.
But even with Citizen Zeroās success, Boller wasnāt sending listeners into the stratosphere feeling one with the stardust. Then while shopping his instrumental solo work, he quickly earned a fan in CandyRat Records owner Rob Poland who signed Sammy. (CandyRat was started by Poland in 2004 and began working with Don Ross, Andy McKee, Antoine Dufourto. Boller released his debut solo album and an additional standalone singleāKingdom of the Sun and āPath of the Heartāāin 2020 that snake between Sunset shred and post-rock melodies. The next year was celebrated with Bollerās stunning third release āRitual Lightsā showing Sammyās first (solo) recorded run in with the wah wah. (Something youāll now see on his pedalboard later.) Heās since dropped a pair of singles āSpellboundā and āMidnight Gardenā that grow off his enchanting formula and adds in heightened technical abilities and deeper rhythmic grooves.
Before his headlining show at Nashvilleās Bowery Vault, the fretboard maestro shows off a pair of versatile guitars, explains why the chase for his pinnacle amp is over, and details and demos the select stompboxes that send his sound into the asteroid belt.
[Brought to you by DāAddario Strings & XPND Pedalboard.]
Les Paul, More Axcess
Sammy Boller scored this Gibson Les Paul Axcess Customāhis main cruiser since he was 20āon an eBay safari. Itās completely stock to him except he flipped the pickups for a set of Motor City Pickups with a HotHead (bridge) and Afwayu (neck). Both pickups are coil-tapped so when Boller needs a different tone for tapping or less aggression, itās there with a pull of a knob. His previous band, Citizen Zero, often performed in drop-D tuning, so he added an EVH D-Tuna to his Floyd Rose. The floating tremolo has been blocked off for tuning stability. And for his solo stuff, he typically plays a half-step down and always uses Elixir Strings 12052 Nanoweb (.10-.46).
Soul of the World
On the top side of his Les Paul, he etched in an inspirational reminder.
No Holds Barred
The second steed in his svelte setup is this Friedman NoHo 24 that Boller fell in love with years ago at NAMM. Not a fan of ānewā guitars, Boller had the Friedman team take the pristine, flame-maple-topped NoHo and gave it the companyās āvintageā touch seen on other models in their lineup. The āsuper stratā still has been upgraded with the same pickups as the Axcessā HotHead (bridge) and Afwayu (neck)āand the 24-fret guitar features a compact 24.75" scale length.
Excalibur
āI think I tried every amp out there,ā jokes Boller. āBut as soon as I plugged into one of these, I was like, āIām done!āā The Friedman BE-100 has been his go-to amp for over seven years. The ampās lively, supercharged plexi tone matched with modern appointments (three channels, effects loop, toggles for voice, bright, and cln-be-hbe) makes it a Swiss Army knife for Boller. Underneath the head, is a checkered Friedman 100-watt 4x12 cab outfitted with a pair of Celestion Vintage 30s and a couple of Celestion Creamback 25s.
Sammy Boller's Pedalboard
In front of the Musicomlab EFX MK-V Audio Controller, Boller has routed his Shure GLXD16+ digital wireless pedalboard unit, Korg Pitchblack Tuner, MXR EVH Phase 90, Empress Compressor (to lift his clean tapping parts), Dunlop CBM95 Cry Baby Mini Wah, and ISP Technologies Decimator II G-String that has two signals before and in the effects loop. The three other pedals in the BE-100ās effects loop are an Electro-Harmonix Holy Grail, MXR Carbon Copy, and a TC Electronic Flashback X4. Everything rides on the Friedman Tour Pro 1529 Platinum pedalboard.
Shop Sammy Boller's Rig
Gibson Les Paul Axcess Custom
Friedman BE-100 Deluxe
Friedman 412 Checkered 100-watt 4x12" Extension Cabinet
Celestion Vintage 30s
Celestion Creamback 25s
Shure GLXD16+ Digital Wireless Guitar Pedal System
Korg Pitchblack Tuner
MXR EVH Phase 90
Empress Compressor
ISP Technologies Decimator II G-String
Electro-Harmonix Holy Grail
MXR Carbon Copy
TC Electronic Flashback X4
Friedman Tour Pro 1529 Platinum Pack 15-inch x 29-inch Pedalboard
Elixir Strings 12052 Nanoweb (.10 .46)
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Empress Effects Buffer+ I/O Interface Pedal
The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.
Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.
Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+
Empress Effects Guitar Compressor Mk II - Silver
When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on our usersā valuable feedback, weāve taken everything great about our original Compressor and made it even better.
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, weāve now added a ātiltā tone eq control, and a selectable sidechain high pass filter built into the Compressorās detection circuit. Oh, and the whole package is now half the size and available in two snazzy colours!
Empress Effects ParaEq MKII Deluxe Equalizer and Boost Pedal
The ParaEq MKII and ParaEq MKII Deluxe are successors to Empress Effects' original parametric EQ pedal. Both offer 3 parametric bands of EQ, a boost function with up to 30 dB of gain, and true or buffered bypass modes. The Deluxe version adds fully variable bandwidth controls, low-pass and high-pass filters, and Baxandall low- and high-shelf filters for exceptional control and fidelity.
Empress Effects Heavy Menace Distortion Pedal
The Heavy Menace is the most versatile distortion pedal weāve ever created. Itās an evolution of our original Heavy with new features and a compact enclosure.
In addition to the original Heavy and Heavier modes, the Heavy Menace adds a new Lite(ish) mode, covering any high-gain sound from classic hard rock to searing modern metal.