Sophia Tremolos Announce Uno Single Stabilizer Upgrade

Immediately available, building on our experience with our flag-ship Global Tuner Pro with Dual Stabilizers and our QuickTune Thumbwheel, Uno ["you-know"] Single Stabilizer Upgrade boldly goes where Sophia Tremolo has never gone before.


Sophia Tremolos, since 2015, provides uncompromised high performance premium musical hardware in vintage specs, known for ease of use and stability, alchemical headless and multi-scale capable tremolos and hardtails, DropTuners, HeadPeace Tuners innovations presents the Uno Single Stabilizer Upgrade for StopBlocks on Sophia 2:22 Tremolos, Fender-style Two-Post compatible, and, OFR locking compatible, Sophia 2:92 and 2:92 Seven Tremolos.

Features

  • Easy two-step setup – thread the upgrade into position for your guitar and lock
  • Pre-tension calibrated based on our Global Tuner Pro
  • Retro-fits both our Performance Brass and Wider Cold-rolled Steel StopBlocks
  • Website: $75 upgrade or for existing StopBlocks | $125 incl. steel or brass StopBlock.

Sophia Tremolos - Sophia 2:22 Deluxe UNO

For more information:
CSLSophia.com

Flexible filtering options and a vicious fuzz distinguish the Tool bass master’s signature fuzz-wah.

Great quality filters that sound good independently or combined. Retains low end through the filter spectrum. Ability to control wah and switch on fuzz simultaneously. Very solid construction.

Fairly heavy. A bit expensive.

$299

Dunlop JCT95 Justin Chancellor Cry Baby Wah
jimdunlop.com

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Options for self-expression through pedals are almost endless these days. It’s almost hard to imagine a sonic void that can’t be filled by a single pedal or some combination of them. But when I told bass-playing colleagues about the new Dunlop Justin Chancellor Cry Baby—which combines wah and fuzz tuned specifically for bass—the reaction was universal curiosity and marvel. It seems Dunlop is scratching an itch bass players have been feeling for quite some time.

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Intermediate

Beginner

  • Develop a better sense of subdivisions.
  • Understand how to play "over the bar line."
  • Learn to target chord tones in a 12-bar blues.
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Playing in the pocket is the most important thing in music. Just think about how we talk about great music: It's "grooving" or "swinging" or "rocking." Nobody ever says, "I really enjoyed their use of inverted suspended triads," or "their application of large-interval pentatonic sequences was fascinating." So, whether you're playing live or recording, time is everyone's responsibility, and you must develop your ability to play in the pocket.

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