Supro Unveils New Flanger

Supro announces the arrival of their latest analog modulation effect and the first ever flanger to feature a Dimension switch that results in a double flanger effect.


Sibling to the Supro Chorus, the Supro Flanger is an all-analog, full-stereo modulation effect pedal that uses a quartet of genuine MN3009 Bucket Brigade IC chips to deliver the absolute richest Flanger effect possible while maintaining exceptional headroom. In addition to Speed and Width knobs, the Supro Flanger features a bi-directional Feedback control and a Sweep control that increases the delay time on one side of the stereo field while shortening the delay time on the other side.

Supro Flanger Demo with Zach Comtois | Supro

Featured for the first time in a flanger pedal, the Dimension switch crossfeeds the two channels into one another, creating the entrancing double-flanger effect of two delay lines being modulated in opposite directions, even when used in mono. Runs on standard 9VDC.

Available for preorder at select dealers worldwide. In stores this November. $289 US MAP

Bogner's beastliest amp is made miniature—and still slays.

Excellent sounds in a portable and very affordably priced package.

A footswitchable clean channel and onboard reverb would make it perfect.

$329

Bogner Ecstasy Mini
bogneramplification.com

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The original Bogner Ecstasy, released in 1992, is iconic in heavy rock circles. Though it was popularized and preferred by rock and metal artists (Steve Vai and Brad Whitford were among famous users), its ability to move from heavy Brit distortion to Fender-like near-clean tones made it appealing beyond hard-edged circles. Even notorious tone scientist Eric Johnson was enamored with its capabilities.

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Intermediate

Beginner

  • Develop a better sense of subdivisions.
  • Understand how to play "over the bar line."
  • Learn to target chord tones in a 12-bar blues.
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Playing in the pocket is the most important thing in music. Just think about how we talk about great music: It's "grooving" or "swinging" or "rocking." Nobody ever says, "I really enjoyed their use of inverted suspended triads," or "their application of large-interval pentatonic sequences was fascinating." So, whether you're playing live or recording, time is everyone's responsibility, and you must develop your ability to play in the pocket.

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