Four apps that Rich relies on: Cleartune Chromatic Tuner, Sonoma Wire Works FourTrack, Guitar Jam Tracks--Acoustic Blues, iReal Book, AOL Radio, and Voice Memos.
Left to Right: Cleartuneās Chromatic Tuner, The FourTrack recording app from Sonoma Wire Works, Ninebuzz Softwareās Guitar Jam TracksāAcoustic Blues, Massimo Biolcatiās iReal Book.
Without a doubt, we guitar players like our toys, no matter what size they come in. But the smallest one with the biggest punch is my iPhone. With its built-in software and a few cheap apps, the iPhone helps me tune up, rehearse, record and create. With literally hundreds of guitar-related apps available, how do you find the cool ones? One solution is to identify which apps have worked well for others. With that in mind, here are six apps that enhance my workflow.
The $3.99 Cleartune Chromatic Tuner is incredibly accurate. You can set it to display a simple note wheel that measures pitch with Ā±1 cent (1/100th of a half-step) accuracy. Jamming with harmonica or playing in a baroque ensemble? No problem: You can recalibrate A4 to something other than 440 Hz and make your adjustments in 0.1 Hz increments. Other features include automatic or manual note selection and a tone-generating Pitch Pipe mode.
I simply set Chromatic Tuner to automatic pitch selection and tune up while watching the note wheel. It works like a charm. The appās super-sensitive pitch detection allows me to place my iPhone in front of me on a desk or music stand and tune up from anywhere nearby. It will even let me tune up my electrics when theyāre unplugged. I canāt recommend this app enough.
Sonoma Wire Works FourTrack is slightly āexpensiveā at $9.99. (Imagineāwe think thatās expensive!) But you get 16-bit/44.1 kHz recording and an onscreen 4-channel mixer. Just like an old Tascam Portastudio 144, you can bounce down to open up tracks for more overdubs. FourTrack has a compressor and 4-band parametric EQ, panning and fadersāand has the ability to import audio tracks. The latest version (4.0.2) offers the GuitarJack control panel, which allows you to record using the optional GuitarJack audio interface that sports 1/4" and 1/8" inputs.
To use this app, you need to have headphones and a mic. (I simply use my headset mic.) Itās basically GEP (Good Enough Productions) to get the chords down and then overdub a melody or solo idea. But if you want, you can take it much further and do some decent recording. Iāve written a lot of songs with the help of this useful ātoy.ā
Itās fun to practice with Guitar Jam TracksāAcoustic Blues, a $1.99 app from Ninebuzz Software. Just pick a major or minor key and play along to the progression. The tempos are fixed and the sound is just mediocre, but I use it to practice phrasing and solo ideas. There is a section that displays scales (such as the A minor pentatonic for the selected key of A minor), which you can view while trying out new ideas. The company has other apps too, such as Humbucker Blues, Rock, Reggae, and Bass.
Another excellent value at $9.99 is the iReal Book. This app features over 900 songs that display neatly on your phone. You can transpose each song into any key and you can even have the app play along! Currently, there are 24 styles (12 jazz, five pop, and seven Latin), and each song can be played in any key at your chosen tempo in any of the 24 styles. You can create editable playlists (perfect for gigs) and edit existing charts. Itās a real blast to call up a tune, and play along to the piano, bass, and drums. As the song moves along, a small grey area follows the chart, showing you exactly what measure is playing. Itās a crazy-good way to learn tunes and practice.
I use the free AOL Radio app for inspiration. Itās like having satellite radio in your phone. The app offers a bunch of cool genres, ranging from āNew Indieā and āNew Altā to classical, jazz/blues, metal, and rock. One of my favorites is under the Rock tab, and itās called Rock Instrumentals. Thereās no shortage of amazing guitar playing, and itās sure to get you psyched to plug in. The app also displays the name of the artist and album as the tune plays. The only bummer is that it has commercials, but I just switch over to the All Metallica station when that happens.
The Voice Memos app is built into the iPhone software, and I get more use out of it than almost anything else on my phone. Itās simple: A small red record button, a VU meter, and a speaker icon sit below a large display of a microphone. Hit the red button and start recording using the internal mic. Itās my āidea catcher,āā and when I have a progression or a lick I donāt want to forget, I immediately record it. You can label an idea (for example, ācountry lick in G minorā) and listen back by hitting the speaker button. I also use it when co-writing or rehearsing a tune. The recording quality is good enough for referencing and the share button allows you to immediately send that audio file back to your co-writer via email. Iāve got a big catalog of song ideas and guitar licks in my phone that I revisit quite often. These are ideas that would certainly have escaped me in the old āOh, Iāll remember that oneā days.
Overall, I canāt recommend an iPhone enough for guitarists. And now, with prices of older models coming way down ($49 with a contract for some AT&T 3GS models), you can think of it as an affordable music-making tool.
Rich Tozzoli is a Grammy-nominated engineer and mixer who has worked with artists ranging from Al Di Meola to David Bowie. A life-long guitarist, heās also the author of Pro Tools Surround Sound Mixing and composes for the likes of Fox NFL, Discovery Channel, Nickelodeon, and HBO.
After more than two decades, Mark Sampson has rejoined Bad Cat to unveil his first amplifier with the company in over 20 years.
Sampson, renowned for his pioneering work in boutique amplifier design, was instrumental in shaping the golden age of hand-wired tube amps. His original designs set a benchmark for tone, craftsmanship, and reliability. Now, with the Era 30, Sampson has distilled over 35 years of amplifier design evolution into a product that embodies the best of his creative vision.
With four EL84 power tubes, the Era 30 delivers 30 watts of output power and offers two fully independent channels, each designed to bring out the best in your playing, no matter your style.
- Channel One: Powered by the iconic EF86 tube, this channel delivers harmonically rich, three-dimensional tones that tube enthusiasts dream of. The stepped six-position depth control sculpts low-end frequencies with precision, while the Treble control acts as a masterful tone-shaping tool.
- Channel Two: Featuring a 12AX7-based preamp, this channel offers a tighter, punchier tone. Its linear bass and treble controls provide intuitive shaping for everything from vintage chime to earthy, woody textures.
- Complete Control: Both channels feature independent gain and pre-phase inverter volume controls, giving players complete authority over their sound. Want the best of both worlds? The included two-button footswitch makes it effortless to switch between channels or combine them together.
Era 30 product features include:
- True Point to Point Hand-wired Construction made in Costa Mesa California, USA
- Custom Bad Cat Transformer Set by Pacific Transformers
- DC Filament Heaters in Preamp
- 30 Watts of Power from 4 x EL84 Power Tubes
- 1 x EF86 Preamp Tube
- 3 x 12AX7 Preamp Tubes
- 1 x 5AR4 Rectifier Tube
- 2 Switchable or Mixable Channels
- Independent Gain and Pre-Phase Inverter Volume Control per Channel
- 6-way Deep Control and Treble Control on EF86 Channel
- Linear Bass and Treble Control on 12AX7 Channel
- Global Post-PI Master Volume
- Buffered Effects Loop
- 4, 8, 16 Ohm Switch for Speaker Outputs
- Ultra-Durable Heather Tolex with Premium Leather Corners
- 2 Button Footswitch and Amp Cover Included
- 5 Year Limited Warranty
Bad Catās Era 30 amp is available as a head with matching 112 ort 212 cabs. Pricing is:
Head: $3899.99 US
112: $699.99 US
212: $999.99 US
For more information visit badcatamps.com.
Adding to the line of vintage fuzzboxes, Ananashead unleashes a new stompbox, the Spirit Fuzz, their take on the '60s plug-in fuzz.
The Spirit Fuzz is a mix of the two first California versions of the plug-in fuzz used by Randy California from Spirit, Big Brother & The Holding Company or ZZ TOP among others, also maybe was used in the "Spirit in the Sky" song.
A handmade pedal-shaped version with less hiss and more low-end with modern fatures like filtered and protected 9V DC input and true bypass. Only two controls for Volume and Attack that goes from clean to buzzy fuzz with some fuzzy overdrive in-between, also it cleans well with the guitar's volume.
The pedal offers the following features:
- Two knobs to control Volume and Attack
- Shielded inputs/outputs to avoid RF
- Filtered and protected 9VDC input
- Daisy-chain friendly
- Popless True Bypass switching
- Low current draw, 1mA
Each of the Hornet 15 Li amplifiers is designed to leverage Mooer's digital modeling technology to provide 9 preamp tones based on world-renowned amplifiers.
This modeling amplifier comes in two colors (White, Black), each of which is paired with its own carefully curated selection of preamp models.
The modulation dial can be adjusted to choose between chorus, phaser, and vibrato effects, whereas the delay dial facilitates analog, tape echo, and digital delay. Also, the reverb unit includes room, hall, and church emulations, making sure that there is an atmosphere and effect chain that works for any practice scenario.
A unique feature of this amplifier is how it can be used in two modes: āLiveā and āPresetā mode. When using Live mode, guitarists will be able to browse the device's built-in preamp tones, which they can then enhance if they wish to throw the effect units. In contrast, the "Preset" mode allows users to save these effects and dynamic parameter changes into each preset, enabling them to customize them without overwriting the originals.
As any good amplifier should, the Hornet 15 Li is complete with industry-standard features, such as three-band EQ adjustment dials, volume and gain dials, a 1/4" guitar input, and both an auxiliary input and headphone output. However, MOOER has gone above and beyond to pack the amplifier with several special features; for example, this modeling amp boasts separate tap-tempo buttons for both the modulation and delay units, in addition to a dedicated tuner button and function, allowing guitarists to use the device's screen to ensure their guitar tuning is precise. What's more, the Hornet 15 Li also supports Bluetooth input, meaning that any guitarist can stream their favorite songs and backing tracks directly to the amplifier, making practice sessions and rehearsals easier than ever.
Arguably, the most impressive feature of the Hornet 15 Li is the fact that, in addition to being powered by a mains supply, it can also operate on battery. The device is built with an integrated 4000mA.h lithium battery, empowering guitarists to practice guitar on the go for hoursāeven when thereās no power source nearby. Combining this with how the amp weighs just 2.9kg and comes with a built-in handle, itās clear that MOOER had portability and convenience in mind when designing this product.
Features:
- Available in 2 colors (White, Black), each with its own selection of classic preamps
- 9 high-quality preamp models, each captured through MOOERās MNRS technology (controllable through the 9-way tone rotary switch)
- Modulation effects unit (chorus, phaser, vibrato) and dial
- Delay effects unit (analog, tape echo, digital) and dial
- Reverb effects unit (room, hall, church) and dial
- Three dials for three-band EQ adjustment (treble, mid, bass)
- Gain and master volume dials
- Live/Preset mode toggle switch
- Tap tempo buttons and features for modulation and delay effects
- 15 watts of rated power, ideal for practicing
- Digital screen for displaying functional and tuning information
- Built-in digital tuner
- Ā¼ā guitar input
- 3.5mm auxiliary input
- 3.5mm headphone output
- Bluetooth support for high-quality audio input playback, perfect for backing tracks
- Convenient handle for easy transportation
- Rechargeable 4000mA.h lithium battery for portable play
- Power switch for easy on/off control
The Hornet 15 Li is available from distributors and retailers worldwide now.
Did Holdsworth's fretboard wizardry make him the Coltrane of the guitar? And more questions that emerged as we did our deep dives.
Here at 100 Guitarists, we thought we knew a lot about Allan Holdsworth. But after we did our deepest of dives, we only emerged with more questions: Was Holdsworth the John Coltrane of the guitar? Was he the quintessential fusion guitarist? Why isnāt there a Holdsworth signature Synthaxe? And how do you read his weird chord charts?
We might not have all the answersāand when it comes to his chord charts, we definitely do notābut weāre taking some big swings. We also share our top picks, which includes Tony Williams rippers, slick Ted Templeman-production, and a Beatles cover.
In our current listening segment, weāre talking about a Wayne Horvitz/Bill Frisell archival release and Jersey Boys.