
Cory sits down with his bandmate-brother, multi-instrumentalist Theo Katzman, to discuss the virtues of musical self-acceptance, the infectious charisma of Trey Anastasio, and how Theo has made a career out of being a jack of all trades.
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When Theo Met Trey Anastasio | Wong Notes Podcast
What Theo Learned from Meeting Trey Anastasio
Theo: Once the jam thing started to catch on, and people got me into Phish, and you know I love Phish. I mean, we love ... I mean, Trey. We've actually gotten to have dinner with Trey.
Cory: Dude, that was one of the dopest dinners ever.
Theo: One of the best nights of my life.
Cory: Uncle Trey.
Theo: Trey. Dude, the stories out of that cat! Uncle Trey, man. People have no idea what a big influence- Trey ... What is it like, when Bonnaroo started, they rented Trey's PA? There's no modern festivals without Phish. You know what I mean? They blazed such a trail and what a genuine, generous, beaming light of a human Trey Anastasio is.
Cory: That was so much fun.
Theo: I love Trey. I would do anything for Trey, man. The thing I want to tell quickly about Trey, this is how genuine Trey is. We meet Trey, the Trey Anastasio Band and Vulfpeck are out to dinner. Our friend Merlin threw a dinner for us. He's an amazing chef.
Merlin gets an Airbnb for Vulfpeck and the Trey Anastasio Band to have dinner the night before we play Red Rocks. So we fly in early, we have this incredible meal. We're all getting to know each other, saying, "What's up?" Some of us are friends already. We sit down the table and it didn't occur to me that Trey was going to join. And then all of a sudden, Trey walks in and I'm like, "Oh my God, it's Trey." And I'm like, "Okay, play it cool." Because it's like childhood hero stuff. Yeah, this is, I'm cool, right? Am I cool? We cool?
And he says hey to everyone. He's like, "Hey man, what's your name?" "Theo" he's like, "Oh, I'm Trey." I'm like, "Good to meet you, man." And I think I was the last in line of the intros here or something. So he's like, "So what have you guys been doing, man? Are you on tour? Is this a one-off?" And I go like, "Ah, yeah, playing a couple shows" And I just gave him an out, like quick answer, no big deal. Like here's the exit, Trey, you can just take the exit. Go for it. And he's like, "Oh yeah, where? What's up? What's up with the tour? What's going on?" And I'm like, "West coast." Another out. He's like, "Where?" I'm like, "Portland." He's like, "Where?"
Cory: Crystal Ballroom!
Theo: I'm like, "Ah, Crystal Ballroom." He's like, "Oh man, is that the room of the bouncy floor?"
Cory: Yes, dude! I remember this!
Theo: I'm like, "Yes." He's like, "I love that room." And he starts talking about the room and he is asking questions and it was like, wow, this guy is... I can't get him out of this conversation. And I'm trying because I'm assuming he wants to leave because he's a celebrity. But no, he’s so interested. Do you know what I mean?
Cory: He wanted to know where we were in the journey. He wanted to know how we were getting through it.
Theo: Yes.
Cory: He was interested in the details of, what rooms are you at? Are they fun for you? Is it still like this? Because I remember it like this. Remember he was talking about putting all the gear in the back of Fishman's, like gremlin car or something like that? He was talking about how they went from cars to the van, to the bus, to the buses … Dude, you're absolutely right. He was so interested.
Theo: Yes, and I have to say, this is a little “woo woo” perhaps, but the thing that people feel flying off Phish is that. And I haven't met the other guys, but I know they share that thing. And I also know Trey is a beacon of that and when you get on that stage, and when you put out that album, and even when you post on social media, and when you draw a graphic, and when you come up with a t-shirt and when you come up with your signature guitar with an emergency fourth position push-pot, okay?
You have an opportunity to send that genuine enthusiasm into the world via everything you do and call me crazy, but I started to realize of course this is who Trey is. Well, how do we get Phish? How do you explain Phish? This is a phenomenon. What is this about? It's bigger than the music. And then you talk to the guy and it's like, oh, he's interested in the story. He's interested in the journey. He's interested in the love. He's interested in the energy, the connection. You know what I mean? It's like no wonder this is the biggest independent band in the history of the world. I mean, Phish is a massive thing.
Cory: Dude. They're huge.
Theo: So I want people to know this because I think on your way up in the journey, you're like, how do I get to position X? And then you look at people who you're like, "Oh, I got to get a... I got to go to Hollywood and get into some real darkness with the labels" and it's like, well, maybe not. I'm looking, talking to the most successful independent musician in the history of the human race. And it seems like actually being an incredibly interested, genuine human is actually big part of it.
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Another pedal, another chance to win! Enter Stompboxtober Day 27 for your shot at today’s pedal from Gibson Maestro Pedals!
Maestro Fuzz-Tone FZ-M Fuzz Pedal
Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
Photo by binkle_28. Creative Commons: https://creativecommons.org/licenses/by-sa/2.0/
Founding Grateful Dead bassist Phil Lesh has died at 84.
Official statement from Phil Lesh's Facebook page:
He was surrounded by his family and full of love. Phil brought immense joy to everyone around him and leaves behind a legacy of music and love. We request that you respect the Lesh family’s privacy at this time.
This is a developing story.
Vintage-style reverb, tremolo, and vibrato sounds abound in a 3-in-1 stomp that might be the only box you need.
The Keeley ZOMA combines two of iconic amp effects—tremolo and reverb—into one pedal.
Key Features of the ZOMA
● Intuitive Control Layout: Three large knobs give you full control over Reverb Level, Tremolo Rate,and Depth
● Easy Access to Alternate Controls: Adjust Reverb Decay, Reverb Tone, and Tremolo Volume withsimple alt-controls.
● Instant Effect Order Switching: Customize your signal path. Position tremolos after reverb for avintage, black-panel tone or place harmonic tremolo before reverb for a dirty, swampy sound.
● True Bypass or Buffered Trails: Choose the setting that best suits your rig.
Three Reverb and Tremolo Modes:
● SS – Spring Reverb & Sine Tremolo: Classic spring reverb paired with a sine wave tremolo for that timelessblack-panel amp tone.
● PH – Plate Reverb & Harmonic Tremolo: Smooth, bright plate reverb combined with swampy harmonictremolo.
● PV – Plate Reverb & Pitch Vibrato: Achieve a vocal-like vibrato with ethereal plate reverb.
Reverb: Sounds & Controls
● Spring Reverb: Authentic tube amp spring reverb that captures every detail of vintage sound.
● Plate Reverb: Bright and smooth, recreating the lush tones of vibrating metal plates.
● Reverb Decay: Adjust the decay time using the REVERB/ALT SWITCH while turning the Level knob.
● Reverb Tone: Modify the tone of your reverb using the REVERB/ALT SWITCH while turning the Rate knob.
Tremolo: Sounds & Controls
● Sine Wave/Volume Tremolo: Adjusts the volume of the signal up and down with smooth sine wavemodulation.
● Harmonic Tremolo: Replicates classic tube-amp harmonic tremolo, creating a phaser-like effect withphase-split filtering.
● Pitch Vibrato: Delivers pitch bending effects that let you control how far and how fast notes shift.
● Alt-Control Tremolo Boost Volume: Adjust the boost volume by holding the REVERB/ALT footswitch whileturning the Depth knob.
The ZOMA is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
ZOMA Stereo Reverb and Tremolo
The first sound effects built into amplifiers were tremolo and reverb. Keeley’s legendary reverbs are paired with their sultry, vocal-like tremolos to give you an unreal sonic experience.