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Gear of the Month

After Dimebag Darrell gave Hard Rock the guitar, he handwrote a letter of authenticity. It reads: “THE DIMEBAG CROWN ROYAL! This is a tough one to give up. It’s



After Dimebag Darrell gave Hard Rock the guitar, he handwrote a letter of authenticity. It reads: “THE DIMEBAG CROWN ROYAL! This is a tough one to give up. It’s too nice to play live, so I guess there is no better place than the Hard Rock to put it on display. Crown Royal purple to 24-karat gold inlays, this jewel marks the 40 million gallons I’ve pounded rockin’ over the years. Enjoy!” Needless to say, this guitar is one of the most treasured artifacts in the Hard Rock collection and a fitting tribute to an incredible guitarist. It’s currently on display at the Hard Rock Cafe in Orlando, Florida. Photo by Adam Chandler

“Dimebag” Darrell Lance Abbott was a rock star’s rock star. On December 8, 2004, the Pantera and Damageplan guitarist was gunned down doing what he lived for—thrashing onstage with Damageplan and partying with fans at the Alrosa Villa in Columbus, Ohio. His untimely passing left a gaping hole in the metal world, one that will never be filled with the same fun-loving personality and musical sensibility.

Dimebag was famous for embracing his devoted legions and being both generous and genuine with fans. If it meant answering endless questions at a guitar clinic, signing every piece of merch or gear after a show, or just taking the time to listen to a metalhead’s compliment and offer a high-five, Abbott seemed happy doing it.

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Dave Davies invented distortion. With frustration pushing him to wits end, the Kinks’ guitarist lashed out with a razor blade on the speaker cone of his Elpico amplifier because

Dave Davies invented distortion. With frustration pushing him to wits end, the Kinks’ guitarist lashed out with a razor blade on the speaker cone of his Elpico amplifier because he couldn’t get the desired guitar tone. (We’ve all wanted to stab our gear at one point, right?) Little did Davies know that a small tear around the speaker’s cone—still keeping the cone fully intact—would create one of the most important musical sounds of the 20th century that led to the instantly identifiable riff in the Kinks’ “You Really Got Me.”

Davies was a man of many guitars, but probably best aligned with the Gibson Flying V. Throughout his years with the Kinks and various solo projects, he used several Gibson models including this 1978 Gibson Les Paul Artisan. During the early ’80s, he preferred to use this guitar live when playing tunes from Low Budget, Give The People What They Want, and Chosen People, including the ripper “Freedom Lies.”

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John Page’s Performer was commissioned to combat lost sales to the “super strats” that were flooding the market in the mid-’80s.


Photos by Mark Bradford

In 1985, the launching of the Atlantis, releasing of Microsoft’s Windows 1.0 and Nintendo Entertainment System, and the Cold War meeting between Gorbachev and Reagan in Geneva made for a big year. But for guitarists, 1985 is a standout year because it signals the righting of the CBS-driven Fender ship that lasted 20 years. In January of that year, CBS sold the company to Bill Schultz and nine other employees and distributors for $12.5 million. However, within the agreement, the newly formed FMIC wouldn’t gain ownership or access to the currently standing Fullerton facilities so they were forced to continue importing lower-priced instruments and build a U.S. factory to start 1986 production runs.

Before the CBS sale, John Page—young Fender employee in R&D—was tasked with creating a new, radical guitar to be called the Performer. Throughout the transition from CBS to Fender, Page continued on with the Performer project and readied it for production once FMIC was in control of the company. Due to the aforementioned lack of facilities—the Performer was to be a U.S.-made instrument—Page and Fender moved ahead with production and the instrument was made in Fujigen, Japan.

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The USAF Redeemer guitar that Guilford built in their honor features a bound, poplar body covered with United States Air Force camouflage, and it’s finished in gloss nitrocellulose.

The United Service Organizations (USO) began its star treatment for U.S. troops during World War II, when Bob Hope took the stage at March Air Force Base in Riverside, California, on May 6, 1941. Since then, celebrities—from musicians like the Zac Brown Band and Toby Keith to comedians and actors such as Stephen Colbert and Jon Stewart—have entertained and participated in thousands of USO shows across the globe. The aim is to lift troop morale through laughter and song, regardless of the political affiliation of the star. But for Lillian Axe lead guitarist Steve Blaze, it went further than that.

“I’ve always had a great appreciation for our military at all levels—from the guys at the desks to the guys in the field—for what they’ve done for this country,” says Blaze. “When my friend Major Henry C. Cecil asked me if I thought it’d be a good idea to get luthier John Guilford to build a guitar to benefit the U.S. Air Force … [laughs] before he could even finish his sentence, I said, ‘Yes!’”

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