Question: Is expensive vintage gear really worth the price?
Guest Picker
Iyad Moussa Ben Abderahmane, a.k.a. Sadam (Imarhan)
A: In terms of music gear, I’m not a big collector. But I’ll always pick vintage over newer stuff. I’m a fan of old Gibson guitars—I actually own an SG from the late ’70s, either ’78 or ’79. It sounds amazing and is really easy to play.
Obsession: My current obsession is figuring out how I can help keep the Tamasheq language alive. I’m thinking about writing a book so my kids can learn it, and maybe even finding a way to connect the language to tourism in southern Algeria. I believe we need to develop tourism around Tamanrasset—it could play an important role in safeguarding our culture.
Reader of the Month
Derek Rader
A: My answer … maybe. What motivates you to play and perform is worth the money within a person’s means. If a vintage guitar price isn’t unobtanium, and it has the feel, sound, and mojo, then it’s an emphatic yes! However, a myriad of luthiers and custom shops can provide a similar experience with modern production methods, materials, and electronics, at a lower cost, and the comfort of a warranty. There isn’t a wrong choice if the purchase is motivated by what drives you to play and write music that created the spark to pick up your first guitar.
Obsession: Music theory! A definite area for improvement, and I’m working with the talented Mr. Cris Eaves to improve as a player. Amazing journey!
Contributing Editor
Ted Drozdowski
A: I used to be dismissive about vintage gear until Ronnie Earl let me play his ’64 Strat years ago. I instantly sounded and played better. Now, I treasure my vintage instruments: a ’68 Les Paul, a ’58 Special, a ’72 Super Lead, a ’64 Supro Tremo-Verb, and an original Maestro Fuzz-Tone. Nothing sounds quite like these originals. That said, I can’t imagine spending six digits on a guitar—even if I had that much cake—unless I was also giving a lot to charity.
Obsession: EHX’s new Pico Atomic Cluster Spectral Decomposer. It’s full of sounds I’ve been looking for!
Gear Editor
Charlie Saufley
A: Vintage-or-not is a completely case-by-case thing, and there is no one criteria by which to judge the worth of an old instrument. Depending on your musical needs and manner of expression, some old things that have since been digitized don’t cut it in compact form. For instance, I’m tired of paying to fix my Echoplex EP-3, but I haven’t found a digital alternative that I can physically manipulate in the same way. Three little clustered dials just aren’t going to work or feel like the EP-3’s record-head slider/lever and the perfectly spaced sustain and volume knobs—not to mention the tape irregularities.
Vibes are a real thing too, though. I’m no less psyched when I play something I like on a brand-new Squier. But I also know that engaging with my old guitars and amps is a different kind of fun. It’s just like driving a car from the 1950s or 1960s. The right ones—in addition to feeling as comfortable as old, worn baseball gloves—exude a sense of history and travel and secret stories that appeal to a sentimentalist like myself, and those sensations spark my imagination in ways I can’t put a price on.
Obsession:
Inventing a melody, slowing it down—way down—and fitting a new melody in the spaces in between.
