Reinhold Bogner told tales of his beginnings at the latest event in Guitar Center''s Session Series

Barry Mitchell interviews Reinhold Bogner
Hollywood, CA (April 27, 2009) -- Amp enthusiasts were treated to an up-close interview with amp designer Reinhold Bogner during an event at Guitar Center’s flagship Hollywood store.

Bogner was the featured guest in Guitar Center’s Sessions Series initiative. The April 23 gathering was open to the public (as are all Sessions Series events) and attracted a standing-room-only crowd into the cozy confines of the GC’s vintage guitar showroom. There, on a small stage surrounded by exquisite vintage guitars and a phalanx of Bogner amps, Reinhold Bogner shared details on his background and design approach with interviewer Barry Mitchell, a longtime associate of Bogner’s who now works for Line 6 and is deeply involved in the recent partnership between Bogner and Line 6.

The 75-minute event was capped by fierce guitar playing by Mitchell and Rafael Moreira, who joined Bogner onstage following the interview portion of the event and demoed the new Bogner Alchemist amp to an appreciative audience.

The freewheeling evening was frequently punctuated by Bogner’s trademark quirky humor and it covered numerous details of his remarkable 20-year career. Born and raised in southern Germany, Bogner began experimenting with electronics as a youngster and was initially inspired by the iconic Marshall sound. His first amps emulated the classics, but he noted that “after you’ve tried a few of the original schematics you make little changes and start to add your own flavor.”

Smitten by guitarists such as Gary Moore, Rory Gallagher, Vernon Reid and Steve Morse, he began to actively seek out pro players who were visiting Germany. “I went to concerts in the afternoon and I would sneak in through the back door during sound check and tried to introduce myself. Most of them were pretty friendly and they all pretty much said the same thing: ‘What are you doing here? You should go to LA.’ That seemed so far away at the time.”

Rafael Moreira (right) plays through the Alchemist as Bogner looks on
He eventually moved to Los Angeles in 1989 and immediately distinguished himself with his prowess at amp and circuit design. Beginning with his Triple Giant preamp, Bogner won admirers among world-class pros and steadily built the company that today bears his name. His recent partnership with Line 6 has brought Bogner’s influential approach and made it accessible to a new, broader range of players.

The April 23 event followed a similar Guitar Center Sessions event at GC’s main New York City location on April 16. On both dates a Bogner Alchemist 112 amplifier was raffled off to a lucky attendee. Guitar Center Sessions is an ongoing series of events that features interviews and panel discussions with artists and musicians. The events are free and open to the public.

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We’re almost finished with the aging process on our project guitar. Let’s work on the fretboard, nut, and truss rod cover, and prepare the headstock for the last hurrah.

Hello and welcome back to Mod Garage. This month we’ll continue with our relic’ing project, taking a closer look at the front side of the neck and treating the fretboard and the headstock. We’ll work on the front side of the headstock in the next part, but first we must prepare it.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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