 | Economic Downturn Good for Musicfrom Wall Street JournalThe plunging economy and souring national mood isn''t such a bad thing, notes a letter writer to the WSJ. The last time this happened, in the late ''60s and early 70s, we got some of the best music ever made. Are we on the verge of another ass-kicking, rock revival? |
 | Ron Wood Hitting Bottom?from the Mercury News/Philly Inquirer/Daily TelegraphThe Daily Telegraph (UK) paints a bleak picture of the Stones'' guitarist''s current situation. Either that, or this fourth generation passing of information involves completely false accusations and mischaracterizations that the pesky internet seems to continue to circulate without just cause. Damn interwebs. |
 | Hendrix Backed Stills?from a Wired blogRumors fly regarding the much-circulated bootleg and now soon-to-be-released, long-lost recordings of Jimi Hendrix backing Stephen Stills on guitar and bass. |
![Green Day Rig Rundown [2024]](https://www.premierguitar.com/media-library/youtube.jpg?id=53614011&width=600&height=600&quality=85&coordinates=325%2C0%2C235%2C0)
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmark—including delay time, feedback, and independent rate and depth knobs for the modulation—plus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ’80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.
"This bass is a reflection of everything I love about playing," said Blu DeTiger. "I wanted an instrument that could handle the diversity of sounds I create, from deep, funky grooves to melodic lines that cut through the mix. Fender and I worked closely together to make sure this bass not only looks amazing but sounds incredible in any setting."
Featured as the cover of the Forbes 30 Under 30 music list, Blu, who defines her musical style in the "groovy Indie” genre blending elements of Pop, Rock, and Funk, represents the next generation of pop music, earning accolades and a dedicated global fanbase with her work alongside top artists and successful solo releases. Bringing her signature sound and style, Blu marks a new milestone in her storied partnership with Fender and solidifying her influence on the future of music in creating the Limited Edition Blu DeTiger x Player Plus Jazz Bass.
Limited Edition Blu DeTiger x Player Plus Jazz Bass ($1,599.99) - From the Sky Burst Sparkle to the chrome hardware and mirrored pickguard, every detail on this Jazz Bass echoes Blu’s artistic vision. The offset ash body is chambered to keep this bass as lightweight and comfortable as possible. The satin finished maple neck, bound 9.5” rosewood fingerboard and vintage tall frets provide smooth playability. The Custom Blu DeTiger Fireball bass humbucker and Player Plus Noiseless Jazz Bass Pickups fuse vintage charm with modern punch. The bass also includes an 18V Player Plus preamp with 3-band EQ and active/passive toggle, great for sculpting your tone and ideal for capturing the funky snap and growl that defines Blu’s sound. With its inspired aesthetics, signature sonics and Blu-approved features, the Limited Edition Blu DeTiger x Player Plus Jazz Bass lets you tap into the infectious pop energy that keeps this star shining!
Her successful releases including "Figure It Out,” "Vintage," and recent album “All I Ever Want is Everything” have earned her accolades and sent her on the road to tour across the world to perform for her dedicated fanbase. Her distinct style of playing has also seen her play live with top tier artists such as Olivia Rodrigo, Bleachers, Dominic Fike, Caroline Polachek, Chromeo, and more.