guitar collection

Ted’s favorite gear guru, Dolly, has a nose finding the worthwhile.

How many guitars, pedals, and amps do you need? Enough to make you happy. But window shopping alone has its own benefits.

I just got back from the NAMM show, and I am suppressing the nervous twitch of desire. My eyes and ears were flooded with all kinds of great gear, from cutting edge software plugins to microphones to—my favorites—pedals, amps, and guitars. With so much new gear around, G.A.S. was so abundant you could almost smell it hanging over the show floor. (Sorry, I could not resist.)

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How one guitar builder went from powerhouse builder Teisco to his own small operation to bring this Jazzmaster-inspired build to life.

I remember back when I was getting heavily involved in guitar research, I found so much satisfaction in learning about people from across the world. Seriously, it was so stimulating to find former guitar-factory employees. It wasn’t easy to do, but when the dominos fell, it was wonderful. So, follow along the path with me here for a moment.

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With its zero fret, Maphis-signature shape, and distinctive vibrato arm, this guitar screams Mosrite, but with its own luxurious bird’s-eye maple body and other appointments.

Patterned on Mosrite’s Joe Maphis model, this luxurious guitar is truly one of a kind.

Before the Mosrite brand was born, its founder, Semie Moseley, was just an independent luthier trying to make a splash. In the same way Paul Reed Smith pitched his pre-factory builds to Carlos Santana and Heart’s Nancy Wilson, Moseley found his first golden ticket in a Southern Californian picker by the name of Joe Maphis.

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