ibanez

This Takamine F-450S-A is a 14-fret dreadnought with a spruce top and rosewood back and sides.

This ’70s Japanese lawsuit-era guitar was brazenly designed to mimic a Martin D-41, and to our columnist’s ears, sounds just as good as the original.

It’s a 14-fret dreadnought acoustic with a spruce top and rosewood back and sides. It’s appointed with beautiful reduced-hexagon abalone inlays, matching binding, and multi-stripe detail throughout. The logo reads vertically instead of horizontally, and it has a rich, powerful tone. Surely I’m referring to an heirloom-quality, America-made Martin D-41, right?

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Both shredders first established themselves as top-level hired guns—Nita Strauss (left) with Alice Cooper and Jennifer Batten with Michael Jackson—before setting off on their long careers.

Photo by Ana Massard

These super-guitarists talk about originality, busting the patriarchy, supporting Jeff Beck, touring with Alice Cooper, Demi Lovato, and Michael Jackson, guitar education, their secret weapons, and … oh, how to be badass!

It’s a fact: Women and minority artists have often been marginalized, unacknowledged, and even ripped off—both musically and financially. And while the industry has slowly gotten better about amplifying their significant contributions, white male artists have historically been heralded as the heroes and innovators. Even with all of the progress made in recent years, one niche where bias still seems the norm is “hired gun.” The commonly used term “sideman” demonstrates the pervasiveness of male-dominated norms entrenched in our collective psyche. But there are exceptional sidewomen who have broken the glass ceiling with their primetime gigs. And among the most notable are Jennifer Batten and Nita Strauss.

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Rig Rundown: Alter Bridge's Mark Tremonti & Myles Kennedy [2023]

Mark Tremonti and Myles Kennedy take PG through their Alter Bridge road rigs.

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