Nineties-style high-gain heaviness that can be surgically tailored with a powerful EQ.
Excellent variations on high-gain modern distortion tones. Powerful EQ.
Not many low- or mid-gain sounds here.
$199
JHS Hard Drive
jhspedals.com
JHS makes many great and varied overdrive stomps. Their Pack Rat is a staple on one of my boards, and I can personally attest to the quality of their builds. The new Hard Drive has been in the works since as far back as 2016, when Josh Scott and his staff were finishing off workdays by jamming on ’90s hard rock riffs.
During these sessions, Scott’s go-to pedal was the Ibanez SM7 Smash Box. He realized that JHS had never offered anything along those lines, conferred with his then lead engineer, Cliff Smith, and the wheels were set in motion. Over several years of design, the Hard Drive evolved from an SM7 homage to a unique, original circuit.
JHS’ Hardest to Date
The Hard Drive’s control panel is streamlined, consisting of knobs for volume, mid frequency, drive, bass, middle, and treble. Driven by cascading gain stages, the Hard Drive can cop a wide range of modern distorted tones. Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end on muted power chords. Nudging the drive up very slightly transforms the Hard Drive into a roaring Marshall JCM 900. And if you bring the drive all the way up, you’re in for all out chaos. Even with an amp set just louder than bedroom levels, the Hard Drive, with its volume at just 11 o’clock, is very loud and in-your-face. You don’t have to work hard to imagine how this could sound and feel like multiple stacks raging at Madison Square Garden in the context of a recorded track.
Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end.
Zoning the Frequencies
Unlike some heavy pedals that concern themselves with mega-gain and little else, the Hard Drive’s EQ controls are very effective and powerful. Moving the treble knob from 11 o’clock to 1 o’clock changes the pedal’s tone and response characteristics completely, opening up and transforming the naturally relatively dark sound of my Fender Super Sonic amp. Turning the treble knob all the way off with the bass and mid knobs at noon gives me a vocal lead tone that’s creamy, warm, and still immediate and responsive.
The middle and mid frequency controls work in tandem. The mid control itself works as a cut or boost. The mid frequency control, however, lets you choose the specific frequency you cut or boost. I found these controls invaluable for sculpting tones that could leverage the copious gain without being abrasive. Meanwhile, adding more high midrange lends clarity to complex chords.
The Verdict
The Hard Drive is an unapologetically heavy pedal—if you’re looking for a dirt box that can double as a clean boost, well, the Hard Drive is not that. It’s meant to slay with gain, and it performs this task well and with a vengeance. There are countless dirt boxes on the market that deliver hot rodded, ’80s-style brown sound. Fewer cater to the subsequent generations of high-gain players that used the ’80s as a mere jumping-off point. The Hard Drive is very much voiced for this strain of heavy music. If that’s your jam, the Hard Drive is hard to beat.
The Foos’ guitarist and intrepid Shred With Shifty host opens the guitar garage for his current tour and details his brand-new pedal setup.
The last time PGcaught up with Chris Shiflett, Chris Kies paid a visit to Foo Fighters headquarters at Studio 606. This time, he meets Shiflett in Cincinnati, onstage at Great American Ballpark ahead of the Foos’ July 25 headlining date at the stadium. It was a hot one out there, but that didn’t stop our jeans-wearing Kies and towel-drying Shifty from tackling the guitarist’s new and improved 2024 tour rig. You’ll see some familiar faces, but some new ones too, including a sharp ’80s shredder and a pink partscaster. The biggest change of all comes in the form of a Dave Friedman-designed pedalboard, an impressive rackmount setup with a massive RJM switcher to hit all the set pieces. Plus, Shifty gives some juicy teasers on future signature gear collabs and talks about how hosting Shred With Shifty has impacted his own playing.
Brought to you by D’Addario.
Leave It to Clever
The beloved high-end version of Shifty’s signature Fender Telecaster Deluxe is equipped with Lindy Fralin P-90s, a rosewood fretboard, and Shifty’s Arsenal pin on the strap—haters be damned.
Eat the Rich
Shifty was on tour in Washington, D.C., when PG’s Jason Shadrick sent him the Reverb listing for this 1983 B.C. Rich Mockingbird. As luck would have it, the ’bird was just north in Maryland, and the seller agreed to drive the axe down and deliver it in person. Shifty swapped in some Dimarzio Super Distortion pickups, but the wiring was a bit screwy, so the kind folks at B.C. Rich reached out and arranged to fix things up. This one has D’Addario .010–.046 strings.
Pink Partscaster
This simple, eye-catching partscaster is an homage to Shifty’s favorite players from the ’80s, chief among them Eddie Van Halen. It has a single Seymour Duncan SH-4 JB Model humbucker, a Floyd Rose tremolo system, and a lone volume knob. The online-ordered headstock has Shiflett’s name on it, just so no one takes it by accident. Eric Chaz at Eric’s Guitar Shop in Van Nuys, California, assembled this pink plucker for Shiflett.
Shifty’s still using this one to workshop pieces of Van Halen’s tapping work on “Eruption,” and the haters can eat their hearts out, because perfect imitation isn’t the goal. “If it’s loud and you do it with some measure of confidence, it kind of works,” he says.
Kickass Korina
This Skynyrd-style Gibson Explorer has been hot rodded with a Seymour Duncan ’59 humbucker and another Duncan SH-4 JB Model.
Original Recipe
This is the original Fender Chris Shiflett Telecaster Deluxe, the guitarist’s first signature model which was designed and priced for accessibility to all players. This one got upgraded with a prized Tom Holmes humbucker. Stay tuned: Shifty teases that a new, American-made Shiflett signature might be coming by end of year….
Sticker Magnet
Shifty picked up this Gibson ES-335 around the tour cycle for One by One, and he’s since decorated it with a few stickers. This one’s got his classic Seymour Duncan ’59/JB humbucker combo, and stays in drop-D tuning for songs like “Monkey Wrench” and “Everlong.”
Fabulous '57
This is Shiflett’s “most vintage-y” vintage guitar: a 1957 Gibson Les Paul. He initially planned to reserve it for studio use, but fellow Foo guitarist Pat Smear convinced him to bring it out on the road. It started out as a goldtop, but now sports a finish that shows the wood and three-piece construction. It’s still loaded with the original pickups.
Stack City
Shiflett runs a beastly quartet of half-stacks, with two Friedman BE-100 heads and two Vox AC30 heads, all accompanied by matching 4x12 cabs. Shifty keeps the Friedmans in 50-watt mode, but look out—there could be a custom Shiflett Friedman amp coming down the line.
Death of the Tap Dance
Shiflett finally got tired of tap dancing around his pedalboard, and called up Dave Friedman for some help prepping a tour-ready rig. “He said, ‘Oh, so you decided to finally get a big boy rig?’” Shiflett laughs. Friedman designed it around an RJM Mastermind GT/22, with all of Shifty’s pedals housed in a rack sidestage. It took some getting used to, but now Shiflett’s built up the muscle memory to navigate the system. For adding new sounds, he’ll text his tech, Mark Lubetski, which settings or sounds he wants for certain “scenes,” and Mark will program them in.
Pedal Playpen
Shiflett’s pedal setup takes up two shelves in this side-stage rack. On the lower shelf, there are two Strymon Decos and two Strymon Timelines—one of each assigned to either the Voxes or the Friedmans—plus an Electro-Harmonix Micro POG, a Boss CE-2w, a Suhr microMIDI Control, and a Friedman Power Grid 10.
On the upper shelf, Shifty keeps the fun stuff: a JHS Muffuletta, Xotic EP Booster, Origin Effects Cali76, Fulltone WahFull, Klon KTR, Andy Green Pedals Seaverb, MXR EVH Phase 90, and MXR Flanger.
Shop Chris Shiflett's Foo Fighters Rig
Gibson Explorer
D’Addario .010–.046
Seymour Duncan SH-4 JB Model Humbucker
Seymour Duncan ’59 Humbucker
Gibson ES-335
1957 Gibson Les Paul
Friedman BE-100
Vox AC30
Strymon Deco
Strymon TimeLine
Electro-Harmonix Micro POG
Boss CE-2w
Suhr microMIDI Control
Friedman Power Grid 10
JHS Muffuletta
Xotic EP Booster
Origin Effects Cali76
Fulltone WahFull
MXR EVH Phase 90
MXR Flanger
EHX’s expanded bass version of the Lizard Queen.
Released in 2023, the EHX Lizard Queen was born out of JHS Pedals’ Josh Scott and Graphic Artist Daniel Danger’s love and admiration for 1970s Electro-Harmonix design. The original has a gnarly octave fuzz tone that musically interacts with your dynamics and features a blendable octave sound. Electro-Harmonix took this sound and has expanded and optimized the circuit with the bass player in mind.
The EHX Lizard King is a fixed-gain fuzz that is dynamically responsive. Adjustments to your instruments volume affects the amount of fuzz. Lower instrument volumes create a clear, fuzzy overdrive, while full instrument volume sends the gain over the top for ripping riff and searing solo tones. The familiar VOLUME and OCTAVE knobs control overall output and octave blend volume respectively. New to the Lizard King, the BLEND knob sets the mix between your clean and fuzz tones to create the perfect balance of fuzz while retaining your bass’s attack and low-end. The TONE knob is a low pass filter that rolls off the highs, while the SUN/SHADOW switch further enhances the tone of the octave fuzz and clean tones. SUN boosts the octave fuzz with a more driving midrange, and the clean tone accessed by the BLEND knob has more treble and bass frequencies. When the switch is set to SHADOW, the clean tone is unchanged, and fuzz tone is tighter.
The EHX Lizard King features True Bypass switching, can be powered by a standard 9V power adapter and comes equipped with a 9 volt battery. The pedal will be available in JULY 2024 and have a U.S. Street Price of $129.00.
Electro-Harmonix LIZARD KING Bass Octave Fuzz Pedal (EHX Demo by NATE NAVARRO)
More info: www.ehx.com.