"Kirk worked with us every step of the way to ensure this Epiphone Inspired by Gibson Custom Shop ‘Greeny’ model has the same sound and feel as his legendary original guitar,” says Mat Koehler, Vice President of Product at Gibson Brands. “It was extremely important for him that we get it right. I know that we’ve done him proud because he couldn’t–and still can’t–stop playing the prototype. Our Epiphone and Gibson Custom Shop teams are continually collaborating and elevating materials and ideas, and our forthcoming Inspired by Gibson Custom Shop-level Epiphone models will also feature the open-book Gibson headstock shape. This version of ‘Greeny’ is undeniable, and we couldn’t be more excited to bring it to market.”
The story of “Greeny” is shrouded in mystery, but few guitars are as illustrious. Greeny is one of the most iconic original Les Paul Standards ever made, with a unique sound as recognizable as the guitar itself. Previously owned by Peter Green, it was used throughout his time with Fleetwood Mac and later sold to Gary Moore, who used it for three decades with Thin Lizzy and as a solo artist. Now owned by Kirk Hammett, Greeny has passed through the hands of three legendary guitarists. Its distinctive sound is partly from the out-of-phase middle switch position due to the neck pickup’s reversed magnetic-polarity.
The Inspired by Gibson Custom Shop range is the crown jewel of the Epiphone Collection, and this Epiphone Kirk Hammett “Greeny” 1959 Les Paul Standard follows the successful release of the Gibson Custom Shop “Greeny” and the Gibson USA “Greeny” announced earlier this year. This exceptional Epiphone guitar was inspired by Kirk’s legendary original and allows players around the world the opportunity to experience the magic of “Greeny” for themselves. It features premium components, including Gibson USA Greenybucker pickups with the neck pickup reverse mounted and complete with a reverse polarity magnet, a Switchcraft pickup selector and ¼” output jack, CTS potentiometers, Mallory™ capacitors, and Grover® Rotomatic tuners with spade-style buttons on a Gibson-style “open-book” headstock. A vintage-style Epiphone hardshell case in brown and pink is also included.
For more information, please visit epiphone.com.
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Rock ’n’ roll has a long tradition of building on the work of previous stars and reinterpreting their influences. The Beatles honored the Isley Brothers, Elvis covered Little Richard … up to contemporaries like the Black Keys celebrating hill country blues beacons R. L. Burnside and Junior Kimbrough, and Greta Van Fleet echoing Led Zeppelin and Motown. Dirty Honey is reenergizing the hard-rock sound of the 1970s and sleazy Sunset swagger of the 1980s with their amalgamation of heroes that range from Prince and Queen to AC/DC and Guns N’ Roses.
Before Dirty Honey’s headlining show at Nashville’s Marathon Music Works, PG’s Chris Kies popped onstage to witness the power and might of guitarist John Notto’s Appetite-ish assault. Notto shows off a pair of old-soul Les Pauls, explains his intermittent two-amp approach (and where he stole it from), and we enjoy a treat encounter with a very special ’burst.
[Brought to you by D’Addario XS Electric Strings]
It’s a Jimmy Thing
John Notto is an ardent follower of Jimmy Page and Led Zeppelin. (Check out his Hooked video, where he explains how Page’s storytelling riffs still impact his playing.) And while it’s clearly documented that Pagey often played Teles and low-powered amps in the studio, when it came time to rock onstage, he brought out the big guns. Continuing the Les Paul-into-a-Marshall heritage, Notto brings a pair of both on the road. His longtime No. 1 is a 2003 Gibson Custom Shop Historic Collection ’58 Les Paul Standard he bought in 2011. It features both Tom Murphy’s relic’ing handiwork and some natural wear-and-tear applied by Notto himself. The only change he’s made to this ’burst is swapping out the stock pickups for a set of Righteous Sound RAFs that offer a low-output purr, allowing the amp to do the heavy lifting. All his 6-strings take D’Addario NYXLs (.010–.052).
Tobacco Tone
While Notto has owned the ’58 reissue longer and it’s been on more Dirty Honey recordings than any other guitar, he admits that, in the live game, this 2019 Gibson Les Paul Standard ’50s has taken first prize. It was upgraded with Righteous Sound RAF-2s. (Notto says these pickups are a tad hotter, providing more stank, and they have a spike in the 1-3k range.)
Greenie’s Brother
Let’s be clear: This is not John Notto’s guitar. This real-deal 1959 Gibson Les Paul (Gemini 9 2204) belongs to Gibson Brand President Cesar Gueikian. It was lent to Notto for the Nashville gig, and we’re sure Gueikian had private security watching Notto’s every move while it was in his possession. Besides being an iconic instrument from the legendary year, this Gemini started its life on the Kalamazoo workbenches alongside Peter Green’s famous “Greenie” ’burst, as they’re sequential serial numbers. (If we’re splitting hairs, this Gemini was built ahead of Green’s axe. Here you can see a cool photo of Greenie’s current owner, Metallica’s Kirk Hammett, and Gueikian posing with their treasures.) Notto mentions that the playing experience with this ’burst is like controlling an “electric eel,” because it’s so alive and reactive to everything he feeds it. Another takeaway from his time with the guitar is how “notes feed back but still stay sweet and desirable.”
The Real Deal
No relic master can match 63 years of aging.
Badge of Pride
Imagine the stories this headstock could tell if it could talk…. And, in a way, it can.
Marshall, Marshall!
Notto packs a punch when he hits the road. He travels with a potent pair of Marshalls. On the left he has an original 50W 1987 Marshall Silver Jubilee 2550, and on the right, he’s got a 2018 Marshall 1987X that’s essentially a 50W plexi reissue. The 2018 carries the load for most of the show (including taking all his pedals), but whenever it’s solo time, Notto engages (via a Radial BigShot ABY) the Silver Jubilee. He took the amp-for-solos trick from current Black Crowes’ lead guitarist and Earthless leader Isaiah Mitchell, who he saw use this setup when Dirty Honey opened for them in 2021. Both heads hit their own Marshall 1960BX 4x12s, loaded with Celestion G12M Greenbacks (25W).
Main Mule
Here’s how he dials in his plexi reissue.
Solo Stinger
And here’s how the Silver Jubilee complements the plexi when Notto hits the gas and steps into the spotlight.
Pedals for Pleasure
Keeping in the tradition of rock royalty, Notto tours with the essentials (aside from his Electro-Harmonix Nano POG that has the octave-up dialed down a bit and is only used on the band’s cover of Prince’s “Let’s Go Crazy”). The bulk of the night gets colored by four tone-tailoring tools: an MXR Uni-Vibe, MXR Echoplex, MXR Reverb, and an Xotic SP Compressor. The Dunlop 535Q Cry Baby Q Mini Wah gets sprinkled in throughout the set. The Radial BigShot ABY switcher controls the amps, while the TC Electronic PolyTune 2 Noir keeps his guitars in check.
Portals is described as a collection of gateways to myriad musical and psychic destinations. Recorded in multiple locales ranging from Los Angeles to Paris to Oahu, Portals was created to be the result of musical and metaphysical journeys. An invitation to inner worlds accessible only by music and the psyche it fuels.
“This music was created with what I describe as an Audio-Cinematic approach. They’re soundtracks to the movies in your mind.” - Kirk Hammett
Produced by Kirk, Portals is comprised of the songs Maiden and the Monster and The Jinn on side A, followed by High Plains Drifter and The Incantation on side B (both co-written with Edwin Outwater, who contributes keyboards and leads the orchestral players from the LA Philharmonic on Portals — and with whom Kirk had previously collaborated on Metallica's S&M2 concerts and releases). Other familiar names amongst the Portals players include drummers Jon Theodore and Abraham Laboriel, Greg Fidelman on bass, Emmy-winning arranger Blake Neely, and Bob Rock.
Photo by Ross Halfin