line 6 hx stomp

Rig Rundown: Wolfmother's Andrew Stockdale
Rig Rundown: Wolfmother's Andrew Stockdale

The hard-rocking Aussie butt-kicker goes minimalist for his band’s current tour: a Line 6 HX Stomp, three guitars, and a modest pedalboard. And yes, he’s slowly working toward a new album, too.

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There’s a wide variety of pedal-format devices available to improve your acoustic guitar’s amplified tone, including Fishman’s Aura, Line 6’s HX Stomp, and LR Baggs’ Voiceprint DI.

From DIs to multi-effects processors to IRs, there are plenty of ways to make your sound golden.

Whether you’re a professional player, weekend warrior, or a once-in-a-blue-moon open miker, you will likely be put in a position to play both electric and acoustic instruments on a gig. As you’re looking to build your switch-hitting pedalboard, you may find that electric and acoustic guitar processing haven’t exactly been treated equitably in the marketplace. Even a bog-standard electric guitar rig these days is populated with three overdrives du jour and a gaggle of space-age DSP-driven effects culled from a market saturated with bobs and bits intended to fatten your sound and thin your wallet. When compared to the smorgasbord of electric guitar processing products, the selection of acoustic-guitar-specific offerings may seem a bit spartan.

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Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

A deep dive into faux amps, futuristic setups, and how to use modern technology’s powers for good.

The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

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