A smooth user experience and standout high-gain sounds distinguish this powerful modeler.
Easy to create new rigs. Bluetooth, amp cloner, and cloud features are very useful. Solid high-gain tones.
Some clean, breakup, and fuzz tones can sound thin and a bit stiff.
$1,299
Headrush Prime
headrushfx.com
The Headrush Prime is an extremely deep all-in-one floor modeler that brings a few distinctive features to a very competitive space. With just seven knobs and a full-color touchscreen, navigating through the various menus and options is relatively easy—a big plus for those hesitant to take the digital plunge. The array of included effects, amps, and cabs is impressive and the main food groups are all represented. One of the most intriguing features is the Amp Cloner, which “clones” any amp, preamp, overdrive, distortion, or fuzz pedal. I tested it out with a homemade clone of a Zendrive and the process was very easy. The Prime captured the essence of the pedal without much digital stiffness.
This space doesn’t permit an exhaustive look at every feature on the Prime. But I was very impressed with the graphics on the touchscreen. Pedals and amps look much like their real-world counterparts and, thanks to a few routing templates, creating nearly any imaginable rig is a relatively smooth process, though the manual remains essential. High-gain sounds are among the strongest here, and models of Soldano and Mesa/Boogie amps are standouts. At $1,299, the Prime holds its own against other floor modelers in its class, and it’s a worthy option for players who want authentic tones without navigating endless screens of menus.
From heavy to heavenly: Hear the shrunken powerhouse on raunchy riffs, ethereal reverb clouds, pitch-shifted bass, and more.
Check our other Boss demos:
DD-200 Digital Delay
DC-2W Dimension C
Boss MS-3
An understated, utilitarian buffer/boost/preamp that can profoundly reshape your tones.
RatingsPros:Intuitive and transformative impedance control. Excellent transparent boost. Includes AmpliTube 4. Cons: Feature set might be overkill for some. Street: $149 IK Multimedia Z-Tone Buffer Boost ikmultimedia.com | Tones: Ease of Use: Build/Design: Value: |
In its relatively nondescript matte-black aluminum enclosure, the Italy-made Z-Tone Buffer Boost isn’t likely to stoke longing at a glance. But plug one in and you may find its pure utility hard to live without.
But calling the Z-Tone Buffer Boost merely a buffer/boost sells it short. Yes, it offers up to 10 dB of relatively transparent boost and +/- 8 dB of output gain. But it also offers the flexible impedance control from IK’s AXE I/O interface, a feature that can dramatically change the way pickups interact with the rest of your rig. Engineers can write volumes on these esoteric electronic relationships, but the impedance control makes it easy to feel your way to the best match between your guitar and pedalboard—or for that matter, a less ideal match that coaxes unusual but useful tones.
There are switches for accommodating active or passive pickups, as well as for moving between transparent “pure” boost and a more colorful and midrange-y JFET boost. And useful routing options include a balanced XLR output and a link output that mirrors the input so you can route to multiple sources. Add in a full, downloadable version of the AmpliTube 4 modeling application, and the Z-Tone Buffer Boost might be the most flexible pedal value you didn’t know you needed.
Test Gear: Fender Telecaster Deluxe, black-panel Fender Vibrolux