Both the all-in-one Reamp Station and compact Reamp HP are designed to expand the range of recording options available for those wanting to reamp in a recording environment.
Both the all-in-one Reamp Station and compact Reamp HP expand the range of recording options and possibilities available to anyone wanting to reamp in a recording environment. The Reamp Station is a combination active DI and reamp device in a single unit. The Reamp HP is a mono reamp that allows use of the headphone output of any compact audio interface as the reamp output source.
The Reamp Station embodies the all-in-one original reamp design intentions of John Cuniberti, a groundbreaking engineer who built the first reamp box in 1993. Rights to his design were purchased by Radial in 2011, resulting in the legendary Radial JCR reamper. The Reamp Station brings together the JCR and an active direct box to create Radial’s first all-in-one recording/reamping solution.
The Reamp station is heavily influenced by qualities found in Radial’s JCR combined with its studio-quality active DI circuits. New tweaks to the active DI design in the Reamp Station include a unity-gain Class-A buffer switch and circuit on the Thru output, preventing any loading down of passive pickups when connected to an amplifier and preserving the natural tone of the instrument.
The Reamp Station is $479.99 and the Reamp HP is $99.99. For more information, visit radialeng.com.
A two-channel instrument preamp, DI, and switcher that enables complete control over tone, EQ settings, and effects.
Port Coquitlam, British Columbia, Canada (October 8, 2020) -- Radial Engineering has announced that the newest member of its Acoustic Series line of instrument preamps, the PZ-Pro, is now shipping.
The Radial PZ-Pro is a two-channel instrument preamp, DI, and switcher that enables complete control over tone, EQ settings, and effects. Each channel on the PZ-Pro features a separate equalizer strip complete with a filter section to reduce feedback on stage.
The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics. Three footswitches provide the ability to toggle between each input channel, activate a built-in booster and an effects loop, or mute the signal for silent tuning on stage.
Radial’s Acoustic Series line includes a range of preamps for acoustic instrumentalists, including the AC-Driver, PZ-Deluxe, PZ-Pre, and now, the PZ-Pro 2-Channel Acoustic Preamp.
“The new PZ-Pro further expands our Acoustic Series line of preamps, bringing increased tone-shaping and performance capabilities for a wide range of acoustic instrumentalists,” said Jay Porter, product manager for Radial Engineering. “With the ability to have two discrete tonal settings and characteristics, the PZ-Pro allows players to focus more on their performance and less on adjusting knobs and tones during a show.”
For more information:
Radial Engineering
A Reverend V, two fiery British-voiced heads, and some tone-sizzling, time-bending stomps fire this warped comet rider into psychedelic spaces.
Facing a mandatory shelter-in ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the first video in that format, and we stand behind the final product.
In this episode, fill-in host Kevin Dempsey enters the tone bunker with Howling Giant guitarist/singer Tom Polzine. The power trio axeman details his love for rock-stance-ready Vs, explains why he rocks a guitar head alongside a bass head, and plays through his pedal playground that unlocks sounds ranging from squashed, angry fuzz to warbly extraterrestrial voyages propelling the band into spaces between worlds.
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