The PZ-Pro is a dynamite workhorse that can surely make gigging easier.

Extremely road-worthy. Dynamite range of features.

Lacking individual channel outputs.

$499

5
5
4.5
4

Radial's latest iteration of their PZ-Pro is a dynamite workhorse that can make your acoustic instruments sound better and your rig more streamlined. In simple terms, it's a 2-channel preamp with a built-in effects loop, switchable boost, and independent EQ controls that could easily function as a grab-and-go setup or the centerpiece of an expansive pedalboard. Radial's reputation for rock-solid construction and road-worthy gear is well known, and the PZ-Pro carries that torch admirably. When you pick it up, it just feels like it can handle life on the road, and at $499 it should.


Recorded direct with a Cordoba Acero through a Focusrite Scarlet 2i4 interface into Logic.

I plugged in my Cordoba Acero and fed it to a Fishman SA330 PA system. The PZ-Pro's preamps are top notch and gave me plenty of clarity and headroom for nearly any amplified situation. The real magic was the PZ-Pro's versatility. Immediately, I thought of how using an external mic in channel 2 (bonus: it has phantom power!) along with a direct line could give FOH plenty of sonic material to work with. And if you're a utility player who needs to cover mando, acoustic, banjo, dobro, or any combination thereof, setting up individual EQ levels and roping in a few external stomps is a breeze. Plus, the added blend knob ensures that your external effects won't overpower your fundamental tone. That's an often-requested feature for acoustic pickers. One minor quibble is I wish each channel had its own XLR output and the pre/post EQ was a switchable feature.

Kudos to Radial for not overloading a unit like this with flashy, unnecessary bells and whistles and focusing more on real-world applications. The PZ-Pro is exactly that: a pro-level tool that puts more weight and thought behind the essential elements of acoustic amplification.

Test Gear

Cordoba Acero & Fishman SA330

Photo 1

All photos courtesy SINGLECOIL (www.singlecoil.com)

We're getting close to the end of our journey. We've aged most of the metal parts on our project guitar, so now let's take care of the output jack, knobs, back plate, and pickguard.

Hello and welcome back to Mod Garage. This month, we'll continue with the aging process of our Harley Benton DC-Junior project guitar (which is a copy of a 1958 Les Paul Junior Double Cut), taking a closer look at the pickguard while aging the rest of the hardware discussed in the last part of this series ["DIY Relic'ing: Harley Benton DC-Junior Electronics"]. If you need a refresher on our aging process for hardware, refer back to "DIY Relic'ing: Break the Shine" for guidance. You can see the parts we'll be discussing today in their "finished" form, aka relic'd, in Photo 1.

Read More Show less

You could WIN a PowerStage™ 200 from Seymour Duncan in this PG Perks Exclusive giveaway. Ends December 10, 2021.

Read More Show less
x