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Rig Rundown: Rival Sons' Scott Holiday [2023]

An aviary of 6-strings, a floor-based amp system, and an entire zoo full of pedals create this axeman’s vast sonic vocabulary—all seen in his second PG Rig Rundown.

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As this annual celebration of music and community approaches two decades in the running, Phish reclaims the festival-circuit reins of the premier festival it helped inspire. Here are some highlights from the Bonnaroo farm.

Phish’s Trey Anastasio

Phish frontman Trey Anastasio’s fingers glide smooth like butter across the frets of his Paul Languedoc Koa guitar. A major highlight of the band’s six-hour stage time over the four-day weekend was the longest groove of Friday’s set, a 14-minute rendition of “Everything’s Alright.” That song’s message was easily digested by a committed hippie-friendly crowd who came in droves to see the pioneers who trailblazed jam-band fests.

For Bonnaroo’s 17th year, the godfather of modern music festivals went back to its roots with one of the bands that pretty much invented the jam circuit. Phish headlined two nights out of four on June 13-16, in Manchester, Tennessee, and their followers showed up, too, selling out the 80,000 capacity for the first time since 2013. For Bonnaroo’s inaugural year in 2002, Trey Anastasio headlined with Widespread Panic. Even back then, Anastasio and his band Phish had already been doing this for years: In 1996, they held the Clifford Ball festival in Vermont and drew 70,000 people to an event where Phish was the only act, and these massive concerts became a regular tradition.

And so it goes, decades later, Phish got the most stage time at ’Roo, about six hours in total over multiple sets, because hey, give the people what they want. Bonnaroo’s genre-leaping lineup might be spastic for listeners who keep their eggs pretty much in one basket, but with four days and more than 100 acts in the lineup, it’s a music fiend’s dream. Have a look at our handpicked highlights of players who performed this year, and go down the rabbit hole of discovery, because that’s what it’s all about on this farm. P.S. Did you know Post Malone plays guitar? We weren’t able to photograph it, but here’s a video of him playing solo acoustic on “Stay.”)

The title track from the band’s widely anticipated Low Country Sound/Atlantic Records debut LP.

Nashville, TN (December 14, 2018) -- Rival Sons have shared “Feral Roots,” the sprawling title track from the band’s widely anticipated Low Country Sound/Atlantic Records debut LP. The song arrives alongside an official visualizer, shot by Rival Sons’ vocalist Jay Buchanan and Steven Bradley in the woods of Franklin, TN. The visualizer premiered today with Billboard alongside an exclusive interview with Buchanan who detailed the new track and the group’s forthcoming album.

Rival Sons will celebrate FERAL ROOTS with their first-ever full North American headline tour. The dates begin April 4th at Dallas, TX’s Trees and include stops at New York’s Brooklyn Steel, Philadelphia’s Union Transfer and Los Angeles’ Henry Fonda Theatre. Support on all US headline dates comes from The Sheepdogs. For complete details and ticket information, please visit www.rivalsons.com.

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