An aviary of 6-strings, a floor-based amp system, and an entire zoo full of pedals create this axeman’s vast sonic vocabulary—all seen in his second PG Rig Rundown.
It’s all about the yin and yang … and the heavy guitar tones when Scott Holiday of Rival Sons plugs in and rocks out onstage. This year, the band has got something special cooking: a pair of albums, the just-released Darkfighter and the upcoming Lightbringer, speaking of yin and yang.
On the current Darkfighter tour, Rival Sons recently stopped at Nashville’s Marathon Music Works and invited PG onboard their stage for a tour of Scott’s gear. He’s made some changes since his 2017 Rig Rundown. He’s still a Firebird devotee, and that epic moustache is untouchable. But there are plenty of 6-string additions and some big changes in the amp department. Check it out!
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Original Recipe
This 1999 Gibson Custom Firebird VII, aka “Bluebird,” is Scott Holiday’s first avian. He uses a custom set of Dunlop strings—typically .011–.050.
This custom-built Yamaha is tuned to C#-F#-C# F#-A#-C#—essentially, a variation on open C sharp.
Double the Fun...
He also has a few specially made doublenecks, including a Banker Custom that gives Holiday a baritone tuned A to A and a second standard-tuned neck.
And Double to Love!
Plus this semi-hollow Kauer Super Chief doubleneck that gives him a 12-string/6-string combination. Surprise! Both necks are tuned to DADGAD.
King of Birds
Holiday calls this ’Bird-inspired Kauer his “Excalibur,” for its comfort, dependability, and big, dominating tone.
More Hot Wings, Please
This Banker Custom Flying V features a Bigsby, at the risk of writing the obvious, and it stays in standard tuning. Thank you, Lonnie Mack!
Ice Bird
This custom-built Gretsch Penguin lives in D-standard tuning and has Gretsch’s own flair on the classic whammy formula.
Peacocking
This custom Gretsch Falcon lives in Standard tuning. (Notice the unusual bird adorning the pickguard per Holiday's request in keeping with Gretsch's fowl flags on their instruments.)
Offset Flier
This 1962 Fender Jazzmaster is tuned C#-F#-C#-F#-A#-C# and was Holiday's first major vintage-guitar purchase.
Spiral Flier
Holiday crunches like a tube amp player, but what you are hearing is a Line 6 Helix into a Seymour Duncan PowerStage pedal amplifier, which drives an Orange 4x12 and a Supro 2x12. But it also has a lot of effects going into it. Read on!
Scott Holiday's Amps and Effects
Here’s the break-down of Scott Holiday’s multiple-board system. At right, there’s a Custom Audio Electronics Wah, ZVEX Fuzz Probe, a Way Huge Attack Vector, and a Custom Audio Electronics Line Driver, plus a juiced-up kitty cat delivering the power. The middle board holds the Line 6 Helix, with four Dunlop expression pedals. And the final board is a Custom Audio Electronics RS-T MIDI Foot Controller that is used to patch in effects from offstage boards that contain an Electro-Harmonix Micro Synth, a Way Huge Atreides Analog Weirding Module, a Deep Trip Hellbender, a kossekFX Kraken multi-octave fuzz, a Victory Kraken Preamp, a Keeley Synth 1, an Isle of Tone fuzz, two Vox Time Machines, an Electro-Harmonix POG, a Way Huge Ring Worm, a Sweet Sound Mojo Vibe, a Strymon Mobius, a Line 6 DL4, and a Caroline Guitar Company Météore Lo-Fi Reverb.
As this annual celebration of music and community approaches two decades in the running, Phish reclaims the festival-circuit reins of the premier festival it helped inspire. Here are some highlights from the Bonnaroo farm.
Phish’s Trey Anastasio
Phish frontman Trey Anastasio’s fingers glide smooth like butter across the frets of his Paul Languedoc Koa guitar. A major highlight of the band’s six-hour stage time over the four-day weekend was the longest groove of Friday’s set, a 14-minute rendition of “Everything’s Alright.” That song’s message was easily digested by a committed hippie-friendly crowd who came in droves to see the pioneers who trailblazed jam-band fests.For Bonnaroo’s 17th year, the godfather of modern music festivals went back to its roots with one of the bands that pretty much invented the jam circuit. Phish headlined two nights out of four on June 13-16, in Manchester, Tennessee, and their followers showed up, too, selling out the 80,000 capacity for the first time since 2013. For Bonnaroo’s inaugural year in 2002, Trey Anastasio headlined with Widespread Panic. Even back then, Anastasio and his band Phish had already been doing this for years: In 1996, they held the Clifford Ball festival in Vermont and drew 70,000 people to an event where Phish was the only act, and these massive concerts became a regular tradition.
And so it goes, decades later, Phish got the most stage time at ’Roo, about six hours in total over multiple sets, because hey, give the people what they want. Bonnaroo’s genre-leaping lineup might be spastic for listeners who keep their eggs pretty much in one basket, but with four days and more than 100 acts in the lineup, it’s a music fiend’s dream. Have a look at our handpicked highlights of players who performed this year, and go down the rabbit hole of discovery, because that’s what it’s all about on this farm. P.S. Did you know Post Malone plays guitar? We weren’t able to photograph it, but here’s a video of him playing solo acoustic on “Stay.”)
The title track from the band’s widely anticipated Low Country Sound/Atlantic Records debut LP.
Nashville, TN (December 14, 2018) -- Rival Sons have shared “Feral Roots,” the sprawling title track from the band’s widely anticipated Low Country Sound/Atlantic Records debut LP. The song arrives alongside an official visualizer, shot by Rival Sons’ vocalist Jay Buchanan and Steven Bradley in the woods of Franklin, TN. The visualizer premiered today with Billboard alongside an exclusive interview with Buchanan who detailed the new track and the group’s forthcoming album.
Rival Sons will celebrate FERAL ROOTS with their first-ever full North American headline tour. The dates begin April 4th at Dallas, TX’s Trees and include stops at New York’s Brooklyn Steel, Philadelphia’s Union Transfer and Los Angeles’ Henry Fonda Theatre. Support on all US headline dates comes from The Sheepdogs. For complete details and ticket information, please visit www.rivalsons.com.
Produced by GRAMMY Award-winner Dave Cobb at Nashville’s famed RCA Studio A, and the equally legendary Muscle Shoals Sound Studio in Muscle Shoals, AL, FERAL ROOTS arrives everywhere on January 25th via Low Country Sound/Atlantic Records; the album is available for pre-order. Exclusive pre-order bundles are also available via www.rivalsons.com, including limited edition vinyl and autographed lithographs of the album’s cover art, painted by renowned contemporary artist Martin Wittfooth. All pre-orders are joined by an instant grat download of “Feral Roots” along with the recently released album tracks, “Do Your Worst,” and “Back In The Woods.”
FERAL ROOTS was first heralded this fall with the release of “Do Your Worst,” hailed by Rolling Stone as “a relentless rocker with a gritty verse spearheaded by a sinister lead guitar riff and thumping drums. The track takes a deft turn when it hits the chorus, forgoing out-and-out guitar bombast for rousing gang vocals with singer Jay Buchanan leading the charge.” “Do Your Worst” is joined by an official music video that shows Rival Sons at their onstage best, alongside behind-the-scenes footage and a performance filmed at the aforementioned Studio A.
“Back In The Woods” made its debut by way of Consequence of Sound, which declared it to be “a rootsy rock track, with (Rival Sons) not only taking us ‘Back In The Woods’ but also back in time to big classic rock sounds of the ’60s and ’70s.” Official audio is streaming now at the Rival Sons YouTube channel.
Buchanan commented on Rival Sons’ forthcoming LP, “The primal intensity of FERAL ROOTS reflects a certain unrest at the heart of the album. With its nuanced explorations of both the wild and domestic struggles of love and truth, FERAL ROOTS ultimately argues for pushing beyond pure survival instincts and striving for something more exalted: to reclaim a long diluted genre through a galvanizing return to form.”
Rival Sons are: Jay Buchanan (vocals), Scott Holiday (guitar), Dave Beste (bass guitar), and Mike Miley (drums).
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Rival Sons