Some names you’ve heard, others maybe not. But they all have a unique voice on the instrument.
Intermediate
Intermediate
• Open your ears to new influences.
• Understand how to create interlocking rhythm parts.
• Develop a new appreciate for the rhythmic complexity of Wayne Krantz, the effortless bebop of Biréli Lagrène, and the driving force that is David Williams.
Biréli Lagrène’s Bombastic Bop
Standards was the first jazz guitar record I really listened to, and his playing on this entire album is devastating. There is so much groove, joy, and ferocity in every note. The way he lays ideas out on the fretboard made a lot of sense to me, his rhythms were intentional and clear, and it was surprisingly easy to dig into as a rock guitarist at the time. He has an extensive catalog of jazz, gypsy jazz, and fusion records with some of the best in the world, and he’s also a killer bass player who can sing just like Frank Sinatra! Ex. 1 is over the first eight measures of “Stella by Starlight.” I stole so much vocabulary from this solo that I can still play bits from memory 20 years later. Lagrène’s treatment of two-measure chunks to play his ideas was significantly helpful. Whether it was an engaging rhythmic phrase, constant eighth-notes, or just cramming in as much as he could, I stopped worrying so much about catching every chord change after I learned this one.
Ex. 1
Stella by Starlight
Old-School Swing!
George Barnes is a unique jazz guitarist who was a contemporary of Charlie Christian, Johnny Smith, and Django. A significant part of his early work was writing and arranging for radio and television, for NBC, and he also wrote the very first electric guitar method book in 1942. A friend in Austin gave me two CDs of his: a collection of his playing from the Plantation Party radio show and an overview of his octet recordings. The octet recordings sound like unhinged cartoon music with guitar and orchestral instruments and are highly enjoyable. Ex. 2 is a line I lifted from a recording of him playing “Ain’t Misbehavin.” It was one of the hippest endings I have ever heard on a jazz tune, and although I can’t find the recording anywhere, I still use it all the time. I love the intention in George Barnes’ playing. Swinging and mischievous, he always sounds like he was having fun.
Ex. 2
The George Barnes Sextet - Lover, Come Back to Me
“Thrilling” Rhythm Solos
David Williams is one of the greatest rhythm players of all time. He is responsible for most of the memorable guitar moments on Michael Jackson’s records, and all his parts have an infectious nature. He is the primary reason I got interested in rhythm guitar, and he is still an inspiration on that front. One of my favorite examples of his playing is the breakdown in Michael Jackson’s “Thriller” (where Vincent Price does the rap). His signature thunderous right-hand approach to single-note rhythm parts is in full effect, and the natural accents between the two rhythm parts are infectious on their own but weave perfectly together. Ex. 3 is my interpretation of two interlocking parts in this style. He’s said in interviews that his concept as a player was to develop “rhythm solos” that could stand out front in a song, and this is a perfect example of that.
Ex. 3
Thriller
(Better than) Average Riffs
Though Hamish Stuart is most known for being an original member of the Average White Band, the singer/guitarist/composer/producer also did extensive work with heavyweights such as George Benson, Paul McCartney, Chaka Khan, and Aretha Franklin. Though AWB was still working until 1983, Hamish was doing sessions with various artists as a sideman in the early ’80s, including this excerpt from “Move Me No Mountain” off Chaka Khan’s Naughty from 1980 (Ex. 4). I’ve always loved the interplay between these two parts, range-wise and rhythmically. The lower pick line hits some unusual 16th-note placements, and the higher dyads have a churn to them that is amazing. Both parts together feel different rhythmically from anything I have ever heard but sound so cool and unique.
Ex. 4
Chaka Khan - Move Me No Mountain
Wayne Krantz
Wayne Krantz is one of those guys that hit me like a lightning bolt. Upon hearing him, I felt like I had “permission” to play more with the fingers of my right hand, use jagged and intentional rhythms, and above all, to play more naturally. Wayne has always played like himself. His control over rhythm and articulation alone is legendary, not to mention the vast body of unique work he has created. Ex. 5 is an excerpt from the only solo I ever learned of his, from “Infinity Split” off 1999’s Greenwich Mean. I love this solo because it is incredibly engaging rhythmically and melodically, but almost 100 percent inside the harmony. This solo taught me more about rhythmic placement and articulation than anything.
Ex. 5
Wayne Krantz - Infinity Split
Though I could only grab a certain percentage of these guys’ “vocabulary,” learning these parts over the years helped me find my sound. The result was an attempt to emulate some of their musicality in my way, rather than outright imitating them. Anything you hear that grabs your interest is probably worth sitting down and figuring out. While we might not mention the guitarists above alongside Hendrix or Van Halen, they have all done their part to put a brick in the cathedral, furthering music, and the instrument.
This collection of apps can help you with learning tunes, mapping out the fretboard, navigating a tricky lick, or even inhumane metronome practice.
More than ever before, guitarists are on the go. Finding time to sneak in a bit of practice is tougher than ever. Below are a handful of apps that will not only open your musical mind, but make more mundane tasks a bit easier.
SØLO
Cleverly designed by fusion guitarists Tom Quayle and David Beebee, this app helps you visualize how to navigate chord and scale tones all over the neck. It comes loaded with tons of progressions and challenges you to snake through by hitting the correct notes.
$14.99
IREAL PRO
This modern, tablet-friendly version of the famed "illegal" Real Book that sprouted up in the '70s is a treasure trove of changes to thousands of jazz, pop, rock, and country tunes. The app also allows you to choose style, tempo, key, and more to create customized play-alongs.
$14.99
1CHART
You don't have to be a session cat in Nashville to get the most out of this sleek app that aims to make your charts clean and easy to read. Using simple Nashville-style notation, you can create charts with either numbers or chord symbols, rhythmic figures, and much more.
$15.99
1chartapp.com
GUITAR NOTE ATLAS
Imagine this app is your handy travel guide to nearly every possible scale, chord, and arpeggio around. It features a bass mode, left-handed mode, and the ability to view both a single position and the entire fretboard at the same time.
$4.99
guitarnoteatlas.com
AMAZING SLOW DOWNER
If you're trying to get inside the licks of Vai, Satriani, Yngwie, or EVH, there will likely come a time when the notes are simply going by too fast. This app can tap into your streaming service and create customized loops, adjust the tempo, or even raise and lower the pitch of a tune.
$14.99
FENDER PLAY
The focus of Fender's instructional app is to get your favorite songs under your fingers quickly, while teaching the fundamentals of good technique. The extensive song library covers everyone from the Beatles to Billie Eilish, in addition to courses on bass and ukulele.
$44.99/year
GIBSON APP
Inside this all-in-one app is a deep collection of instructional materials, song tutorials, a tuner, and a progressive learning path that uses augmented reality to help you better recognize what you're doing right and wrong.
$14.99/month
ULTIMATE GUITAR TABS
This app serves as an extension of the largest collection of user-sourced guitar tab on the internet. Nearly every style of guitar is represented here, and the app also includes backing tracks, transposable chord charts, and much more.
$5.99/month
ultimateguitar.com
GUITAR PRO
One of the more popular guitar notation programs is available in a mobile version that will let you view pro-looking tab on the go. There are 19 available sounds, support for 4- to 8-stringed instruments, a mySongBook portal to learn your favorite songs, a metronome, and extensive looping controls.
$6.99
guitar-pro.com
HUMANOME
Only the mind of Wayne Krantz could come up with this twisted take on a metronome. It's designed to not only improve your internal clock, but help you adapt quickly to sudden changes in tempo. If you're feeling adventurous, then make sure to check out inhumanome mode.
waynekrantz.com
The jazz-rock maverick spills the details on his no-frills, get-it-done setup.
Premier Guitar caught up with Wayne Krantz in Nashville at City Winery on the first date of his two-month tour to discuss his pragmatic approach to gear.
Guitars
Amps
Effects
Although Krantz often experiments with different pedals, he currently plugs into a Vertex Wah, Vertex Boost, Maxon SD-9 Sonic Distortion, Wren and Cuff Tall Font Russian, Boss OC-2, Electro-Harmonix Frequency Analyzer, Boss DD-3, Electro-Harmonix Freeze, and a Neunaber Technology Wet Reverb. A G-Lab PB-1 Power Box provides the juice.