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Taylor Guitars Introduces T3 Semi-Hollowbody

Taylors new T3 melds the shape of the T5 into a semi-hollowbody

Model Name
T3
Colors
Natural or Red with Edgeburst
Finish
Tobacco, Honey
Body
Sapele
Top
Quilted Maple
Neck
Sapele
Fretboard
Ebony
No. of Frets
21
Controls
Master Volume (pull knob for single coil)
Master Tone: Traditional control for first two-thirds, last third peaks the mids (pull knob to activate second capacitor)
Pickup Switching
(2) Taylor Style 2 HD Humbuckers w/ coil-splitting capability
Position 1: Full neck pickup
Position 2: Neck and bridge pickups
Position 3: Full bridge pickup

(2) Single Coils
Position 1: Neck pickup
Position 2: Neck and bridge pickups
Position 3: Bridge pickup
Bridge
Chrome roller-style with Stop Tail (T3) or Bigsby Vibrato (T3/B)
Machine Heads
Taylor Chrome
Hardware
Chrome
Scale Length
24 7/8 Inches
Truss Rod
Adjustable
Neck Width at Nut
1 11/16 Inches
Fretboard Inlays
4mm Mother-of-Pearl Dots
Price
$2,998.00 (T3), Optional Sunburst Finish: Add $200 Retail
Anaheim, CA (January 15, 2009) -- Following the success of the T5 and SolidBody models, and born from a love of innovative design and classic electric tone, Taylor Guitars is expanding its electric line with the company's first purely electric semi-hollowbody guitar, the T3.

Melding the sleek lines and shape of the T5 into a semi-hollowbody, the T3 features an expertly crafted body of sapele, topped with quilted maple. A svelte neck of tropical American mahogany sports heftier fret wire for a truly electric feel, while brilliant chrome hardware adorns the T3 for a ready-to-rock look that screams electric, vintage and cool.

While the T3 offers plenty for any player on its own, the designers at Taylor decided to take the new line up a notch in a variation, the T3B. Marking a first for the company, the T3B includes an authentic Bigsby Vibrato (model B70). The T3B incorporates a roller bridge for high performance, allowing the player the independence in setting the intonation of each string and eliminating the "dragging string" sound so commonly found in fixed bridges. The standard T3 model comes with a stop tailpiece.

"This is one rockin' guitar that produces sounds our SolidBodys and T5s don't have. When you do something that looks good, that's one thing, but when cool sounds start coming out, you go, 'Man, that's just it.' We knew this guitar was too good to hold back," shares David Hosler, lead designer.

The new model includes Taylor's Style 2 humbuckers which are specially positioned to capture the T3's fidelity and range of tones. A three-way switch covers three standard configurations of pickup switching and as an added twist, coil splitting is available for both humbuckers by pulling up on the volume knob.

"The way I describe it is, imagine you have a guitar with two humbuckers and a three-way, and you have a guitar with two single coils and a three-way, which gives you that really cool, 'bitey' sound," adds Hosler.

The control knobs, located in the traditional electric position below the bridge on the lower bout, function as push-pull pots. Pulling up on the volume knob activates a coil splitter, which turns the humbuckers into single coils. The tone knob is also a pull switch, which when pulled engages a second capacitor.

Hosler explains, "In the down position, one capacitor punches up the mid tones. Then when you pull the knob up, it adds another capacitor on top of it and uncorks a warm, fat, mellow old-school jazz tone. In between these two voices, this guitar spans the spectrum from traditional, hard rock to jazzy fusion. Even when overdriven, the air, articulation and distinction of all notes are there."

The T3 is available in a high gloss finish to highlight the naturally lustrous color of the quilted maple or in a variety of sunburst colors. Strung with Elixir light gauge electric strings with NANOWEB® coating, the T3 comes ready to gig in a hard shell Taylor case.


For more information:
Taylor Guitars