In talking with some fellow pickers, I have found that they all have had or witnessed some travel hiccups along the way.
One of the coolest opportunities we share in our professional musicianship is going on the road. It is always a pleasure to experience new places and meet new people. In talking with some fellow pickers, I have found that they all have had or witnessed some travel hiccups along the way. So, I thought this might be a good opportunity to hand out some travel tips to aid in your comfort on the road.
1. Before packing, make sure you call the airline you are flying to check how many bags you are allowed to check under and how many carry-ons you are allowed to take on the plane with you. This can save a lot of frustration at the airport.
2. Check to see how many hours prior to your flight you should be at the airport. Mac, my manager, and I have experienced showing up at the airport at least 2 hours early to find the security line going all the way out the door. These days, especially with the increased security, plan on being as early as possible to avoid missing a flight.
3. Make sure, during an international flight, that you photocopy your passport. This will expedite your safe return to the U.S. in case you misplace your real passport. This is very serious, so keep your copy in a different place other than where you file your important paperwork (ticket, etc.).
4. Check the weight of your luggage and make sure they weigh under the limits placed by the airline. Commonly, each bag should be 50 pounds or less. That also includes your pedalboard if you check it under the plane. It may not seem like much, but the pounds can add up in a hurry.
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5. Make sure your instrument/pedalboard cases are flight-worthy and keep your equipment safe in poor conditions; rain, snow and wind, for example. Remember that your gear may be sitting on an airport tarmac while it is being loaded onto the plane, so you need to protect it well. The people loading up your gear may not care that you have expensive equipment sitting in there.
6. Make sure the luggage that you use is also waterproof. I recently traveled to Germany to promote my new Johnny Hiland signature model PRS guitar and took a rolling-duffel for my clothes. Unfortunately, something spilled on it and stained most of my clothes with a brown appearance. Needless to say, I spent some time at a laundry facility there and was not too happy.
7. Make sure you pack extra strings, cables, connector cables for your pedalboard, a guitar repair kit, and a few extra power supplies for your pedalboard. It also helps to purchase a power-conversion kit for other countries in case a power supply goes down or you need a different plug. It never hurts to be over-prepared for something to go wrong with your gear, and if you’re touring, it most likely will.
8. If you are selling merchandise on your travels abroad, try to exchange as few funds as possible if the exchange rate on the US dollar is unacceptable. You will make money during your performances.
I sincerely hope these travel tips help you. Please feel free to drop me a line at johnnyhiland.com. Have fun on the road, play well and be safe! God Bless.
Johnny Hiland
Guitar Player Extrodinare
www.johnnyhiland.com
The Texan rocker tells us how the Lonestar State shaped his guitar sounds and how he managed to hit it big in Music City.
Huge shocker incoming: Zach Broyles made a Tube Screamer. The Mythos Envy Pro Overdrive is Zach’s take on the green apple of his eye, with some special tweaks including increased output, more drive sounds, and a low-end boost option. Does this mean he can clear out his collection of TS-9s? Of course not.
This time on Dipped in Tone, Rhett and Zach welcome Tyler Bryant, the Texas-bred and Nashville-based rocker who has made waves with his band the Shakedown, who Rhett credits as one of his favorite groups. Bryant, it turns out, is a TS-head himself, having learned to love the pedal thanks to its being found everywhere in Texas guitar circles.Bryant shares how he scraped together a band after dropping out of high school and moving to Nashville, including the rigors of 15-hour drives for 30-minute sets in a trusty Ford Expedition. He’s lived the dream (or nightmare, depending on the day) and has the wisdom to show it.
Throughout the chat, the gang covers modeling amps and why modern rock bands still need amps on stage; the ins and outs of recording-gear rabbit holes and getting great sounds; and the differences between American and European audiences. Tune in to hear it all.
Get 10% off your order at stewmac.com/dippedintone
Diamond Pedals introduces the Dark Cloud delay pedal, featuring innovative hybrid analog-digital design.
At the heart of the Dark Cloud is Diamond’s Digital Bucket Brigade Delay (dBBD) technology, which seamlessly blends the organic warmth of analog companding with the precise control of an embedded digital system. This unique architecture allows the Dark Cloud to deliver three distinct and creative delay modes—Tape, Harmonic, and Reverse—each meticulously crafted to provide a wide range of sonic possibilities.
Three Distinct Delay Modes:
- Tape Delay: Inspired by Diamond’s Counter Point, this mode offers warm, saturated delays with tape-like modulation and up to 1000ms of delay time.
- Harmonic Delay: Borrowed from the Quantum Leap, this mode introduces delayedoctaves or fifths, creating rich, harmonic textures that swirl through the mix.
- Reverse Delay: A brand-new feature, this mode plays delays backward, producing asmooth, LoFi effect with alternating forward and reverse playback—a truly innovativeaddition to the Diamond lineup.
In addition to these versatile modes, the Dark Cloud includes tap tempo functionality with three distinct divisions—quarter note, eighth note, and dotted eighth—ensuring perfect synchronization with any performance.
The Dark Cloud holds special significance as the final project conceived by the original Diamondteam before their closure. What began as a modest attempt to repurpose older designs evolved into a masterful blend of the company's most beloved delay algorithms, combined with an entirely new Reverse Delay setting.
The result is a “greatest hits” of Diamond's delay technology, refined into one powerful pedal that pushes the boundaries of what delay effects can achieve.
Pricing: $249
For more information, please visit diamondpedals.com.
Main Features:
- dBBD’s hybrid architecture Analog dry signal New reverse delay setting
- Three distinct, creative delay modes: Tape, Harmonic, Reverse
- Combines the sound and feel of analog Companding and Anti-Aliasing with an embedded system delay line
- Offering 3 distinct tap divisions with quarter note, eighth note and dotted eighth settings for each of the delay modes
- Pedalboard-friendly enclosure with top jacks
- Buffered bypass switching with trails
- Standardized negative-center 9VDC input with polarity protection
Dark Cloud Multi-Mode Delay Pedal - YouTube
Curious about building your own pedal? Join PG's Nick Millevoi as he walks us through the StewMac Two Kings Boost kit, shares his experience, and demos its sound.
Don’t settle for those vanilla open-string shapes. Here’s a way to unlock new sounds without difficult barre chords.
Once you have the “Cowboy” chords together there are thousands of songs that are suddenly under you hands. But what if you want to make those chords a bit more interesting? Barre chords cat be stretchy and difficult, but there are ways to create new sounds out of old chords.