John Bohlinger demos the Ernie Ball Ball Family Reserve Nitro Collection Cutlass Classic '58, a classic vintage-inspired instrument that offers a nostalgic vibe with modern touches for reliability and playability.
Ernie Ball Music Man Cutlass Classic 58'
The modern electric guitar has a rich history, rooted in the 20th century's "Golden Era" of instrument manufacturing. During this time, guitar manufacturing pioneers produced iconic solid body concepts, resulting in some of the world's most beloved designs. These techniques have garnered acclaim and appeal from guitar enthusiasts worldwide, paving the way for modern innovations. The Cutlass Classic Fifty-Eight celebrates this classic period with vintage-inspired specifications, including a 3-tone Sunburst finish, roasted alder body, and roasted maple neck. Nitrocellulose lacquer is thinly applied to protect the exquisite burst finish, while the electronics showcase three vintage single-coil pickups controlled by a 5-way switch with volume and separate tone controls. The Cutlass Classic '58 is a classic vintage-inspired instrument that offers a nostalgic vibe with modern touches for reliability and playability.
Shop Ernie Ball/Music Man on Sweetwater: https://sweetwater.sjv.io/AWoE5R
Shop the Sennheiser microphones John Bohlinger uses: https://sweetwater.sjv.io/ZdP1A0
In the annals of Gibson Les Paul players, Charlie Starr is an under-the-radar aficionado. Starr’s stable over the course of his career with southern-rock group Blackberry Smoke has been stocked with some of the sharpest old-school LPs on earth, and he’s got a particular predilection for Juniors.
But what sets one Paul apart from another? Starr, Rhett, and Zach go down every rabbithole in their hunt to nail down what makes a particular Gibson great, including misconceptions around P-90s and their relationship to PAFs, Juniors versus Standards, and whether wood and total construction have a big impact on tone. Some players argue that the sound is all in the pickups; tune in to learn why the trio thinks that theory is bunk, right down to the last, least consequential cap.
Plus, find out when Starr thinks Gibson perfected the Les Paul’s neck shape and bridge positioning, how top-wrapping impacts your sound, and a foolproof way to I.D. a legit, vintage PAF. (If it’s original, it’s gonna stink.)
