Rig Rundown: The Last Dinner Party

When the Saints Come Marching In

This Ernie Ball Music Man St. Vincent signature has been Roberts’ primary guitar for the last four or five years. It features custom goldfoil pickups that are actually built using a Firebird profile for a brighter, aggressive sound.

Fly Away

Roberts borrowed this Gibson Flying V from a relative, and it’s used for heavier rock songs in the setlist.

British V Power

Roberts runs this Victory Copper and a Vox AC30 in stereo.

Emily Roberts’ Pedalboard

After a JHS Mini A/B, Roberts runs a Lehle Mono Volume pedal, TC Electronic PolyTune 3, Fulltone OCD, Warm Audio Warm Chorus Vibrato, Supro Tremolo, Warm Audio Pedal76, Centura Klone, Boss EQ-9, Xotic Effects RC Booster, Boss Space Echo RE-202, Strymon BigSky, and Source Audio EQ.

An RJM Music Technology Mastermind PBC helps navigate the stomps.

Sneaky Greek

This Greco semi-hollow electric has replaced Mayland’s Nashville Tele as her main squeeze these days.

Heavy Hitter

This Fender Jazzmaster comes out for heavier, drop-tuned numbers.

Lizzie Mayland’s Pedalboard

Mayland runs two boards. The larger includes a Boss TU-3, EQD Arrows, MXR Dyna Comp, EQD Hummingbird, EQD Hoof Reaper, Strymon Timeline, and Strymon BigSky. Utility boxes include a Strymon Multi Switch Plus, Lehle Little Dual, GigRig QuarterMaster, and JHS Mini A/B.

A small second board holds a Strymon Mobius, Hologram Infinite Jets, and GigRig Latchmo X2.

Bass Camp

This Fender American Vintage II Precision bass is used for most of the set.

Baby Blue

This flashy Epiphone Jack Casady, strung with flatwound strings, provides a warm, round sound in the show.

Super(bass)man

Lily runs Fender Super Bassman 800 heads with 6x10 cabinets.

Georgia Davies’/Max Lilley’s Pedalboard

The board runs a Dunlop Volume X Mini, Boss TU-3, Boss NS-2, EQD Blumes, Boss SY-1, Origin Effects Cali76, Darkglass Electronics Microtubes B3K, EHX Bass Clone, Boss DD-200, Tech 21 SansAmp Bass Driver DI, and a GigRig QuarterMaster to help with changes.