Mark Dalton takes you from open to close as the head of Huss & Dalton
Some of a luthier’s time goes into actual building—selecting, cutting, and shaping wood, spraying the finish, and fitting critical parts like the bridge shown here. But if you do this as a business, a lot of time—much more than you might like—goes into dealing with personnel, cash flow, supplier, distribution, and marketing issues. It’s like playing in a band: Once the word “business” gets appended to “music,” the dynamics change, and not always for the better.
In choosing a subject for this month’s column, I decided to “blog” a bit. I know blogging is all the rage right now, but not being a player in the social media arena, this is as close as I may get. I know some guitar enthusiasts have wondered what it would be like to own a guitar factory, so I will take one day of my working life and present it, warts and all, for your hopeful enjoyment. I’ll tell you that most days I love my job, while others are a test to see how bad I want it. This brief summary of a typical day will show a bit of what it’s like.
Tuesday: I’m off on Mondays. A few years ago, Jeff Huss and I gave ourselves the luxury of four-day weeks, so he could participate in his three kids’ young years, and so I could get some work done on the farm. Tuesday morning begins with a two-hour drive for my wife Kimberly and me from the farm to Staunton, where the factory is located.
As the first day of my workweek, Tuesdays are usually very full, and this one is no exception. Bad news greets my arrival—one of our employees had an apartment fire this morning, and another lost his mother to cancer. Jeff, Kimberly, and I voice our concerns for them and follow up by trying to figure out how their news will affect the work schedule for the others. We work out a plan, but we know we’ll see an empty UPS truck leaving the factory all week, which has ramifications for our cash-flow situation. This is the omnipresent concern of the small business owner—the “evil cash-flow monster.” After our meeting, it’s time to deal with production issues.
There is always a finish room situation for me to deal with, so onto today’s issue. Since we started using matte finishes on some of our necks recently, we have struggled to get the level of “matteness” just right for our customers. We are given the news this morning that after checking out the matte finish on a recently received guitar, one of our very good dealers was much pleased with our second attempt to get this right. While we hate to do any job twice, we want all to be pleased and are happy to know our efforts are getting there.
And now it’s over to the CNC room for me. Since I do the programming and most of the machine operation, any issues here are in my wheelhouse. I need to run a part that I had trouble with the last time, but after tweaking the raw stock for this job, the parts run well this time. Nothing makes for a bad day like finding parts strewn about the CNC machine when you check on a job. Satisfied with the results, I go into the office to check and answer emails that came in over the weekend.
Then it’s out to the shop to set up the buffing and fretting schedules for the week. With two guys out most of the week, there will be a lull followed by a mad scramble. But hopefully all will be okay in a few days.
Next, it’s back to the office to deal with a missing check from one of our dealers. According to the dealer, the check was mailed and deposited, but it has not shown up in our account. After a lot of hand wringing and numerous calls and emails, the dealer discovered that he had deposited it into his own account! With the missing check issue resolved, I move onto a case supply issue. When our case supplier gets a bit behind on deliveries, we have to adjust our setup schedule to accommodate.
I need to put my CNC guy hat back on and program a custom neck and fretboard for a customer. Once that’s done, it’s into the finish room to do a sunburst. I haven’t been the finish guy for years, but have kept the job of spraying the ’bursts.
Next, there are wood issues to attend to. I go up to the milling room to sand out and cut out a spectacular set of Makassar ebony, so we can take photos and send them to a dealer. He loves the wood and places an order.
Now I’m back to the CNC room to make kerfed lining. Since the cedar planks I’m using are full of knots and wormholes, I need to fill them so the vacuum is able to hold the planks down. Not a good batch of cedar on this run, so we’ll have a fairly low yield of linings that make the grade today.
Back inside the main shop, I help the guy who glues the necks and bridges onto the bodies. He has an ill-fitting bridge, and I’ve learned the hard way you want to make sure these issues are worked out before the glue goes on.
I head back up to the wood stack to choose a top for a customer. I had taken a custom order inquiry the other day while our salesman was at lunch, and after addressing the customer’s questions, he asked me to personally choose his top. I pick a nice European spruce set for him.
To wrap up the day, I go back to my laptop to do some CAD drawing for our soon-to-be-redesigned logo. While I won’t finish this for several more days, I like what I see so far.
Time to go home. Kimberly and I head out to the grocery store and on to our rental house here in Staunton. All in all, it was a really good day. Most of the issues were pretty run-of-the-mill and nothing made my blood pressure go up. I feel lucky to have my job today, which is the best we can all hope for in a day’s work.
Mark Dalton
Mark Dalton is a founding partner of Huss & Dalton Guitar Company. When not building guitars, Mark and his wife, Kimberly, tend to the draft horses and mules that inhabit their farm in the Piedmont region of Virginia.
Day 4 of Stompboxtober brings a chance to win a pedal from TWA: The Chemical-Z! Don’t miss out—enter now and return tomorrow for more!
TWA CHEMICAL-Z
Roy Z signature overdrive pedal designed by TubeScreamer creator Susumu Tamura. Inspired by Maxon OD808, OD808X, and APEX808 circuits, Chemical-Z features the "Magic" IC used in APEX808 for less compression & more even frequency response than a standard 808. Increased output level. Two footswitch-selectable clipping modes - normal & hot.
Fuchs Audio introduces the ODH Hybrid amp, featuring a True High Voltage all-tube preamp and Ice Power module for high-powered tones in a compact size. With D-Style overdrive, Spin reverb, and versatile controls, the ODH offers exceptional tone shaping and flexibility at an affordable price point.
Fuchs Audio has introduced their latest amp the ODH © Hybrid. Assembled in USA.
Featuring an ODS-style all-tube preamp, operating at True High Voltage into a fan-cooled Ice power module, the ODH brings high-powered clean and overdrive tones to an extremely compact size and a truly affordable price point.
Like the Fuchs ODS amps, the ODH clean preamp features 3-position brite switch, amid-boost switch, an EQ switch, high, mid and low controls. The clean preamp drives theoverdrive section in D-Style fashion. The OD channel has an input gain and outputmaster with an overdrive tone control. This ensures perfect tuning of both the clean andoverdrive channels. A unique tube limiter circuit controls the Ice Power module input.Any signal clipping is (intentionally) non-linear so it responds just like a real tube amp.
The ODH includes a two-way footswitch for channels and gain boost. A 30-second mute timer ensures the tubes are warmed up before the power amp goes live. The ODH features our lush and warm Spin reverb. A subsonic filter eliminates out-of-band low frequencies which would normally waste amplifier power, which assures tons of clean headroom. The amp also features Accent and Depth controls, allowing contouring of the high and low response of the power amp section, to match speakers, cabinets andenvironments. The ODH features a front panel fully buffered series effects loop and aline out jack, allowing for home recording or feeding a slave amp. A three-position muteswitch mutes the amp, the line out or mute neither.
Built on the same solid steel chassis platform as the Fuchs FB series bass amps, the amps feature a steel chassis and aluminum front and rear panels, Alpha potentiometers, ceramic tube sockets, high-grade circuit boards and Neutrik jacks. The ICE power amp is 150 watts into 8 ohms and 300 watts into 4 ohms, and nearly 500 watts into 2.65 ohms (4 and8 ohms in parallel) and operates on universal AC voltage, so it’s fully globallycompatible. The chassis is fan-cooled to ensure hours of cool operation under any circumstances. The all-tube preamp uses dual-selected 12AX7 tubes and a 6AL5 limiter tube.
MAP: $ 1,299
For more information, please visit fuchsaudiotechnology.com.
Jackson Guitars announces its first female signature artist model, the Pro Series Signature Diamond Rowe guitar.
“I‘m so excited about this new venture with the Jackson family. This is a historic collaboration - as I am the first female in the history of Jackson with a signature guitar and the first female African American signature Jackson artist. I feel so honored to have now joined such an elite group of players that are a part of this club. Many who have inspired me along this journey to get here. It’s truly humbling.” says Diamond.
Diamond Rowe is the co-founder and lead guitarist for the metal/hard rock band Tetrarch. Since co-founding the band in high school, Tetrarch has become one of the most talked about up-and-coming bands in the world - with several press outlets such as Metal Hammer, Kerrang, Revolver, Guitar World and many others boldly naming Diamond Rowe the world’s next guitar hero. Tetrarch has connected with many fans while performing on some of the world's biggest stages garnering spots alongside several of the heavy music world’s biggest names such as Guns N’ Roses, Slipknot, Lamb of God, Disturbed, Avenged Sevenfold, Sevendust, Rob Zombie, Trivium, and many many others. The Jackson Pro Series Signature Diamond Rowe DR12MG EVTN6 is based on Jackson’s single-cut Monarkh platform and is a premium guitar designed for progressive metal players seeking precision and accuracy.
Crafted in partnership with Diamond, this model boasts a 25.5 “ scale, Monarkh-styled nyatoh body draped with a gorgeous poplar burl top, three-piece nyatoh set-neck with graphite reinforcement, and 12˝ radius bound ebony fingerboard with 24 jumbo frets. The black chrome-covered active EMG® 81/85 humbucking bridge and neck pickups, three-way toggle switch, single volume control, and tone control provide a range of tonal options. The Evertune® bridge ensures excellent tuning stability, while the Dark Rose finish with a new custom 3+3 color-matched Jackson headstock and black hardware looks simply stunning.
To showcase the Pro Plus Signature Diamond Rowe DR12MG EVTN6, Diamond shares her journey as a guitarist, delving into the inspiration behind her unique design specifications and the influential artists who shaped her sound within a captivating demo video. This video prominently features powerful performances of Tetrarch’s latest release, “Live Not Fantasize,” and “I’m Not Right” showcasing the DR12MG EVTN6’s unparalleled tonal versatility and performance capabilities.
MSRP $1699.99
For more information, please visit jacksonguitars.com.
Tetrarch's Diamond Rowe Unveils Her New Signature Pro Series DR12MG EVTN6 | Jackson Guitars - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Jackson Pro Series Signature Diamond Rowe Electric Guitar - Dark Rose
Signature Diamond Rowe, Dark RoseCort Guitars introduces the GB-Fusion Bass Series, featuring innovative design and affordable pricing.
Cort Guitars have long been synonymous with creating instruments that are innovative yet affordably priced. Cort has done it again with the GB-Fusion Bass series. The GB-Fusion builds upon Cort’s illustrious GB-Modern series and infuses it with its own distinctive style and sound.
It starts with the J-style bass design. The GB-Fusion features a solid alder body – the most balanced of all the tonewoods – providing a fantastic balance of low, mid, and high frequencies. The visually stunning Spalted maple top extends the dynamic range of the bass. A see-through pickguard allows for its spalted beauty to show through. The four-string version of the GB-Fusion is lacquered in a supreme Blue Burst stained finish to show off its natural wood grain. The five-string version features a classic Antique Brown Burst stained finish. A bolt-on Hard maple neck allows for a punchier mid-range. An Indian rosewood fretboard with white dot inlays adorns the 4-string Blue Burst version of the GB-Fusion with an overall width of 1 ½” (38mm) at the nut, while the GB-Fusion 5 Antique Brown Burst features a Birdseye Maple fretboard with black dot inlays and an overall width of 1 7/8” (47.6mm) at the nut. Both come with glow in the dark side dot position markers to help musicians see their fretboard in the dark. The headstock features Hipshot® Ultralite Tuners in classic 20:1 ratio. They are cast of zinc with aluminum string posts making them 30% lighter than regular tuners providing better balance and tuning accuracy.
Cort’s brand-new Voiced Tone VTB-ST pickups are the perfect J-style single coil with clear and robust bass sounds and classic warmth. The GB-Fusion comes with a 9-volt battery-powered active preamp to dial in the sound. With push/pull volume, blend knob, and 3-band active electronics, players can access a wide array of tones. The MetalCraft M Bridge is a solid, high-mass bridge. It provides better tone transfer and makes string changes easy. Strings can be loaded through the body or from the top giving players their choice of best string tension. The MetalCraft M4 for 4-string has a string spacing of 19mm (0.748”) while the MetalCraft M5 is 18mm (0.708”). Speaking of strings, D’Addario® EXL 165 strings complete the GB-Fusion 4. D’Addario EXL 170-5SL strings complete the GB-Fusion 5.
Cort Guitars prides itself on creating inventive instruments musicians love to play. The GB-Fusion Bass Series is the latest and greatest for musicians looking for a stellar bass guitar that is not only economical, but has the reliable robust sound needed to hold up the back end in any playing situation.
GB-Fusion 4 Street Price: $699.99
GB-Fusion 5 Street Price: $849.99
For more information, please visit cortguitars.com.