The Blondie co-founder talks early Stratocasters, fingerpicking punk riffs, CBGBs-era New York, and the cultural truth of electric guitars.
Chris Stein of Blondie joins the Axe Lords for a deep conversation about tone, technique, and the guitars that shaped Blondie’s sound from their early years at CBGBs to today. The Rock & Roll Hall of Famer also explains why he dislikes relic guitars, how he came to his very un-punk fingerpicking picking technique and reveals that some of the band’s most iconic “synth” sounds were actually produced by guitars. A thoughtful, opinionated, and unrelentingly wise-cracking look at creativity by a punk and new wave legend who Dave says is basically his best friend. Make sure to stick around through the end of the episode for a deep dive into the design and build of Cindy’s D&D guitar.
Back in August, at Cory Wong’s Syncopated Summer Camp in Nashville, Wong hosted a late-night interview and hang session with Italian guitar hero Matteo Mancuso. If you weren’t there, you’re in luck: This week’s episode of Wong Notes features that exclusive rendezvous in its entirety, recorded live in front of an audience of camp attendees.Mancuso unearths his roots on the guitar, from starting on the electric guitar to learning Deep Purple, Led Zeppelin, and Jimi Hendrix while using his father’s finger-picking style. “Later on, I discovered about the pick, but I was too lazy to start again,” says Mancuso, who shouts out other fingerstyle players like Wes Montgomery and Django Reinhardt.
Mancuso credits his unique playing vocabulary to his atypical approach to the instrument, which meant he had to “find some solutions to some technical problems” that he encountered while learning to play. What kind of warm-ups does he turn to when he wants to get his fingers and brain moving? Mancuso has a few thoughts, but it all has to be “goal-oriented.”
Mancuso and Wong, both veteran bandleaders at this point, swap advice and techniques on heading your own band, arranging, and writing, plus scores of other obscure tricks of the trade. Tune in and listen to get the goods.
Hybrid picking is a technique used by many players that combines regular flatpicking with fingerpicking. It’s not all arpeggio and patterns though. Caitlin Caggiano guides us through a lesson using this picking technique for chords, melodic lines, and lead lines, and she shows us how the Beatles, Heart, and others have applied hybrid picking to create classic parts. In this video, you’ll learn what hybrid picking is, why we use it, how to implement good technique, and how to practice and apply the technique in your playing.
You might know Tim Shaw, but you've heard his work. He's a lifelong guitar nut that's shaped the sound of your heroes. He's learned from Bill Lawrence, resuscitated the vintage-spec PAF for Gibson, and currently has developed dozens of new and updated pickups for Fender, including the popular Shawbucker and revived the heralded CuNiFe Wide Range humbuckers. But that's just the start of his story, enjoy the hour-long chat host by John Bohlinger. Sponsored by StewMac: https://stewmac.sjv.io/APO2ED
Designer, guitarist and Gibson collaborator Billy Reid joins Axe Lords to talk about Jimmy Page’s favorite jacket, his Gibson Hummingbird collab, the benefits of wearing spandex, and why your guitar has to look as cool as it sounds.
esigner, guitarist and certified culture tinkerer Billy Reid drops by Axe Lords to talk about the overlap between great guitars and great clothes — and why both have to look cool.
Tom, Dave and Cindy grill Billy on the leather jacket he made for Jimmy Page, the custom Gibson Hummingbird he designed, and his deep obsession with ’70s Japanese acoustics like Yamaha “red labels” and Tokai Cat’s Eyes.
Billy breaks down how Japanese builders and denim heads chase “perfect imitation,” how he hides signature details inside garments, and why some designs bomb at first only to become cult favorites — including wool shorts.
Axe Lords is presented in partnership with Premier Guitar. Hosted by Dave Hill, Cindy Hulej and Tom Beaujour. Produced by Studio Kairos. Executive Producer is Kirsten Cluthe. Edited by Justin Thomas at Revoice Media. Engineered by Patrick Samaha. Recorded at Kensaltown East, NYC. Artwork by Mark Dowd. Theme music by Valley Lodge.
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