I've been lucky to serve as host, producer, and editor of the Rig Rundown for Premier Guitar for over a decade, and in this video, we'll walk through the cameras and audio gear we're currently using to bring you in-depth looks at your favorite artists' rigs. You'll see how Chris Kies and I have evolved our video and audio setup over the years and how a recent chance encounter led to a major upgrade with help and advice from our friends at Sweetwater.
<p>Rig Rundown cameras and microphones have had many iterations since the series launched in 2007</p>
The Pocket Cinema Camera 6K Pro offers the robust video, audio, and connectivity of Blackmagic’s Pocket Cinema 6KG2 camera but with some added features geared toward professionals. With sky-high UHD definition, the Pocket Cinema Camera 6K Pro is easily one of the most powerful compact videography tools sold today! The camera itself is solid, light, and easy to manage during extended shoots. A high-strength carbon composite body reinforced with carbon fibers gives the body rigidity and shock resistance without adding bulk, so you can safely take it anywhere without fear. A full-size Super 35 HDR sensor captures 6K images at up to 60 fps, while a 5-inch tilting touchscreen with touch focus tools and advanced overlay monitoring handles controls and monitoring. The 6K Pro’s screen also features an enhanced 1500-nit display that performs better in harsh light than other Pocket Cinema cameras. The Pro model offers switchable ND filters for bright daytime shoots with clear, 2, 4, and 6-stop options. Low light performance is equally stunning with enhanced dual native ISO with 13 stops and a massive 25,600 ISO ceiling to ensure clarity with minimal noise. And when it comes to audio, this camera is practically a full mobile studio with four built-in mics and plenty of additional inputs for external mics via 3.5mm and mini-XLR connectors. Optimized for demanding professionals, both aspiring and established, this is a truly expansive high-end camera that delivers high-quality footage anytime, anywhere.
Blackmagic Design Pocket Cinema Camera 6K Pro Features:
Premium Super 35 sensor (23.10mm x 12.99m) with stunning 6144 x 3456 native resolution
Wide selection of frame rate and definition options, including 6K 60 fps and 2.8K 120 fps
Dual native ISO with 13 stops and massive 25,600 ISO ceiling — incredible range with excellent low-light performance!
Multifunction grip with quick access to recording, still photos, ISO, shutter, aperture, white balance, power, and more
Enhanced 5-inch touchscreen with tilt, touch focus, and premium 1500-nit brightness for outdoor shoots
4 infrared ND filter options for navigating difficult lighting (clear, 2-,4,-, and 6-stop)
Compatible with active Canon EF lenses (sold separately) with additional grip controls and automatic metadata population on supported lenses
21.2MP still image shooting, saved as fully uncompressed DNG frames — perfect for making professional prints!
Built-in SD UHS-II and CFast card slots
USB-C Expansion Port — record straight to an external disk like a hard drive or flash drive
Full-size HDMI output for monitoring
Built-in speaker for field playback
4 built-in microphones, 3.5mm stereo jack, 3.5mm headphone jack, and 2 mini XLR audio inputs with phantom power and line level +14dBu options
Built-in timecode generator for streamlined multi-cam shoots
Full Bluetooth camera control with 30-foot wireless range
Accessory kit includes camera strap, 30W power supply with international adapters, lens turret dust cap, battery, charger, and DaVinci Resolve Studio activation key
12-month limited manufacturer warranty from Blackmagic Design
Maximize the potential of your Blackmagic Pocket Cinema Camera 6K with the Pocket 6K Pro Base Rig from Kondor Blue. Complete with a BMPCC 6K Pro Cage with a top handle, an ARRI bridge plate, included PPSH rods, and an EF Cine CAP, you'll have more than enough possibilities to build the perfect rig for your camera. The top plate and side plates both feature NATO railing for exclusive accessory options. Likewise, built-in HDMI and USB-C cable clamps facilitate a tangle-free setup when dealing with external gear. Sweetwater cinematographers specifically appreciate the rig's built-in grip design, which keeps long-term filming sessions comfortable and steady in any environment. Whether you're looking to build up an entirely new rig or integrate your device into a pre-existing setup, the Pocket 6K Pro Base Rig from Kondor Blue is an opportunity that can't be passed up.
The entrusted Pro-Blade SSD system meets versatile videography with this top mount from Kondor Blue. Compatible with several modern camera models, the Pro-Blade SSD handle provides a simple solution to mobile storage space. Sweetwater videographers have found that the handle’s versatile mounting system allows it to be used as either a top or side handle, depending on your filming situation. Additionally, an onboard cold shoe, safety stop, 1/4-inch-20 ARRI-style mount, and NATO rails ensure solid integration into your rig of choice. Complete with a protected USB-C connection cable, there’s no better way to haul video storage when you’re on the go.
With Pro-Blade SSD mags, storage has never been simpler. When used with compatible Pro-Blade Transport and Station units, you’ll be able to pop in 1TB to 4TB of storage into any connected device. At only 0.10 pounds, you’ll be able to carry a bundle of mags with you when you’re on the go, providing endless storage opportunities at any time. Sweetwater photographers and videographers are always on the move, and the Pro-Blade storage system has proven to be quite the lifesaver.
When you need maximum wireless performance and reliability — we're talking televised live performances, secure government installations, and similar mission-critical applications — you need Shure's Axient wireless technology. The Shure ADX5D Axient Digital Dual-channel portable wireless receiver delivers the top-tier reliability and spectral efficiency that have made Axient wireless a leading solution around the world. Thanks to its slot-in receiver form factor, the ADX5D can be configured for direct connection to professional video cameras, or equipped with a battery sled for truly portable operation. And with Frequency Diversity mode enabled, your Shure ADX5D Axient Digital wireless receiver shrugs off RF interference that can cause audio interruptions in less sophisticated systems.
• Next-gen digital radio for maximum stability • 184MHz tuning range across all receivers and transmitters • Up to 47 active transmitters per 6MHz TV channel • Frequency Diversity plus advanced interference detection and avoidance
As part of Shure's Axient Digital wireless series, the ADX1 wireless bodypack transmitter packs industry-leading digital wireless technology into a compact bodypack solution. All ADX transmitters push the limits of wireless to offer up to 184MHz tuning range, interference protection, advanced recharging options, and wireless control via ShowLink. And the ADX1's advanced control menu offers comprehensive access to all transmitter parameters. To get the most out of your Axient wireless system, Sweetwater recommends the Shure ADX1 wireless bodypack transmitter.
Wireless bodypack transmitter for Axient digital wireless systems
TA4 connector
Advanced control menu for access to all parameters
Compatible with ShowLink for remote control capabilities
Durable, moisture-resistant construction
Up to 10 hours of operation with SB910 rechargeable batteries
Includes detachable belt clip, threaded TA4F adapter, zipper bag, and detachable antenna
With the WL185m, you’re setting yourself up for sonic success. This lavalier microphone delivers professional sound in a more compact chassis than ever. Compared to the standard WL185, this microphone’s body measures 8mm shorter in length, which helps it blend in and disappear onstage and on camera. Shure tells Sweetwater that the new WL185m includes other improvements, such as greater SPL handling, lower self-noise, and upgraded sound quality. Meanwhile, the cardioid polar pattern helps focus on the wearer’s voice and prevents off-axis noise from entering the signal. Finally, your new WL185m lavalier microphone includes a redesigned tie clip, which offers a rotatable design for improved positioning. Tailor-made for presenters, the Shure WL185m lavalier microphone captures natural, lifelike tones every time.
Attach the Shure ADX5-Mount mounting plate to your ADX5 wireless receiver, and you're ready to mount it directly to the cold shoe on your camera (or tripod, light stand, or other cold shoe). Mounting directly to your camera is the most convenient and efficient way to manage your wireless receiver, and for that, Sweetwater recommends the Shure ADX5-Mount mounting plate.
The Shure ADX5BP-TA3 Back Plate attaches easily to your ADX5D Axient Digital wireless receiver, adding big functionality. It simultaneously accommodates power input from an external source, audio output from the ADX5D receiver, and optional interfacing for battery sleds. Sweetwater is pleased to report that this back plate features captive screws so you can mount/unmount the plate without worrying about losing screws.
Attach the Shure ADX5BS-L Battery Sled to your Shure ADX5D Axient Digital wireless receiver for truly portable operation. The ADX5BS-L Battery Sled allows two L-type batteries to be installed — and because the ADX5D is powered by a single battery, this enables you to replace batteries as they run down without interrupting operation. Sweetwater is pleased to report that the ADX5BS-L screws in securely to your receiver, eliminating the possibility of the sled falling off or being erroneously removed.
The Shure SBC240 is a dual docking charger for the Shure SB910 and SB920 lithium-ion rechargeable batteries, as well as the Shure ADX1, ADX2, and ADX2FD digital wireless transmitters. And because the SBC240 is network enabled, you’ll be able to monitor battery status remotely via Shure Wireless Workbench software. You can even connect up to four SBC240 chargers together, sharing power and network connectivity. If you’ve got a Shure digital wireless system, Sweetwater highly recommends the Shure SBC240 Ethernet charger.
If you use your Shure wireless system on a regular basis, then you can enhance its performance and save yourself money at the same time with the Shure SB910 rechargeable battery. Made for the Shure ADX1 bodypack transmitter, the SB910 rechargeable lithium-ion battery gives you up to 10 hours of continuous use. Don’t waste money on disposable batteries — get Shure’s SB910 rechargeable battery from Sweetwater today!
With switches that add germanium transistors and a bass boost to the classic Klon formula, Keeley delivers a more flexible and often more potent overdrive.
The Keeley Manis uniquely combines both germanium NOS transistors and diodes for more compression and saturation. This evolution is unlike any other mythical Klone! Keeley writes the next chapter in the legend of the mythical Klone pedal with several storied upgrades and features. First up is the germanium diode switch. The essential germanium diodes are at the heart of the myth. By transposing germanium diodes with germanium transistors (Cold War-era devices), we increase the sustain and saturation in the pedal. The Manis can give you a softer attack that sounds more like a tube amp. Less mid-forward, more tube-amp like. This feels incredible under your fingertips. Wouldn’t you like to hear a little more of the natural low end from your guitar? The bass boost switch pushes the lower half of the mid-focused response by one octave and increases the output by +3dB. It’s the perfect low end recovery for single coil guitars. You can choose True Bypass or Buffered Silent Switching on the fly. The Manis is built like a tank and is the first Klone you can power with 18 volts for increased headroom. The Manis is an evolution of the original circuit.
The Manis isn't just a mod: it’s an evolution of the mythical overdrive mid-boost pedal.
Ge-Trans Switch offers a welcome difference in feel of the circuit with more of a tube-like saturation and compression.
The Bass+ Switch – Lowers the frequency response by one octave and then pushes 3dB harder
True-Bypass or Silent Switching – Whichever works and sounds best in your rig
Power Protection up to 18 volts for increased headroom - without damaging the charge pump.
Germanium Transistors
Central to the superior tone from the Manis Overdrive is the germanium transistors we select for increased saturation, compression, and sustain. Each transistor is tested for noise and accuracy ensuring you have an incredible tone.
Switchable Low Frequency Cutoff
The Manis Overdrive gives you just the perfect lift in bass response so that your tone is not as mid-focused. Perfect for making single coils fatter, fuller, and more powerful.
Buffered Bypass or True Bypass
The Keeley Manis Overdrive allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off. Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true-bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley’s buffered switching mode.
Question:What’s your favorite guitar scene in a movie?
Guest Picker Boyd Holbrook
Boyd Holbrook is a fan of “Dueling Banjos.”Photo by Leo Jacob
A:Deliverance. The dueling guitar and banjo scene for me is the most eerie and unique scene ever in a movie. What a wicked movie. Everyone always thinks the film is set in Kentucky. It comes up a lot once people know I’m from Kentucky, but it’s set in Georgia. Maybe it’s the banjo that reminds people of Kentucky.
YouTube
Obsession: I’m obsessed with open-C and open-G tunings right now with Travis-style picking. You can pop and pull all sorts of stuff. My guitar coach, the great Bret Boyer who got me spun up to play Johnny Cash, keeps on blowing my mind with new styles. I think next we’re gonna crack how R.L. Burnside played his sound. That one for me is sacred.
Matthew Wang is a Nigel Tufnel fan!
Reader of the Month
Matthew Wang
A: I love Crossroads with Steve Vai and the guitar scenes in the first Back To The Future movie, but I think Nigel Tufnel doing his Rig Rundown in This Is Spinal Tap is the greatest guitar scene in film. It made me want a Les Paul. For the sustain!
YouTube
IK Multimedia’s powerful tone-generating machine.
Obsession: I’m really loving IK Multimedia’s TONEX and u-he’s Zebrify. In terms of other hardware I really want an Industrialelectric RM-1N pedal to make some drones. I’m also obsessively watching video demos of Old Blood Noise Endeavors pedals and really want to get some soon, in particular the BL-44 Reverse.
Our John Bohlinger is a fan of the devil’s guitar player—as portrayed by Steve Vai.
A: The final guitar duel between Jack Butler (Steve Vai) and Ralph Macchio from Crossroads remains the greatest cinematic contribution to guitardom ever. The year was 1986 and Vai, fueled by incredible innate talent and the blessing of Satan, was kicking Macchio’s ass until Ralph whipped out Niccolò Paganini's Caprice No. 5. Of course, Vai played both his parts and Ralph’s Paganini part while Ry Cooder supplied the funky, swampy slide stuff. It was not a fair fight.
YouTube
Bohlinger’s current favorite plectrum
Obsession: I’ve been experimenting with different plectrums. It’s amazing how much variety you get from that one tiny ingredient. My current favorite is the V Pick Traditional.
R.L. Burnside backed by our editorial director, Ted Drozdowski.
Ted Drozdowski
Editorial Director
A: It’s the outrageous performance of “Stack-O-Lee” by Samuel Jackson inBlack Snake Moan. a greasy, nasty nod to ’60s/early ’70s exploitation movies. Jackson’s character, Lazarus Redd, is loosely based on my old friend and mentor R.L. Burnside, and while Redd’s foul-mouthed, murderous rap is totally gangster, the music is authentic Mississippi hill-country blues, anchored by R.L.’s old family rhythm section of his grandson Cedric Burnside on drums and “adopted son” Kenny Brown on guitar. And the juke joint atmosphere is thicker than an alligator’s hide.
Obsession: Amps! Again! Recent guests have included a Friedman Plex, StewMac’s upcoming Valve Factory 18, and an Orange O Tone 40. Just plugging in and cranking up is too much fun!
Crank the heat! PG's John Bohlinger plugs into the boutique-built Sterling Vermin, a modern twist on the iconic Rat distortion. Hear it rip through Strats, Teles, and a Les Paul with classic snarl and smooth silicon/BAT41 clipping.
The Sterling Vermin was born from a desire for something different — something refined, with the soul of a traditional RAT pedal, but with a voice all its own.
Built in small batches and hand-soldered in ACT’s Jackson, Missouri headquarters, the Sterling Vermin is a work of pure beauty that honors the brand legacy while taking a bold step forward for creativity.
The Sterling Vermin features the LM741 Op-Amp and a pair of selectable clipping diodes. Players can toggle between the traditional RAT silicon diode configuration for a punchy, mid-range bite, or the BAT41 option for a smoother, more balanced response. The result is a pedal that’s equally at home delivering snarling distortion or articulate, low-gain overdrive, with a wide, usable tonal range throughout the entire gain spectrum.
The pedal also features CTS pots and oversized knobs for even, responsive control that affords a satisfying smoothness to the rotation, with just the right amount of tension. Additionally, the polished stainless-steel enclosure with laser-annealed graphics showcases the merging of the pedal’s vintage flavor and striking design.
From low-gain tones reminiscent of a Klon or Bluesbreaker, to high-gain settings that flirt with Big Muff territory — yet stay tight and controlled — the Sterling Vermin is a masterclass in dynamic distortion. With premium components, deliberate design and a focus on feel, the Sterling Vermin is more than a pedal, it’s a new chapter for RAT.
The veteran Florida-born metalcore outfit proves that you don’t need humbuckers to pull off high gain.
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst FenderTelecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
Boyd Holbrook is a fan of “Dueling Banjos.”Photo by Leo Jacob
