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Experience PRS: How To Build An Acoustic

PG's On Location in Stevensville, MD, where we drop in on Experience PRS. In this video segment, we get a tour of the PRS Acoustic Workshop by PRS President Jack Higginbotham and master luthier Steve Fischer. They walk us through the several meticulous steps that PRS goes through in order to provide high-quality, handmade unique acoustic guitars. As you can see, each finished acoustic guitar has its own voice and distinct tone. Check out the video and see why and how it all happens.



PG's On Location in Stevensville, MD, where we drop in on Experience PRS. In this video segment, we get a tour of the PRS Acoustic Workshop by PRS President Jack Higginbotham and master luthier Steve Fischer. They walk us through the several meticulous steps that PRS goes through in order to provide high-quality, handmade unique acoustic guitars. As you can see, each finished acoustic guitar has its own voice and distinct tone. Check out the video and see why and how it all happens.
The Return of Johnny Cash—John Carter Cash Interview
The Return of Johnny Cash—John Carter Cash Interview on Johnny’s New Songwriter Album

The Man in Black returns with the unreleased Songwriter album. John Carter Cash tells us the story.

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Gibson’s Theodore model

PRS Guitars and Ted McCarty family drop “Theodore” trademark objection, and Gibson agrees to drop opposition to PRS’s “594” and “Silver Sky Nebula” trademarks and trademark applications.

PRS Guitars yesterday announced that it has withdrawn its objection to Gibson’s registration of the “Theodore” trademark. In a press release, PRS stated it continues to hold dear and protect its long-standing agreement with Ted McCarty and the McCarty family regarding the exclusive rights to the “McCarty” trademark and to McCarty’s name and persona, first developed directly with Ted himself more than 25 years ago. After a series of private negotiations, Gibson has also agreed to drop its opposition to PRS’s “594” and “Silver Sky Nebula” trademarks and trademark applications.

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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

Finding just-right tones, while rewarding, might demand patience from less assured and experienced drive-pedal users. Tone control could be more nuanced.

$199

Danelectro Nichols 1966
danelectro.com

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The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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