Check out the latest and greatest gear from the final day of the 2014 Winter NAMM show.
Analog Alien's new Alien Bass Station has three independent effects for bass or guitar. First in the path is the 3-knob limiter, then the amp generator—which is voiced like an Ampeg B15—and then the gama fuzz. It goes for $399 street.
Demeter brought the new VTBP-M-800D head to NAMM. Based on the VTBP-201 preamp used by bass legend Lee Sklar for many, many years, the 800D uses a 280V power supply, an 800-watt, class D amp, and full-voiced preamp with input mode switch, bass and presence voicing toggles, DI and line outputs, and two Speakon speaker jacks. All in a 10.5-pound head with options starting at $1,359.
Diamond Tactical debuted their modular guitar bag system at this year's NAMM show. They utilize the MOLLE system (the same used by a number of NATO forces) for their gig bags, which allows players to customize and deck out their bags with modular pouches for everything from dedicated repair kits to cable pouches to pedal pouches to chart pouches and more.
Mayones was at the show with an array of stunning handcrafted instruments. Shown here is the Patriot Classic V-Fret with a "transparent black jeans" finish. It has an American ash body with flamed maple top, a wenge/padouk neck, and an ebony fan-fretted board. For pickups, this axe is decked out with a Bartolini xxP46C set.
Michael Anthony with one of his battered ol' Yamaha BB series basses at the company's NAMM room.
While certainly best known for his basses, Michael Tobias Designs came to NAMM with a new guitar in tow—the MTD Kingston Rubicon. Starting at $999, the Rubicon has a carved alder body with a flame maple top, an asymmetrical one-piece maple neck, choice of rosewood or maple fretboard, and custom-wound humbuckers with onboard series/parallel switches.
Fanned-fret pioneer Ralph Novak brought two 25th-anniversary Novax Guitars models to the show this year. The Sweet Annie (pictured) has a mahogany body and neck, ebony fretboard, two custom-voiced, passive Bartolini soapbar pickups, and innovative 5-way switching for a variety of warm tones. Meanwhile, the Sassy Annie has three single-coils, a 5-way selector, a contoured swamp-ash body, and an ebony-topped maple neck. Both go for an anniversary price of $2,500.
Phil Jones Bass just unveiled the 300-watt Suitcase Compact bass combo. This small yet powerful 2-channel amp houses four of Jones' 5" PJB Piranha speakers and weighs in at a back-friendly 40 pounds.
Sonuus' new Voluum features an all-analog signal path and multiple effects—LFO, compressor, limiter, gate/expander, and volume—that can be extensively tweaked with the included editing software (Mac and PC). It comes with 30 factory presets and has 100 user memory slots. Street price is $319.
Yamaha’s new TRBX304 4-string has a sculpted, solid mahogany body, a 5-ply maple-and-mahogany bolt-on neck with a rosewood fretboard, and M3 ceramic-magnet pickups with thumb rests. Controls include master volume, pickup balance, 2-band active EQ, and a 5-position "performance EQ" switch with preset EQ curves for on-the-fly adjustments.
TC Electronic's Ditto X2 Looper is the follow up to their uber-popular Ditto Looper. It has a dedicated stop/clear switch, a button for reverse/half-speed looping, stereo I/O, and the ability to import and export loops.
Diamond Amplification's new 100-watt F-4 has two independent channels (clean and crunch), each with a 3-band EQ, as well as volume, gain, and presence controls. A footswitch is included and the street price for this all-tube rig is just $999.
Former Nirvana tech Earnie Bailey is building absolutely beautiful guitars under the Wire Instruments name. These instruments are inspired takes on the old Gretsch Astro Jet profile called the Supercollider. The one on the left is a Korina bodied specimen with Lindy Fralin Pickups Plus P-92s. On the right, an Alder body with Railhammers.
Empress Effects reinvented its famous Tremolo pedal. The Tremolo2 has an all-analog signal path with incredibly powerful digital controls, including an innovative new multi-colored LED system for identifying up to eight presets. Also new is the control port which can be used with an external tap-tempo footswitch, an expression pedal (to control almost any function), or even with Empress' MIDI Box to recall presets or sync the pedal with time code. $249 street.
The new 100-watt Invader II from Engl features two clean channels and two overdrive channels that are all switchable between a hi/lo gain mode, and each channel has a dedicated 3-band EQ. As an add-on option for the Invader II, Engl offers the Sound Wizard Module Z16 for ultimate tone-tweaking hi-jinx.
Fano Guitars' newest, beautiful Alt De Facto RB6 mutation unites Rickenbacker, Kay, and Jazzmaster cues including Gold Foil pickups, Mastery bridge and vibrato, and checkerboard binding. Definitely one of the most fun guitars at Winter NAMM 2014.
Lehle introduced a trio of new bass pedals including the two shown here: the Basswitch Sonic Spark and the Basswitch Classic Boost. The Sonic Spark is an acoustic flavor enhancer pedal that's able to really fatten up bass tone. The Classic Boost is a booster pedal with voicing specifically developed for passive JJ, P, and P/J type basses.
Seymour Duncan's new Vapor Trail delay feature 600ms of completely analog delay with two mini pots for modulation, a transparent delay knob with an embedded rate LED, and a cool wet insert that you can use with an expression pedal to control volume of repeats or to use with a y-cable to loop in any other effect and have it only affect repeats. It goes for $149 street.
Glorious resurrection!!! Travis Bean Guitars is back! This particular all-metal marvel is Buzz Osborne's signature model, loaded with EGC humbuckers.
Universal Audio's new Apollo Twin recording interface features two high-quality XLR preamps, a 1/4" guitar input, a suite of 14 included plug-ins—from guitar amp and effects to reverbs and models of classic UA studio units—as well as available plug-ins from partnerships with Boss, ENGL, and more. Most notably, all plug-in processing happens with SHARC chips built into the unit itself, which translates to low-latency tracking. The one-processor Solo goes for $699, and the Duo goes for $899.
Z.Vex Effects put their Fat Fuzz circuit into the new Fat Fuzz Probe. The theremin control governs the stab parameter, and there are also drive, comp, gate, and volume knobs, as well as a 3-position voicing toggle for standard Fuzz Factory sounds, and "deep" and "deeper" subharmonic modes. It'll be available in late summer for $369 street.
Among their numerous new offerings at NAMM, DBZ Guitars introduced a new vintage-inspired body shape to their line with the Maverick. The Maverick SM variation shown here has a mahogany body topped with spalted maple, and a mahogany neck capped with a rosewood fretboard. For electronics, the Maverick SM is packed with a Pearly Gates/'59 Seymour Duncan combo.
Brubaker Musical Instruments brought bass No. 1 of a brand new series called the JXB Standard. This J-style, handcrafted axe has an alder body, maple neck, and East Indian rosewood fretboard. Outfitted with a traditional JJ configuration, Brubaker chose Aguilar AG 4J-HC hum-canceling pups for the JXB.
Decibel Eleven's new Loop Expander is a four-relay unit that adds true-bypass loop switching to any MIDI setup. The fourth loop can function as an amp switcher, you can connect multiple units in series for large pedalboards, and it works with MIDI program or control changes. There's also a switchable class A buffer. $189 street.
Diezel’s new 100-watt Lil Fokker is its simplest design to date. Powered by a quartet of KT77s, it features clean and dirty channels, a series effects loop, and a two-button footswitch for switching channels or between two different master volumes. $2,499 street.
Fargen Amplification debuted its first-ever combo to street for under two grand. At $1,699, the 6V6-powered Townhouse 20 has two circuits—tweed '50s style and '60s brownface—and external bias points for using 6L6 output tubes.
Majik Box new Body Blow Jake E. Lee Mod overdrive is similar to the existing Body Blow, but it's missing the two toggles because this box has more low end than the original, and Lee prefers the original's diode-clipping vintage mode. Unlike many overdrives, it accentuates low-mids to give more oomph to solos.
Walrus Audio's new Descent reverb goes from lush, dreamy soundscapes to twisted and trippy. Modes include hall, reverse, and shimmer, and -1 and +1 knobs add low and high octaves to the reverberations. There are three available presets, plus manual mode. Jacks include a mono input, stereo outs, and an expression-pedal input that lets you control reverb time or wet mix. $300 street
After 40+ years of making his instruments by hand, luthier Joe Veillette announced at NAMM that he is beginning production on an import line. The 18 1/2"-scale Avante by Veillette Gryphon short-scale 12-string is tuned D to D (above standard) and features solid-mahogany back and sides, solid maple top, piezo bridge pickup, and volume and treble-rolloff controls for $1,399 street.
After surviving a near-death aortic dissection onstage, Richie Faulkner shredder has endured some health challenges. In this exclusive video, he opens up about how the cardiac event impacted his mental health both on- and offstage.
During Judas Priest's the Louder Than Life 2021 performance at the Louisville-based festival, lead shredder Richie Faulkner suffered an aortic dissection onstage. (It's worth noting, the steadfast professional finished the "Painkiller" solo before ending the set—an amazing feat.) He was rushed to the nearby University of Louisville hospital that saved his life. (Serendipitously, the hospital was only a few miles from the festival grounds.)
Faulkner fully recovered from the near-death experience but has endured other health setback stemming from the aortic dissection resulting in several issues including his right-hand coordination and strength. He's powered through the last 3+ years of performances and only now is open to talking about the difficulties he has playing the technical rhythm parts and how that's impacted his mental health both on- and offstage with the massive metal band.
Seven previously-unheard Bruce Springsteen records will be released for the first time this summer with “Tracks II: The Lost Albums,” coming June 27.
A set spanning 83 songs, "The Lost Albums" fill in rich chapters of Springsteen’s expansive career timeline — while offering invaluable insight into his life and work as an artist. “'The Lost Albums' were full records, some of them even to the point of being mixed and not released,” said Springsteen. “I’ve played this music to myself and often close friends for years now. I’m glad you’ll get a chance to finally hear them. I hope you enjoy them.”
From the lo-fi exploration of “LA Garage Sessions ’83” — serving as a crucial link between “Nebraska” and “Born in the U.S.A.” — to the drum loop and synthesizer sounds of “Streets of Philadelphia Sessions,” “The Lost Albums” offer unprecedented context into 35 prolific years (1983-2018) of Springsteen’s songwriting and home recording. “The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions,” Springsteen explained. Throughout the set, that sonic experimentation takes the form of film soundtrack work (for a movie that was never made) on “Faithless,” country combos with pedal steel on “Somewhere North of Nashville,” richly-woven border tales on “Inyo” and orchestra-driven, mid-century noir on “Twilight Hours.” Alongside the announcement of “The Lost Albums,” a first look at the collection also arrives today with “Rain In The River” — which comes from the lost album “Perfect World,” and encapsulates that project’s arena-ready E Street flavor.
“The Lost Albums”will arrive in limited-edition nine LP, seven CD and digital formats — including distinctive packaging for each previously-unreleased record, with a 100-page cloth-bound, hardcover book featuring rare archival photos, liner notes on each lost album from essayist Erik Flannigan and a personal introduction on the project from Springsteen himself. A companion set — “Lost And Found: Selections from The Lost Albums” — will feature 20 highlights from across the collection, also arriving June 27 on two LPs or one CD. “The Lost Albums” were compiled by Springsteen with producer Ron Aniello, engineer Rob Lebret and supervising producer Jon Landau at Thrill Hill Recording in New Jersey.
For more information, please visit brucespringsteen.net.
Tracks II: The Lost Albums
LA Garage Sessions ’83
1. Follow That Dream
2. Don’t Back Down On Our Love
3. Little Girl Like You
4. Johnny Bye Bye
5. Sugarland
6. Seven Tears
7. Fugitive’s Dream
8. Black Mountain Ballad
9. Jim Deer
10. County Fair
11. My Hometown
12. One Love
13. Don’t Back Down
14. Richfield Whistle
15. The Klansman
16. Unsatisfied Heart
17. Shut Out The Light
18. Fugitive’s Dream (Ballad)
Streets of Philadelphia Sessions
1. Blind Spot
2. Maybe I Don’t Know You
3. Something In The Well
4. Waiting On The End Of The World
5. The Little Things
6. We Fell Down
7. One Beautiful Morning
8. Between Heaven and Earth
9. Secret Garden
10. The Farewell Party
Faithless
1. The Desert (Instrumental)
2. Where You Goin’, Where You From
3. Faithless
4. All God’s Children
5. A Prayer By The River (Instrumental)
6. God Sent You
7. Goin’ To California
8. The Western Sea (Instrumental)
9. My Master’s Hand
10. Let Me Ride
11. My Master’s Hand (Theme)
Somewhere North of Nashville
1. Repo Man
2. Tiger Rose
3. Poor Side of Town
4. Delivery Man
5. Under A Big Sky
6. Detail Man
7. Silver Mountain
8. Janey Don’t You Lose Heart
9. You’re Gonna Miss Me When I’m Gone
10. Stand On It
11. Blue Highway
12. Somewhere North of Nashville
Inyo
1. Inyo
2. Indian Town
3. Adelita
4. The Aztec Dance
5. The Lost Charro
6. Our Lady of Monroe
7. El Jardinero (Upon the Death of Ramona)
8. One False Move
9. Ciudad Juarez
10. When I Build My Beautiful House
Twilight Hours
1. Sunday Love
2. Late in the Evening
3. Two of Us
4. Lonely Town
5. September Kisses
6. Twilight Hours
7. I’ll Stand By You
8. High Sierra
9. Sunliner
10. Another You
11. Dinner at Eight
12. Follow The Sun
Perfect World
1. I’m Not Sleeping
2. Idiot’s Delight
3. Another Thin Line
4. The Great Depression
5. Blind Man
6. Rain In The River
7. If I Could Only Be Your Lover
8. Cutting Knife
9. You Lifted Me Up
10. Perfect World
Bruce Springsteen - Tracks II: The Lost Albums Trailer - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.The guitarist-of-all-trades runs us through his formidable live rig.
Rhett Schull’s a busy guy. Between being one of the most prolific YouTubers in the guitar sphere, working as a trusted hired gun, and creating his own original music, including last year’s EP The Early Days, he’s an avid cyclist. Just a week before we met up with Rhett at Eastside Bowl in Madison, Tennessee, for this Rig Rundown, he was slated to ride a 100-mile race in Stillwater, Oklahoma. Those plans were dashed when 70-mile-an-hour winds stoked a wildfire near town and burned just over 26,000 acres. But the show must go on: The next night, Schull played a gig in town, a special release for people reeling from a brutal natural disaster.
Schull’s a certified gear aficionado and tone wizard, so PG’s Chris Kies headed to Eastside Bowl to have him walk us through his current live rig. Check out the Rundown here, and stay tuned; Schull’s got more music coming later this year.
Brought to you by D’Addario.
Special Serus
Schull’s wife pointed out this Novo Serus J hanging on the wall of a guitar shop back in 2017, and it was love at first strum. Made from tempered pine and loaded with Amalfitano P-90 pickups, plus sporting an unmissable pink sparkle polyurethane finish, it’s a real looker, and one of Schull’s favorite guitars.
Third Man Thumper
After Schull did a video on the Fender Jack White Pano Verb amplifier, Fender sent him a Jack White Triplecaster Telecaster, part of his signature series of gear with Fender launched last year. Schull calls it one of the most versatile guitars he owns, with each of the three pickup options virtually splitting it into three separate guitars.
Firebird-Watching
This beauty from Gibson’s Custom Shop came to Schull following NAMM in 2020. On tour, he needs something with humbuckers and something with single-coils. Then, he thinks of what’s exciting him. These days, it’s this Firebird V, which doesn’t have a typical Firebird tone, but cuts closer to something like a Telecaster at times.
Rockin' Two With a Two-Rock
Schull runs two amps onstage, but he doesn’t run them in stereo; he believes the stereo image doesn’t translate as well in a live situation where listeners are spread across the speaker system’s field. With this Two-Rock Classic Reverb Signature and an AC15-ish David Edwards Apollo, Schull gets a “broadband” sound set for big, fat clean tones, like one giant amp on the edge of breakup.
Fun fact: Edwards surprised Schull with the Apollo when Rhett went to Florida to work on some videos.
Rhett Schull's Pedalboard
Schull’s 2024 EP is very effects-heavy, so he commissioned the pedalboard-whisperers at XAct Tone Solutions to build him this double-decker station based around an RJM Mastermind PBC/6X switcher. Some of the stomps, like the Chase Bliss Mood, are activated by MIDI, and all the different sounds from each song—from intro to chorus to bridge to finish—is set up in the RJM. If Rhett wants to go off script, he can hit the function button, which lets him engage pedals on a one-by-one basis. A Line 6 HX One is a “wildcard” pedal in this rig, filling in gaps as needed.
In addition to those machines, the rig includes a Chase Bliss Dark World, GFI System Synesthesia, Hologram Electronics Chroma Console, Boss Space Echo RE-202, GFI System Duophony (which mixes the Dark World and Synesthesia), Chase Bliss Automatone Preamp MkII (used for boost, EQ, fuzz, or overdrive depending on the song), Old Blood Noise Endeavors Beam Splitter, Source Audio ZIO, Memory Lane Electronics Tone Bender clone, and a Mythos Argonaut. A mysterious Japan-made Noel dirt pedal, finished in striking red and gifted to Shull by JHS Pedals’ Josh Scott, rounds out the collection. Utility boxes include a TC Electronic PolyTune3 Noir, Lehle Little Dual, a pair of Strymon Ojai power supplies, and a bigger Strymon Zuma supply.
Sterling by Music Man introduces the Joe Dart Artist Series Collection, featuring the Dart I, II, and III basses.
The original Dart I features the Sterling-shaped body with a single humbucker and volume knob. The Dart II, featuring the beloved Ernie Ball Music Man Caprice body, swaps the humbucker fortwo single-coil pickups, each with its own volume knob for precise, hum-free control. Completing the trilogy, the Dart III is a short-scale StingRay bass with a split single-coil pickup and single volume knob.
A blank canvas, the bass collection embodies the no-frills philosophy of the original Ernie BallMusic Man design—everything you need and nothing you don’t. All three basses are equipped with passive electronics, Ernie Ball flatwound strings, and are available in Natural or Black finishes. No tone knobs here.
“Jack Stratton and I are thrilled to team up once again with Sterling by Music Man to build affordable versions of the three best basses I've ever held in my hands. The JoeDart I, II, and III represent three different sounds and feels, three different eras of bass,and three different shades of my own work as a bassist,” said Dart. “The feel of these instruments is incredible, and the quality would be remarkable at any price point.”
This is a special “Timed Edition” release, only available for pre-order on the Sterling by MusicMan website for two months. Each bass is made to order, with the window closing on May 31st and shipping starting in September. The back of the headstock will be marked with a “2025Crop” stamp to commemorate the harvest year for this special, one-of-a-kind release. A gig bag will be included with each purchase.
All basses are priced at $499.00
For more information, please visit sterlingbymusicman.com.