There are four controls on the MXR-sized unit: Level, Fuzz, Scream (distortion), and a 3- postion selector switch that allows you to choose different types of clipping diodes.
Grabbing a set neck 1978 Ibanez Iceman with Seymour Duncan pickups, I plugged the pedal into a Crate V33 tube half stack. One of the best things about this pedal is that you don’t have to use both distortion modes at the same time, so the fuzz was set to 0, and the scream control was set to the 1 o’clock position. The tone it produced was very reminiscent of older era AC/DC; every note in every open chord was perfectly audible and even. The pedal cleaned up to a crystal clear clean tone with the guitar volume rolled down, and there was no loss in volume. After turning down the scream knob and turning up the fuzz control, I couldn’t help but play the Stones’ “Satisfaction.” It really reminded me of that old Maestro Fuzztone with all those great horn-like overtones. There was a very noticeable volume increase with the fuzz control however, much more than the scream control. For this experiment, I used the different diode positions. The LED mode seemed to have the most volume.
For the price, this is a very versatile fuzz with an impressive distortion section. The large volume difference between the two is unfortunate, but negligible when you hear the outstanding tone of this pedal. – JW
you need great-sounding fuzz and distortion that can be combined or used separately
you need a more modern, midscooped fuzz tone.
MSRP $225 - Cusack Music - cusackmusic.com