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november-2008

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Gear

Wampler Analog Echo Pedal Review

Brian Wampler’s “Analog Echo” is loaded with a digital delay chip, but with pure analog circuitry surrounding in order to achieve tape echo or Echoplex-type delay tones with a 650ms maximum delay time.

Gear

BSM VX-C Treble Booster Pedal Review

This pedal is based on the Vox Treble and Bass booster.

Gear

Himmelstrutz Elektro Art Fetto Pedal Review

An overdrive/distortion with an amp-like feel, the Fetto has a Plexi-like gain structure with a wide range of Drive control, great clarity and string definition even at high gain, and nice harmonic complexity even at low gain.

Gear

Oohlala Synth Mangler Pedal Review

Designed by Devi Ever and posing meekly as two fuzz circuits in one box (Oohlala’s Soda Meiser fuzzes) the Mangler has the capability of throwing your welldesigned effects team a curveball.

Gear

Mad Professor Fire Red Fuzz Pedal Review

This silicon-powered circuit is quite the chameleon, all thanks to an understated Tone control.

Gear

BSM RG (Rory Gallagher) Treble Booster Pedal Review

This pedal was developed to achieve the powerful sustaining punchy sound of the Strat played by Mr. Gallagher, who used it with a Rangemaster.

Gear

ISP Technologies G-String Decimator Pedal Review

The Decimator uses Time Vector Processing, which instantly and accurately responds to all varieties of note durations.

Gear

Dino’s Guitars Rust Box Pedal Review

Download example 1 Recorded with a Steinberger ZT3 and a Mesa Boogie Rectifier Italians have always seemed to possess a knack for luxury and a hint of the exotic.

Gear

Lizard Leg Flying Dragon Pedal Review

The real strength of this pedal is in its balance and transparency.

Gear

BSM RPA Treble Booster Pedal Review

The RPA (which stands for Richie’s Pre Amp) emulates Richie Blackmore’s post-1974 sound