From classics to modded classics, boutique to budget, Premier Guitar readers submit the tools they use to get dirty.

Radial Tonebone Classic
"My Radial Tonebone Classic has been on my board for over five years now, and when I need a bigger, gainier solo voice for all of the styles I am called upon to play in my pro situations there is not much better. Interfaces well with my Fender and Boogie amps, explained Adam Rey, but he wasn't done there..."

A chambered body and enhanced switching make this affordable Revstar light and loaded with tones.

Scads of cool tone combinations. Articulate pickups. Relatively light. Balanced and comfortable. Well built.

Some P-90 players might miss the extra grit the Revstar trades for articulation.

Yamaha Revstar Standard RSS02T
usa.yamaha.com

4.5
4.5
4.5
4.5

While the Yamaha name is famous in circles beyond the guitar world, they’ve made first-class guitars since the 1960s. And while they don’t unleash new releases with the frequency of some larger guitar brands, every now and then they come down the mountain with a new axe that reminds us of their capacity to build great electric 6-strings. In 2015, Yamaha introduced the first generation Revstar. With a handsome aesthetic inspired by the company’s motorcycle racing heritage, the Revstar combined sweet playability and vintage style touchstones. This year, Yamaha gave the Revstar an overhaul—including body chambering, updated pickups, and new switching. What’s impressive is how these alterations enhance the already impressive playability and versatility of the original.

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See a sampling of picks used by famous guitarists over the years.

Marty Stuart

Submit your own artist pick collections to rebecca@premierguitar.com for inclusion in a future gallery.

My years-long search for the “right” Bigsby-outfitted box finally paid off. Now how do I make this sumbitch work in my band?

Considering the amount of time I’ve spent (here and elsewhere) talking about and lusting after Gretsch hollowbody guitars, it’s taken me a remarkably long time to end up with a big Bigsby-outfitted box I truly love. High-end Gretsches are pricey enough that, for a long time, I just couldn’t swing it. Years ago I had an Electromatic for a while, and it looked and played lovely, but didn’t have the open, blooming acoustic resonance I hoped for. A while later, I reviewed the stellar Players Edition Broadkaster semi-hollow, and it was so great in so many ways that I set my sights on it, eventually got one, and adore it to this day. Yet the full-hollowbody lust remained.

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