PG's Jordan Wagner is On Location in Anaheim, CA, for the NAMM 2010 Show where he visits the Godlyke Distribution booth. In this segment, we get to see and hear new products from Emma Effects, TWA and Maxon. This years from Emma Effects, we get introduced to the StinkBug, ReezaFRATzitz and PsidiYAUwot. The StinkBug is a classic overdrive. The low and high controls gives a great control of the amount of mids in the pedal. Turn them both down, and the midrange comes out, but without being nasal. Turn them up, and the mids gets slightly scooped, still keeping the sound full and punchy. The PsidiYAUwot is Emma's take on a metal pedal. The TWA Triskelion is a harmonic energizer that uses vintage Synth technology to re-shape the harmonic structure of the input signal, adding punch, clarity and depth to any guitar tone. The TK-1s specially tuned filter can create glassy clean tones, boost midrange for throaty solos, or tune your rig to the room for a wall of singing, resonant feedback. Massive amp sounds, explosive lead-breaks, infinite sustain, and downright nasty, energy-intense tones are just a few of the uses for the Triskelion. The Maxon Super Tube Pro is Maxon's salute to the rare and highly collectible "Super Tube Screamer" from the 1980's, the new Maxon ST-9 Pro+ Super Tube takes the basic design elements of that coveted vintage model and brings them into the 21st century. Loosely based on Maxons classic 808 circuit, the ST-9 Pro+ offers a dedicated midrange control that varies the amount of Midrange boost, creating powerful, fat and heavy distortion sounds akin to a full stack amplifier. A mode switch to select from two different diode types allows the user to fine-tune the ST-9 Pro+ for use with single coils or humbuckers, while switchable 9- or 18-volt operation provides increased dynamic headroom and fuller frequency response. The Maxon Super Metal is based on the cult-classic Super Metal pedal from the 1980's, the new Maxon SM-9 Pro+ packs sufficient firepower to accurately reproduce all the tonal evolutions of metal music over the past 30 years. The SM-9 Pro+ features Gain, Level, Scoop, and Edge controls. Gain simultaneously boosts the 1 kHz midrange band by up to 20 dB as Gain is increased. Scoop is a mid-band elimination filter that is variable between 200 Hz 2 kHz. Edge is a hi-cut shelving filter that cuts hi frequencies from 2 kHz to 15 kHz. The SM-9 Pro+ also features switchable 9 or 18 volt operation, providing sufficient heardroom with minimal compression to handle today's high-output pickups and active electronics.



PG's Jordan Wagner is On Location in Anaheim, CA, for the NAMM 2010 Show where he visits the Godlyke Distribution booth. In this segment, we get to see and hear new products from Emma Effects, TWA and Maxon.

This years from Emma Effects, we get introduced to the StinkBug, ReezaFRATzitz and PsidiYAUwot. The StinkBug is a classic overdrive. The low and high controls gives a great control of the amount of mids in the pedal. Turn them both down, and the midrange comes out, but without being nasal. Turn them up, and the mids gets slightly scooped, still keeping the sound full and punchy. The PsidiYAUwot is Emma's take on a metal pedal.

The TWA Triskelion is a harmonic energizer that uses vintage Synth technology to re-shape the harmonic structure of the input signal, adding punch, clarity and depth to any guitar tone. The TK-1s specially tuned filter can create glassy clean tones, boost midrange for throaty solos, or tune your rig to the room for a wall of singing, resonant feedback. Massive amp sounds, explosive lead-breaks, infinite sustain, and downright nasty, energy-intense tones are just a few of the uses for the Triskelion.

The Maxon Super Tube Pro is Maxon's salute to the rare and highly collectible "Super Tube Screamer" from the 1980's, the new Maxon ST-9 Pro+ Super Tube takes the basic design elements of that coveted vintage model and brings them into the 21st century. Loosely based on Maxons classic 808 circuit, the ST-9 Pro+ offers a dedicated midrange control that varies the amount of Midrange boost, creating powerful, fat and heavy distortion sounds akin to a full stack amplifier. A mode switch to select from two different diode types allows the user to fine-tune the ST-9 Pro+ for use with single coils or humbuckers, while switchable 9- or 18-volt operation provides increased dynamic headroom and fuller frequency response.

The Maxon Super Metal is based on the cult-classic Super Metal pedal from the 1980's, the new Maxon SM-9 Pro+ packs sufficient firepower to accurately reproduce all the tonal evolutions of metal music over the past 30 years. The SM-9 Pro+ features Gain, Level, Scoop, and Edge controls. Gain simultaneously boosts the 1 kHz midrange band by up to 20 dB as Gain is increased. Scoop is a mid-band elimination filter that is variable between 200 Hz 2 kHz. Edge is a hi-cut shelving filter that cuts hi frequencies from 2 kHz to 15 kHz. The SM-9 Pro+ also features switchable 9 or 18 volt operation, providing sufficient heardroom with minimal compression to handle today's high-output pickups and active electronics.

Guitar store staff have better things to do than clean your instrument, so a well-loved but unsoiled 6-string like this is going to command a higher trade-in value than one that comes in covered in years of residue.

Believe it or not, you can boost the value of your instrument by making everyone's life a little easier … and cleaner!

There's an overwhelming amount of activity in the guitar market these days, and the sheer amount of demand has left some manufacturers struggling to keep up. But rather than wait around for stores to re-stock, more and more customers are shopping for used and vintage guitars. You might wonder, where do all those used guitars come from?

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"'If I fall and somehow my career ends on that particular day, then so be it," Joe Bonamassa says of his new hobby, bicycling. "If it's over, it's over. You've got to enjoy your life."

Photo by Steve Trager

For his stylistically diverse new album, the fiery guitar hero steps back from his gear obsession and focuses on a deep pool of influences and styles.

Twenty years ago, Joe Bonamassa was a struggling musician living in New York City. He survived on a diet of peanut butter and jelly sandwiches and ramen noodles that he procured from the corner bodega at Columbus Avenue and 83rd Street. Like many dreamers waiting for their day in the sun, Joe also played "Win for Life" every week. It was, in his words, "literally my ticket out of this hideous business." While the lottery tickets never brought in the millions, Joe's smokin' guitar playing on a quartet of albums from 2002 to 2006—So, It's Like That, Blues Deluxe, Had to Cry Today, and You & Me—did get the win, transforming Joe into a guitar megastar.

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