Another eye-popping gallery of pedalboards, submitted by PG readers.

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Sweden’s Bror Gunnar Jansson plugs into a Reaper Pedals buffer, a Dr. J Green Crystal overdrive, a Marshall Vibratrem VT-1, a Reaper Pale Horse bitcrusher, a George Dennis Wah Switch Plus, an Ibanez DE-7 delay, and a TC Electronic PolyTune. “I don’t use the wah in the most common way,” writes Bror. “I only use it for the nice, tinny sound (‘burk’ is Swedish for tin or jar).” Love the luggage look, Bror!

Checking out the pedalboards of our fellow players never gets old—and there’s so much creativity on display in this latest batch.You’ll encounter classic effects deployed in imaginative ways … ambitious switching/effect loop schemes … and a vast menagerie of hip boutique boxes. Thanks for the ongoing inspiration, readers!

Fender’s American Vintage II Series

For these new recreations, Fender focuses on the little things that make original golden-era Fenders objects of obsession.

If there’s one thing players love more than new guitars, it’s old guitars—the unique feel, the design idiosyncrasies, the quirks in finish that all came from the pre-CNC era of instrument manufacturing. These characteristics become the stuff of legend, passed on through the years via rumors and anecdotes in shops, forums, and community networks.

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The Red Sea was born out of the vision to provide complex signal routing options available to the live/performing musician, that up until now, are only found in a studio mixing environment.

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Stardust V3 was designed to capture the sound and response of 3 distinct amplifier models.

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The Sunn O))) Life Pedal circuit has been meticulously tweaked from the original and includes a third footswitch.

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