As I type this, our YouTube Channel (youtube.com/premierguitar) is approaching 30 million views (wuhoo!), and as you can imagine, it’s no stranger to weird-ass comments of all sorts. Everything
As I type this, our YouTube Channel (youtube.com/premierguitar) is approaching 30 million views (wuhoo!), and as you can imagine, it’s no stranger to weird-ass comments of all sorts. Everything from giddy requests for the “free gear” viewers think we get (we don’t) to levelheaded, thoughtful observations about the video subject matter to heated battles over which piece of gear or player in the video rules (or blows) to expressions of … er, “admiration” for the kick-ass women on our staff. Expressions that range from tasteful and restrained to so creepy you A) hope the commenter one day moves out of his/her parents’ basement and learns to develop a social filter, B) hope you never cross paths with the person in real life, or C) hope they are soon rounded up by their local police department.
We get similar stuff on our Facebook page, too, only it’s not nearly as bad because, well, people can see who you are there. But whether it’s on Facebook or YouTube, we can always count on certain hot-button players or bands to roil the waters—and trust us, we usually know well in advance which will be a thorn in our collective buttocks. We knew our Rig Rundown with Creed’s Mark Tremonti would brew up fresh battles about how he’s the best/most-derivative player alive. We knew our RR with John Mayer’s tech would revive debate about how he’s either the most sexist and misogynistic guitarist on the planet or the heir to Clapton. And we sure as hell knew a Rig Rundown on Nickelback’s Chad Kroeger and Ryan Peake would prompt some of the sharpest barbs of all time.
So, naturally, when managing editor Tessa Jeffers went off to shoot a Rig Rundown with Ted Nugent, we expected to get all sorts of craziness from across the sociopolitical spectrum. But … damn, we were still pretty blown away at how unhinged and uncivil some people can get.
The “Motor City Madman” is obviously infamous for his outspoken views on a number of politicized subjects. And we’ve spoken to players on the opposite end of the spectrum, too—players like Tom Morello and Ani DiFranco. And we’ve no doubt interviewed players who some people might find offensively apathetic toward issues of the day.
Trust us—we totally get the visceral gut reactions that various outspoken artists can elicit as individuals. Heck, we’re human, too. The funny thing is, you can tell from a lot of the out-there comments on our Rig Rundowns that the person didn’t actually watch the clip. Even though the players’ polarizing beliefs aren’t expressed in our vids (as was the case with the Nuge), it doesn’t seem to make a difference: Under the cover of YouTube’s anonymity (and, to a certain extent, even on the more transparent Facebook), a handful of viewers always attempts to hijack a comment thread and take it away from where it belongs.
Let us be clear: It’s about the guitar, stupid.
Of course, we mean “stupid” as a term of endearment … unless you’re one of those people trying to ruin it for the 99 percent of players who prefer wailing on our axes rather than each other. Sorry—call it “tough love” if it helps it go down and get digested more easily.
But seriously, even though we here on the PG staff sometimes find ourselves agreeing with various personal feelings expressed by our readers toward interview subjects because of their politics, we keep them to ourselves.
Why?
Because our number-one goal is to cover a wide range of guitarists and bassists and to get them to talk about their craft in an engaging, informative, and entertaining manner. Our strict MO is to avoid discussion of polarizing non-musical topics and to make it all about everything from playing and practicing to songwriting, performing, recording, and getting great tones.
That said, we will tip our hand a little to let you know that all this vitriol has made us think seriously about starting a new Premier Guitar video franchise that brings the cathartic Claymation of MTV’s Celebrity Deathmatch to guitardom: The pilot episode will feature Vinnie Vincent and Ace Frehley attempting to javelin-throw axes through Tommy Thayer’s torso, and it will culminate with YouTube trolls battling to the death over who had the best/worst technique, tone, and gear.
Shawn Hammond
shawn@premierguitar.com
We’re giving away pedals all month long! Enter Stompboxtober Day 11 for your chance to win today’s pedal from Hotone Audio!
Hotone Wong Press
Cory Wong Signature Volume/Wah/Expression Pedal
Renowned international funk guitar maestro and 63rd Grammy nominee Cory Wong is celebrated for his unique playing style and unmistakable crisp tone. Known for his expressive technique, he’s been acclaimed across the globe by all audiences for his unique blend of energy and soul. In 2022, Cory discovered the multi-functional Soul Press II pedal from Hotone and instantly fell in love. Since then, it has become his go-to pedal for live performances.
Now, two years later, the Hotone team has meticulously crafted the Wong Press, a pedal tailored specifically for Cory Wong. Building on the multi-functional design philosophy of the Soul Press series, this new pedal includes Cory’s custom requests: a signature blue and white color scheme, a customized volume pedal curve, an adjustable wah Q value range, and travel lights that indicate both pedal position and working mode.
Cory’s near-perfect pursuit of tone and pedal feel presented a significant challenge for our development team. After countless adjustments to the Q value range, Hotone engineers achieved the precise WAH tone Cory desired while minimizing the risk of accidental Q value changes affecting the sound. Additionally, based on Cory’s feedback, the volume control was fine-tuned for a smoother, more musical transition, enhancing the overall feel of volume swells. The team also upgraded the iconic travel lights of the Soul Press II to dual-color travel lights—blue for Wah mode and green for Volume mode—making live performances more intuitive and visually striking!
In line with the Hotone Design Inspiration philosophy, the Wong Press represents the perfect blend of design and inspiration. Now, musicians can channel their inner Cory Wong and enjoy the freedom and joy of playing with the Wong Press!
John Mayer Silver Slinky Strings feature a unique 10.5-47 gauge combination, crafted to meet John's standards for tone and tension.
“I’ve always said that I don’t play the guitar, I play the strings. Having a feeling of fluidity is so important in my playing, and Ernie Ball strings have always given me that ability. With the creation of the Silver Slinky set, I have found an even higher level of expression, and I’m excited to share it with guitar players everywhere.”
— John Mayer
hese signature sets feature John’s previously unavailable 10.5-47 gauge combination, perfectly tailored to his unique playing style and technique. Each string has been meticulously crafted with specific gauges and core-to-wrap ratios that meet John’s exacting standards, delivering the ideal balance of tone and tension.
The new Silver Slinky Strings are available in a collectible 3-pack tin, a 6-pack box, and as individual sets, offered at retailers worldwide.
"Very few guitarists in the history of popular music have influenced a generation of players like John Mayer. For over 25 years, John has not only been a remarkable artist but also a dear friend to the Ernie Ball family. This partnership represents our shared passion for music and innovation, and we can't wait to see how John’s signature Silver Slinky strings continue to inspire guitarists around the world.”— Brian Ball, CEO of Ernie Ball
Product Features
- Unique gauge combination: 10.5, 13.5, 17.5, 27, 37, 47
- John’s signature gauge for an optimal balance of tone, tension, and feel
- Reinforced Plain Strings (RPS) for enhanced tuning stability and durability
- Custom Slinky recipes tailored to John’s personal preferences
A more affordable path to satisfying your 1176 lust.
An affordable alternative to Cali76 and 1176 comps that sounds brilliant. Effective, satisfying controls.
Big!
$269
Warm Audio Pedal76
warmaudio.com
Though compressors are often used to add excitement to flat tones, pedal compressors for guitar are often … boring. Not so theWarm Audio Pedal76. The FET-driven, CineMag transformer-equipped Pedal76 is fun to look at, fun to operate, and fun to experiment with. Well, maybe it’s not fun fitting it on a pedalboard—at a little less than 6.5” wide and about 3.25” tall, it’s big. But its potential to enliven your guitar sounds is also pretty huge.
Warm Audio already builds a very authentic and inexpensive clone of the Urei 1176, theWA76. But the font used for the model’s name, its control layout, and its dimensions all suggest a clone of Origin Effects’ much-admired first-generation Cali76, which makes this a sort of clone of an homage. Much of the 1176’s essence is retained in that evolution, however. The Pedal76 also approximates the 1176’s operational feel. The generous control spacing and the satisfying resistance in the knobs means fast, precise adjustments, which, in turn, invite fine-tuning and experimentation.
Well-worn 1176 formulas deliver very satisfying results from the Pedal76. The 10–2–4 recipe (the numbers correspond to compression ratio and “clock” positions on the ratio, attack, and release controls, respectively) illuminates lifeless tones—adding body without flab, and an effervescent, sparkly color that preserves dynamics and overtones. Less subtle compression tricks sound fantastic, too. Drive from aggressive input levels is growling and thick but retains brightness and nuance. Heavy-duty compression ratios combined with fast attack and slow release times lend otherworldly sustain to jangly parts. Impractically large? Maybe. But I’d happily consider bumping the rest of my gain devices for the Pedal76.
Check out our demo of the Reverend Vernon Reid Totem Series Shaman Model! John Bohlinger walks you through the guitar's standout features, tones, and signature style.