Watch as Gabriel Bergman outlines five essential topics you need to level up your playing.
How Do I Learn All the Notes on the Fretboard?
The guitar fretboard can be a very tricky instrument to memorize, but understanding how to visualize the notes on the neck is absolutely essential no matter what style you play. Start by learning your octave shapes and then moving them all over the neck while saying the name of the note out loud. Pretty soon, your eyes, ears, and fingers will start to connect and you'll understand the fretboard on a deeper level.
How Do I Learn the CAGED System?
The CAGED system is simply a series of shapes based on the open-position chords we are learn when we are starting out. These shapes can help you not only understand chords, but also scales, arpeggios, and pentatonics. Start with our in-depth CAGED lesson and really develop seeing these shapes all over the neck.
How Do I Learn Triads on the Guitar?
Having a deep understanding of triads all over the neck is the foundation for a well-rounded view of the fretboard. Start simple with a few shapes on the top three strings and then move those through a few keys. Once that feels good start slowly moving those shapes to other string sets. Not all of them will be comfortable or useful in all situations, but soon you will develop a vocabulary of shapes.
How Do I Learn Arpeggios on the Guitar?
What's an arpeggio? It's when you play the notes of a chord one at a time. Arpeggios can take many forms, so don't try to tackle them all at once. Start with triads on adjacent strings and then slowly expand to 7th chords.
How Do I Learn Pentatonics?
Pentatonics are the bread-and-butter of blues-rock guitar. The shapes are easy to get under your fingers and learning some stock pentatonic licks is relatively easy. One tip: Learn the scales horizontally up the neck in addition to the vertical positions. It will make shifting patterns much easier.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.
This episode is sponsored by Magnatone
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmark—including delay time, feedback, and independent rate and depth knobs for the modulation—plus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ’80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.