Just take your musical vitamins!
Intermediate
Beginner
•Create a goal-oriented warm-up routine.
• Learn to outline all 12 major scales in a single position.
• Develop an understanding of tremolo picking, quintuplets, and the chromatic scale.
Warm-ups aren’t just about limbering up your fingers. Warming up helps with focus and confidence. It’s difficult to go into a performance cold. Whether it’s a Broadway show, a Carnegie Hall performance, a bar gig, or any formal or informal setting, you need a warm-up routine. Like a runner who needs to stretch before a competition, a musician needs to get their mind and body ready before a performance. Though there is a flood of method books on the market along with YouTube tricks and tips, there is no standard canon of technical exercises available for electric guitar. As a professional guitarist over the years, I’ve seen the need for an effective, comprehensive, yet quick warm-up routine.
The Warm-Up Routine
The following are ten specific exercises, appropriate for both hands with a focus on picking, and when played at tempo should take about five minutes. You’ll be ready to play just about anything and still have your energy to devote to the gig. The idea is to be able to practice technique that surpasses the demand of what you’ll be playing. These are easy to memorize and highly portable, without having to carry books or download an app.
Directions: Use alternate picking for all exercises except for the sweep picking one. Be mindful of the picking as it is important to develop monster technique. Play all notes evenly and cleanly at a slow tempo before gradually speeding it up.
Ex. 1 is probably the exercise I despise the most. It was shown to me by a guitar phenom/colleague in graduate school. He played it fast with no errors, clinks, or hesitations. It sounded angular and I hadn’t heard anything like it before, so it piqued my interest. What makes it difficult is the alternate picking on each string, with only one note per string.
Start with one finger per fret from the 6th to the 3rd strings. Then bring the fingering down to the next four strings starting on the 5th string. Continue to move the shape until you run out of strings. The left-hand pattern will be 1-2-3-4, 1-2-3-4, 1-2-3-4, 1-2-3, 1-2, 1. At this point, move down a fret and invert the shape starting on the 1st string. Keep this up until you reach the 1st fret. It’s challenging to play cleanly, but it sounds cool and is a necessary technique.
Ex. 2 encapsulates the difficulties of guitar playing in a single measure. This one focuses on string crossing and pick direction. Be aware of the extra note added to the pattern. It turns the picking direction around, providing an opportunity to begin a phrase with an upstroke. I find that my picking gets tripped up when the pattern changes, making this a good example to overcome this technical challenge.
The most basic and traditional form of the major scale is shown in Ex. 3. What makes this challenging is a combination of two- and three-notes-per-string shapes while alternate picking. You end up straying from a predictable flow of notes per string. Play this one four times to train your picking hand to accurately get this skill down.
So, you say you know the major scale? This may be one of the more difficult ones. The premise in Ex. 4 is that wherever you are on the neck you have access to all notes and scales without shifting to a more comfortable fingering. When you’re playing over a chord change or an idea, you want to be able to play the next note within reach. The moment you have to shift to play a line, often your thinking stops and creativity is averted.
This may even be more of a mental exercise than physical. It requires keeping track of several items at the same time: moving through all keys in the cycle of fourths, the direction of the scale, and finding the correct note in position, all at a racing pace (eventually).
Play the major scales in one position without shifting positions. The object is to play within a four to five fret span without using open strings. There are four directions for this exercise: up, down, alternating up/down, and alternating down/up.
This is more of a quasi-classical guitar passage where the right-hand fingers do the work (Ex. 5). Specifically, it’s a pedal-point exercise where one note stays the same while other notes are moving. It really works up alternate picking technique with the triplet part.
Ex. 6 is one I would play before a performance. When I started performing on Broadway, I realized the involvement and demand of the right hand. Fast picking is determined by tremolo technique, so I wrote a tremolo part on a G minor arpeggio leading up to a Bach excerpt (1st violin Sonata BWV 1001 Presto).
Ex. 7 is all about pentatonic quintuplets. Notice that for each starting note of the five-note group, the pick direction will be the opposite from the previous one. It sounds amazing when played fast, a la Eric Johnson.
Perhaps the chromatic scale is already everyone’s go-to warm-up. However, Ex. 8 utilizes open strings combined with fretted notes in the first position, which is a challenge. This may be on par with something out of Mel Bay Book 1, but try playing it fast and clean.
To play modern ideas on guitar, you have to know sweep picking. Since sweeping uses different musculature, it will feel odd or different at first. Start off slowly with triplets, then take the same note pattern and play 16th-notes followed by quintuplets. Ex. 9 aids in both picking and rhythmic control.
Ex. 10 breaks out of narrow, scale-step intervals and branches off into wider intervals, like 4ths, 5ths, 6ths, and 7ths. The techniques involve string skipping and a plethora of different shapes. Practicing intervals is an excellent ear training exercise and should be done daily—like taking vitamins.
I hope this warm-up routine brings you a newly heightened technique and much success in your musical performances. Until next time, happy shredding and enjoy the journey!
- Muscle Maintenance for Guitarists ›
- Fretboard Workshop: Expanding Exercises ›
- Book Review: "Guitar Etudes: Warmup Excercises for Guitar" By Pat Metheny ›
PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.
LR Baggs HiFi Duet High-fidelity Pickup and Microphone Mixing System
HiFi Duet Mic/Pickup System"When a guitar is “the one,” you know it. It feels right in your hands and delivers the sounds you hear in your head. It becomes your faithful companion, musical soulmate, and muse. It helps you express your artistic vision. We designed the Les Paul Studio to be precisely the type of guitar: the perfect musical companion, the guitar you won’t be able to put down. The one guitar you’ll be able to rely on every time and will find yourself reaching for again and again. For years, the Les Paul Studio has been the choice of countless guitarists who appreciate the combination of the essential Les Paul features–humbucking pickups, a glued-in, set neck, and a mahogany body with a maple cap–at an accessible price and without some of the flashier and more costly cosmetic features of higher-end Les Paul models."
Now, the Les Paul Studio has been reimagined. It features an Ultra-Modern weight-relieved mahogany body, making it lighter and more comfortable to play, no matter how long the gig or jam session runs. The carved, plain maple cap adds brightness and definition to the overall tone and combines perfectly with the warmth and midrange punch from the mahogany body for that legendary Les Paul sound that has been featured on countless hit recordings and on concert stages worldwide. The glued-in mahogany neck provides rock-solid coupling between the neck and body for increased resonance and sustain. The neck features a traditional heel and a fast-playing SlimTaper profile, and it is capped with an abound rosewood fretboard that is equipped with acrylic trapezoid inlays and 22 medium jumbo frets. The 12” fretboard radius makes both rhythm chording and lead string bending equally effortless, andyou’re going to love how this instrument feels in your hands. The Vintage Deluxe tuners with Keystone buttons add to the guitar’s classic visual appeal, and together with the fully adjustable aluminum Nashville Tune-O-Matic bridge, lightweight aluminum Stop Bar tailpiece, andGraph Tech® nut, help to keep the tuning stability nice and solid so you can spend more time playing and less time tuning. The Gibson Les Paul Studio is offered in an Ebony, BlueberryBurst, Wine Red, and CherrySunburst gloss nitrocellulose lacquer finishes and arrives with an included soft-shell guitar case.
It packs a pair of Gibson’s Burstbucker Pro pickups and a three-way pickup selector switch that allows you to use either pickup individually or run them together. Each of the two pickups is wired to its own volume control, so you can blend the sound from the pickups together in any amount you choose. Each volume control is equipped with a push/pull switch for coil tapping, giving you two different sounds from each pickup, and each pickup also has its own individual tone control for even more sonic options. The endless tonal possibilities, exceptional sustain, resonance, and comfortable playability make the Les Paul Studio the one guitar you can rely on for any musical genre or scenario.
For more information, please visit gibson.com.
Introducing the Reimagined Gibson Les Paul Studio - YouTube
The two pedals mark the debut of the company’s new Street Series, aimed at bringing boutique tone to the gigging musician at affordable prices.
The Phat Machine
The Phat Machine is designed to deliver the tone and responsiveness of a vintage germanium fuzz with improved temperature stability with no weird powering issues. Loaded with both a germanium and a silicon transistor, the Phat Machine offers the warmth and cleanup of a germanium fuzz but with the bite of a silicon pedal. It utilizes classic Volume and Fuzz control knobs, as well as a four-position Thickness control to dial-in any guitar and amp combo. Also included is a Bias trim pot and a Kill switch that allows battery lovers to shut off the battery without pulling the input cord.
Silk Worm Deluxe Overdrive
The Silk Worm Deluxe -- along with its standard Volume/Gain/Tone controls -- has a Bottom trim pot to dial in "just the right amount of thud with no mud at all: it’s felt more than heard." It also offers a Studio/Stage diode switch that allows you to select three levels of compression.
Both pedals offer the following features:
- 9-volt operation via standard DC external supply or internal battery compartment
- True bypass switching with LED indicator
- Pedalboard-friendly top mount jacks
- Rugged, tour-ready construction and super durable powder coated finish
- Made in the USA
Static Effectors’ Street Series pedals carry a street price of $149 each. They are available at select retailers and can also be purchased directly from the Static Effectors online store at www.staticeffectors.com.
So, you want to chase the riches and glories of being a mid-level guitar YouTuber. Rhett and Zach have some reality checks.
This outing of Dipped In Tone kicks off with an exciting update from Zach Broyles’ camp: He’s opening a brick-and-mortar guitar shop in Nashville, called High Voltage Guitars. Opening on October 8, the store will carry gear from Two-Rock, Divided By 13, Dr. Z, Castedosa, Fano, Novo, and of course Mythos Pedals. Zach hints that there might be some handwired JHS pedals from Josh Scott himself, too, and Rhett reveals that he plans to consign some of his guitars at the shop.
The business side of Zach’s new venture brings them to a key piece of today’s episode: Rhett and Zach aren’t running charities. They do what they do to make money; guitars, gear, podcasting, and content creation are their literal jobs. And they’re not as glamorous and breezy as most armchair commentators might guess.
Want to do what Rhett and Zach do? Welcome to the club. The guitar-influencer field is what one might call “oversaturated” at the moment, and it’s difficult to break out—but not impossible. As our hosts explain, it requires putting in 60-hour work weeks, a diverse skillset, a knack for catching people’s attention, and a certain level of genuineness. Rhett knows this path well, and he has hard-earned advice for staying true to oneself while building a following in the gear world.
Tune in to learn why Rhett thinks Fretboard Summit, a three-day guitar festival organized by Fretboard Journal, blows NAMM out of the water and builds legitimate connections between guitarists, and catch the duo dipping a Dick Dale-inspired, all-Fender rig.