man playing guitar in close up photography
Photo by Joey Nicotra on Unsplash

Its roots are from Britain, but it came to prominence thanks to '80s college rock.

Intermediate

Intermediate

  • Demonstrate genre-defining elements of jangle guitar.
  • Show how to use common chord shapes to create uncommon harmonies.
  • Add rhythmic variation to your right-hand with syncopated strums, arpeggios, and combinations of the two.
{'media': '[rebelmouse-document-pdf 10648 site_id=20368559 original_filename="JanglyGuitar-Jun21.pdf"]', 'file_original_url': 'https://roar-assets-auto.rbl.ms/documents/10648/JanglyGuitar-Jun21.pdf', 'type': 'pdf', 'id': 10648, 'media_html': 'JanglyGuitar-Jun21.pdf'}

Although the term "jangly guitar" is commonly associated with 1980s college rock bands such as the Smiths and R.E.M., the jangle sound has its roots in the British invasion of the 1960s (the Beatles), found a place in 1970s hard rock and '80s progressive rock (Led Zeppelin and Rush), and is starting to resurface in the contemporary indie-rock scene (Mac DeMarco, Plums, and Vacations). No matter your genre preference, this lesson will show you how to add some jangle–and lots of new chords–to your guitar playing.


Open Strings and Moveable Shapes

The formula for creating the jangle sound includes two main ingredients: open strings and moveable shapes. Thus, this lesson will focus on moving common, first-position, "cowboy chords" (with variations) up, down, and across the fretboard.

Let's start with a simple Dsus2 shape–that's a D chord with an open 1st string–moving up and down the top four strings (Ex. 1). Notice that this basic shape yields some surprising harmonic results, including two sus chords–a ubiquitous jangle sound that replaces the 3 in a triad with either a 2 or 4, thus sus2 or sus4. Also pay attention to the syncopation in the strum, with the chord changes in measures 1 and 3 occurring on the upbeat. Although this progression was inspired by R.E.M.'s Peter Buck, it came out sounding more like Neil Young.

Ex. 1

We continue with the idea of moveable chord shapes in Ex. 2, this time with a C chord. Using the third finger on your fretting hand as a guide, simple move the shape to the 10th, 8th, and 5th positions to create harmonically rich sonorities a la the Smiths' Johnny Marr. Don't worry about being too exact with the right-hand combination of arpeggios and strums. More important than uniformity is the idea that you are not merely strumming or arpeggiating but mixing it up and creating variations.

Ex. 2

Ex. 3, with its swinging 6/4 strum, employs an "E" shape barre chord, but leaves the top two strings ringing throughout to create some unusual harmonies. You'll find this specific shape in U2 songs, among others.

Ex. 3

Alex Lifeson is our point of reference for Ex. 4 and Ex. 5, as these chords can be heard on several Rush songs. In Ex. 4, your emphasis is on a two-note power chord shape on the 5th and 4th strings while occasionally accenting this shape with top three strings ringing open.

Ex. 4

Ex. 5 is the same idea with a three-note power chord shape (here you'll also fret the 3rd string), which alters the harmonies just enough to provide some variation. One could perhaps use these two for a verse and a chorus.

Ex. 5

Ex. 6 combines the shapes found in Ex. 3 and Ex. 5, which, at the risk of stating the obvious, is something you can do with all these shapes–mix and match!

Ex. 6

Arguably, Ex. 7 is where jangle guitar started, with the Beatles. Reminiscent of the intro to "Eight Days a Week," this relatively simple shape allows you to drone both the 1st and 5th strings. After one time through the progression, the entire pattern moves up a full octave, adding even more jangle. This rhythmic figure can be tricky for some players. I would recommend using a down, down, down-up-down, up pattern.

Ex. 7

Ex. 8 was inspired by early recordings of the Pretenders. Using a combination of two different shapes, this sequence also involves movement with the pinky. Once again, this example employs both strumming and arpeggiating with the right hand.

Ex. 8

Our final exampleis an homage to one of the riffs in Led Zeppelin "Ten Years Gone." Ex. 9 introduces unfamiliar shapes that are relatively easy to play. The first measure starts with an Asus2 chord but you'll have to fret it with your first and second fingers so you can quickly add the pinky for the subsequent chord shape. Tip: If you fret the Asus2 with your 2nd finger on the 4th string and your 1st finger on the 3rd string, you can play the whole pattern without ever lifting those fingers off the strings.

Ex. 9

I hope this lesson has demonstrated how to get new sounds out of old shapes inspires you to mix and match, move around, and make up your own figures and patterns. The harmonic, melodic, and rhythmic possibilities are endless, thus I entreat you to imitate and innovate far beyond what has been presented here.

Made in Canada, this two-voice guitar features a chambered Mahogany body, carved Swamp Ash top, 25.5” scale Mahogany neck and Rosewood Fingerboard.

Read MoreShow less

Gain is fun in all its forms, from overdrive to fuzz, but let’s talk about a great clean tone.


We’re all here for one thing. It’s the singular sound and magic of the stringed instrument called the guitar—and its various offshoots, including the bass. Okay, so maybe it’s more than one thing, but the sentiment remains. Even as I write this, my thoughts fan out and recognize how many incarnations of “guitar” there must be. It’s almost incomprehensible. Gut-string, nylon-string, steel-string, 12-string, 8-string, 10-string, flatwound, brown sound, fuzztone…. It’s almost impossible to catalog completely, so I’ll stop here and let you add your favorites. Still, there’s one thing that I keep coming back to: clean tone.

Read MoreShow less

A supreme shredder’s signature 6-string dazzles with versatility.

This immaculately built guitar sounds great and can do it all.

The more affordable price is still out of reach for many guitarists

$2,799

Charvel MJ San Dimas SD24 CM
charvel.com

5
5
4.5
4.5

Charvel’s first Guthrie Govan signature model was released in 2014, after an arduous two-year effort to get the design just right. Since then, the guitar—now in its second edition—has become one of Charvel’s most coveted models. Unfortunately, its $3,699 price keeps the U.S.-made axe out of reach for many.

This year, though, the company released the Made-in-Japan signature MJ San Dimas SD24 CM, which sells for a slightly more manageable $2,799. Needless to say, that’s not cheap. But depending on your priorities, it’s a fair price for a very high quality, pro-level instrument.

Read MoreShow less
x