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Music Man Dargie Delight II & StingRay SLO Special

PG's Chris Burgess is On Location in Nashville, TN, for Summer NAMM '09 where he visits the Ernie Ball Music Man booth. In this video segment, we get a peak at the Dargie Delight Limited Edition run of guitars and basses that feature the "Carmel Apple Delight" green finish. It comes with an ebony fingerboard on a maple neck and can be ordered on all Music Man models except the Steve Morse Y2D, Axis and Axis Super Sport. We also get a peek at the StingRay SLO Special which features the traditional StingRay setup but comes with a slimmer, Sterling-style neck.



PG's Chris Burgess is On Location in Nashville, TN, for Summer NAMM '09 where he visits the Ernie Ball Music Man booth. In this video segment, we get a peak at the Dargie Delight Limited Edition run of guitars and basses that feature the "Carmel Apple Delight" green finish. It comes with an ebony fingerboard on a maple neck and can be ordered on all Music Man models except the Steve Morse Y2D, Axis and Axis Super Sport.

We also get a peek at the StingRay SLO Special which features the traditional StingRay setup but comes with a slimmer, Sterling-style neck.

With a team of experts on hand, we look at six workhorse vintage amps you can still find for around $1,000 or less.

If you survey the gear that shows up on stages and studios for long enough, you’ll spot some patterns in the kinds of guitar amplification players are using. There’s the rotating cast of backline badasses that do the bulk of the work cranking it out every day and night—we’re all looking at you, ’65 Deluxe Reverb reissue.

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Rivolta Guitars' Sferata | PG Plays
Rivolta Guitars' Sferata | PG Plays

PG contributor Tom Butwin dives into the Rivolta Sferata, part of the exciting new Forma series. Designed by Dennis Fano and crafted in Korea, the Sferata stands out with its lightweight simaruba wood construction and set-neck design for incredible playability.

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The "Sandblasted" SE Series features a swamp ash top with a unique sandblasted finish in five color options.

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We’re unpacking Reid’s playing—from his early days in the NYC jazz underground through his work with Living Colour and into supergroup superstardom—and his longstanding gear-acquisition-syndrome.

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