The Pretenders Announce Relentless Album and Release "Let The Sun Come In"

The Pretenders are back with today’s premiere of the optimistically charged new single, “Let The Sun Come In,” available now via Rhino Records – the band’s return to Warner Music Group after more than two decades having first been signed to Sire Records in America by the legendary Seymour Stein.
Marked by the electrifying impulsiveness and attitude that has long defined founder Chrissie Hynde’s eternal spirit, “Let The Sun Come In” heralds the eagerly awaited arrival of The Pretenders’ new studio album, Relentless, arriving everywhere on Friday, September 1. Pre-orders – including digital download, baby pink vinyl, black vinyl, and CD – are available now.
“I enjoy seeing the various meanings and origins of a word,” says Chrissie Hynde of the album’s title. “And I liked the definition: ‘showing no abatement of intensity.’ So when it came to an album title, it seemed fitting. You know…to keep doing it. I think anyone in a band is constantly questioning if they should keep going. It starts as a youthful pursuit and eventually, it makes you wonder, why am I doing this? It’s the life of the artist. You never retire. You become relentless.”
Pretenders - Let The Sun Come In (Official Audio)
Official audio for Let The Sun Come In, taken from Pretenders' brand new album 'Relentless'.Pre-order the album 'Relentless' here: https://Pretenders.lnk.to/...Produced by multiple Grammy Award-nominee David Wrench (Courtney Barnett, David Byrne) at the famed Battery Studios in Willesden, North West London, Relentless marks the second consecutive full-length songwriting collaboration by Hynde and Pretenders guitarist James Walbourne following 2020’s acclaimed Hate For Sale. The two are joined on the album’s twelve tracks by what Hynde has dubbed “The Pretenders Collective,” including Kris Sonne (drums), Chris Hill (double bass), Dave Page (bass), and Carwyn Ellis (keyboards and guitars). In addition, Relentless features a landmark collaboration with Academy Award-nominated composer Jonny Greenwood (Radiohead, The Smile), who provides the string arrangement and conducted the 12 Ensemble for the album’s stunning closing track, “I Think About You Daily.”
“I met Jonny a couple of times and we’re obviously big fans of him because he’s done some incredible music over the years,” Hynde says. “I saw him at the Phantom Thread premiere where the film was running on screen with a live orchestra playing. And we spoke afterward and he expressed an interest in doing something one day. I was thrilled and very surprised. So when we had the idea of getting strings on ‘I Think About You Daily,’ he was first choice. Legend!”
The Pretenders will introduce Relentless to fans around the world with an equally uncompromising international live schedule, including intimate headline dates, top-billed festival appearances, and a massive EU/UK stadium run supporting Guns N’ Roses. Dates begin tomorrow, May 12, with a much-anticipated headline performance at Brighton, England’s The Great Escape followed by a sold-out tour of clubs and small venues across the UK and Ireland. Further highlights include a very special festival appearance as direct support to Foo Fighters at the upcoming Ohana Festival, curated by Eddie Vedder and set for October 1 at Doheny State Beach in Dana Point, CA. Additional dates will be announced. For updates, please visit thepretenders.com.
2020’s Hate For Sale proved yet another triumph for The Pretenders, with Q Magazine hailing the LP as “up there with the best of the early Pretenders albums.” “The New Wave greats haven't sounded this raw and real since the early Eighties,” agreed Rolling Stone, while The Guardian praised the album for “tight songs that prance insouciantly from genre to genre, scattering wisdom and swagger in their wake.”
Tracklist:
- Losing My Sense Of Taste
- A Love
- Domestic Silence
- The Copa
- Promise Of Love
- Merry Widow
- Let The Sun Come In
- Look Away
- Your House Is On Fire
- Just Let It Go
- Vainglorious
- I Think About You Daily
The Pretenders 2023 Tour Dates
MAY
12 – Brighton, UK – The Great Escape *
13 – Nottingham, UK – Rescue Rooms (SOLD OUT)
14 – Cambridge, UK – MASH (SOLD OUT)
16 – Frome, UK – Cheese & Grain (SOLD OUT)
17 – Stoke, UK – The Sugarmill (SOLD OUT)
19 – Limerick, Ireland – Dolans (SOLD OUT)
20 – Core, Ireland – Cypress Avenue (SOLD OUT)
21 – Dublin, Ireland - Olympia Theatre
23 – Belfast, UK – Limelight (SOLD OUT)
25 – Stornoway, UK – Midnight Sun Weekender *
28 – Derbyshire, UK – Bearded Theory *
30- Antwerp, Belgium – De Roma
31- Antwerp, Belgium – De Roma
JUNE
9 – Madrid, Spain - Estadio Cívitas Metropolitano †
11 – Oxfordshire, UK – KITE Festival *
12 – Vigo, Spain - Estadio Abanca Balaídos †
16 – Vitoria-Gasteiz, Spain – Azkena Festival *
17 – Kent, UK – Black Deer Festival of Americana *
27 – Glasgow, UK – Bellahouston Park †
30 – London, UK – BST Hyde Park †
JULY
3 – Frankfurt, Germany – Deutsche Bank Park †
5 – Bern, Switzerland – BERNEXPO †
8 – Rome, Italy – Circo Massimo †
11 – Weert, Netherlands - Evenemententerrein †
OCTOBER
1 – Dana Point, CA – OHANA Festival *
* Festival Appearance
† w/ Guns N’ Roses
- Chrissie Hynde: If It Gets Polite—Game Over ›
- My Biggest Gear Regret ›
- Quintessential Rock Rigs by Decade ›
The giveaways keep going! Enter Stompboxtober Day 25 for your chance to win today’s pedal from SoloDallas!
The Schaffer Replica® - BASS-X
After introducing the Schaffer Replica Storm low end legends like Rudy Sarzo, Billy Sheehan, and Pino Paladino discovered it to be equally amazing on bass. Based upon their input we made a few minor changes to this beloved circuit to make it more conducive to higher amplitude and lower frequencies. To our loyal bassists who have waited so patiently, we proudly introduce The Schaffer Replica - BASS-X.
Vintage-style reverb, tremolo, and vibrato sounds abound in a 3-in-1 stomp that might be the only box you need.
The Keeley ZOMA combines two of iconic amp effects—tremolo and reverb—into one pedal.
Key Features of the ZOMA
● Intuitive Control Layout: Three large knobs give you full control over Reverb Level, Tremolo Rate,and Depth
● Easy Access to Alternate Controls: Adjust Reverb Decay, Reverb Tone, and Tremolo Volume withsimple alt-controls.
● Instant Effect Order Switching: Customize your signal path. Position tremolos after reverb for avintage, black-panel tone or place harmonic tremolo before reverb for a dirty, swampy sound.
● True Bypass or Buffered Trails: Choose the setting that best suits your rig.
Three Reverb and Tremolo Modes:
● SS – Spring Reverb & Sine Tremolo: Classic spring reverb paired with a sine wave tremolo for that timelessblack-panel amp tone.
● PH – Plate Reverb & Harmonic Tremolo: Smooth, bright plate reverb combined with swampy harmonictremolo.
● PV – Plate Reverb & Pitch Vibrato: Achieve a vocal-like vibrato with ethereal plate reverb.
Reverb: Sounds & Controls
● Spring Reverb: Authentic tube amp spring reverb that captures every detail of vintage sound.
● Plate Reverb: Bright and smooth, recreating the lush tones of vibrating metal plates.
● Reverb Decay: Adjust the decay time using the REVERB/ALT SWITCH while turning the Level knob.
● Reverb Tone: Modify the tone of your reverb using the REVERB/ALT SWITCH while turning the Rate knob.
Tremolo: Sounds & Controls
● Sine Wave/Volume Tremolo: Adjusts the volume of the signal up and down with smooth sine wavemodulation.
● Harmonic Tremolo: Replicates classic tube-amp harmonic tremolo, creating a phaser-like effect withphase-split filtering.
● Pitch Vibrato: Delivers pitch bending effects that let you control how far and how fast notes shift.
● Alt-Control Tremolo Boost Volume: Adjust the boost volume by holding the REVERB/ALT footswitch whileturning the Depth knob.
The ZOMA is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
ZOMA Stereo Reverb and Tremolo
The first sound effects built into amplifiers were tremolo and reverb. Keeley’s legendary reverbs are paired with their sultry, vocal-like tremolos to give you an unreal sonic experience.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound.
Stevie Ray Vaughan was a force of nature. With his “Number One” Strat, he drove a veritable trove of amps—including vintage Fenders, a rotating Vibratone cab, and a Dumble—to create one of the most compelling tones of all, capable of buttery warmth, percussive pick articulation, and cathartic, screaming excess. As he drew upon an endless well of deeply informed blues guitar vocabulary, his creativity on the instrument seemingly knew no bounds.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound. So, we’d like to spend some time imagining: How did it feel when it hit you? How did he command his band, Double Trouble? The audience?
SRV was mythical. His heavy-gauge strings tore up his fingers and made a generation of blues guitarists work a lot harder. And his wall of amps seems finely curated to push as much air in all directions as possible. How far did he take it? Was he fine-tuning his amps to extreme degrees? Or could he get his sound out of anything he plugged into?