AC/DC return to the road in the United States for the first time in nine years on the 2025 Power Up North American Tour.
This run kicks off on April 10, 2025, in Minneapolis, MN at US Bank Stadium, canvases the continent, and concludes on May 28, 2025, in Cleveland, OH at Huntington Bank Field. Along the way, they will play some of the most iconic and historic stadiums in the world, including the Rose Bowl in Pasadena, CA on April 18 and Soldier Field in Chicago, IL on May 24.
Tickets go on sale December 6 at 12pm local time HERE.
The tour shares its name with their 2020 album, Power Up, which bowed at #1 in 21 countries. In 2024, AC/DC completed a European leg of the Power Up tour, packing the biggest stadiums on the continent in the process. Power Up notably notched their third #1 debut on the Billboard 200 and exploded as one of the best-selling albums of 2020 worldwide,” . It closed out the year on Rolling Stone’s “Top 50 Albums of 2020” and Consequence of Sound’s “Top 50 Albums of 2020.” Plus, it garnered Grammy Award nominations in the categories of “Best Rock Album” and “Best Rock Performance” and “Best Music Video” for “Shot In The Dark.” Power Up is available HERE.
AC/DC played their very first show on the 31st December 1973 at Chequers Nightclub in Sydney, Australia. The band’s Back In Black LP is the “bestselling album by any band ever” and the “third bestselling album by any artist” with global sales of 50 million and counting. AC/DC was inducted into the Rock and Roll Hall of Fame in 2003. The band continue selling out stadiums on multiple continents, sell millions of albums annually and generate streams in the billions.
TOUR DATES
4/10 Minneapolis, MN US Bank Stadium
4/14 Arlington, TX AT&T Stadium
4/18 Pasadena, CA Rose Bowl
4/22 Vancouver, BC BC Place
4/26 Las Vegas, NV Allegiant Stadium
4/30 Detroit, MI Ford Field
5/4 Foxborough, MA Gillette Stadium
5/8 Pittsburgh, PA Acrisure Stadium
5/12 Landover, MD Northwest Stadium
5/16 Tampa, FL Raymond James Stadium
5/20 Nashville, TN Nissan Stadium
5/24 Chicago, IL Soldier Field
5/28 Cleveland, OH Huntington Bank Field
Wampler Pedals releases the Brent Mason signature ReWired pedal.
Brent Mason’s career as a session guitarist spans over five decades, making him one of the most recorded musicians in history. His unparalleled talent has graced more than 1,000 albums, playing with and contributing to chart-topping hits from icons like Alan Jackson, Brooks & Dunn, Vince Gill, George Jones, Dolly Parton, Blake Shelton, Shania Twain, and many others. A Grammy winner and Musicians Hall of Fame inductee, Brent has also earned twelve Guitarist of the Year awards from the Academy of Country Music, two CMA® Musician of the Year titles, and was named one of the top ten session guitarists ever by Guitar World magazine.
Brian Wampler’s journey with Brent Mason began way back around 2004, when he’d make weekend trips to Nashville just to watch Brent play. Inspired by Brent’s incredible talent and effortless touch, Brian set out to craft a signature pedal that would become the cornerstone of Brent’s sound. The Overdrive channel perfectly captures Brent’s iconic rhythm tones, offering everything from crystal-clear light dirt to a punchy, muscular Overdrive. The Distortion channel screams with rich harmonics, making it ideal for solos - whether used on its own or stacked with the Overdrive for maximum impact.
An Iconic Tone, Reimagined
With two fully independent circuits, the ReWired gives you access to both classic Overdrive and powerful Distortion channels that have been tweaked to Brent’s exact specs. The Overdrive side is perfect for rhythm and Chicken Pickin’ - built for warmth and maximum clarity, staying true to Brent's iconic sound. The Distortion channel is a perfect lead tone and offers a weighty “British” Plexi-like punch. The ReWired also features an order switch that allows the stacking direction to be changed on-the-fly without the hassle of changing cables.
Dual inputs and Outputs
The ReWired can be connected with a single mono input and output cable, just like a regular guitar pedal, or you can connect each channel independently (very useful when used with a loop switcher!). You can even connect a pedal in between both channels - try adding a compressor or an EQ if you want to sculpt your tone further.
Fat Blends
The ReWired incorporates our unique “Fat” circuit control onto each channel as separate knobs. This allows you to dial in just the right amount of low end thump and presence into your rig - helping tame big speaker cabs or enhance smaller ones. The Overdrive channel also has Brent’s signature blend control, allowing you to tune the amount of drive to your liking.
ReWired - for ALL players
This is not a guitar pedal to be bought and put in a case and admired - but with its exclusive new Prime Silver finish (a nod to Brent’s infamous ‘67 Telecaster) and custom graphics we wouldn’t blame you if you did. The Wampler ReWired is designed to be at the heart of your rig. It sounds great with every guitar and amp we’ve tried it with and covers so many genres of music with ease. It comes with Wampler’s standard no fuss 5 Year guarantee and is built from the highest grade components to withstand the rigors of practice and gigging for years to come. The Wampler Brent Mason ReWired Signature Overdrive and Distortion - Rewire Your Sound Today Built in the U.S.A. with high-grade components selected for superior sound and response, premium finish and controls Dual Independent Overdrive and Distortion channels Independent Level, Gain, Tone and Fat controls for both channels, Blend Control for Overdrive channel Channel Order switch with two pairs of Input and Output jacks Power draw: 35mA at 9V and 40mA at 18V. 9-18v power jack - DC supply only, do not exceed 18v DC, battery Included Includes Limited 5-Year Warranty Dimensions: 5” x 4.5” x 2.4″ (88.9mm x 114.3mm x 58.0mm)
The Wampler ReWired carries a street price of $279.97. For more information visit https://www.wamplerpedals.com/
Want to know how tubes shape your tone? Join PG contributor Tom Butwin as he breaks down preamp vs. power tubes, tone tweaks, and biasing, in this ultimate beginner's guide to tube amps. From Fender cleans to Marshall grit, learn how to unlock the full potential of your amp!
Shop for tubes for your amp:
https://www.thetubestore.com/shop-by-amp/guitar-am...
https://www.tubeampdoctor.com/en/tubes-accessoires...
Want to know how tubes shape your tone? Join PG contributor Tom Butwin as he breaks down preamp vs. power tubes, tone tweaks, and biasing, in this ultimate beginner's guide to tube amps. From Fender cleans to Marshall grit, learn how to unlock the full potential of your amp!
The Tube Store Guitar Amp Tube Packages
Here you will find brands like Fender guitar amps, Marshall amps, Vox amps, Mesa Boogie guitar amps, Orange amps, and many other tube amps listed. You will find replacement tube sets in different option levels ranging from Value to Premium to Ultimate. Purchasing guitar amp tubes couldn't be easier.
Tube Amp Doctor Tube Sets
Go and see the doctor: Find all of our products here: our newest product line of high-end Redbase tubes, our famous premium selected tubes, and the equipment we manufacture like our Class A Converters, the Bias Master or the Silencer. Furthermore our TAD reverb cans, condensers and of course the amp kits on boutique level.
Dynamic and pitch control of delay textures pave roads to new compositional and playing approaches in another unusual effect from Latvia’s foremost stompbox provocateurs.
Impressive control over parameters. Coaxes new playing and compositional approaches for players in a rut. High build quality.
Interrelationships between controls will be hard to grasp for many.
$329
Gamechanger Audio Auto Delay
gamechangeraudio.com
From the outset, it must be said there are easier ways to get a delay sound than using Gamechanger’s Auto Delay. But if simple echoes were the sole objective of this pedal, I doubtGamechanger would have bothered. As you may have gleaned from a listen to the company’sBigsby Pedal,PLASMA Pedal fuzz, orLIGHT Pedal reverb, the Riga, Latvia-based company rarely takes a conventional approach to anything they design or release. But what is “conventional” from a guitarist’s point of view, may be something quite different for musicians determined to bend notions of what sound and music are, how it’s made, and by what means.
By Gamechanger standards, the digital Auto Delay (along with its stablemates the Auto Reverb and Auto Chorus) is almost straightforward in concept. It utilizes existing concepts of dynamic delay, control voltage, and modular synthesis as essential parts of its functional underpinnings—which are not exactly unusual in stompbox design. Yet the way the Auto Delay’s functions interact make it feel and sound unique. And while not every player will want to take the time to explore the sometimes complex interplay between its functions, at its best, the Auto Delay prompts unorthodox thinking about the ways touch dynamics or pitch relate to the delay colors you can create, prompting unexpected compositional vectors and a kind of extra-dimensional relationship to the fretboard.
Beat of a Different Drum
Gamechanger’s path to building such unusual sound manipulation machines might seem a curious one when you consider that founder Ilja Krumins and his fellow founders Mārtiņš Meļķis and Kristaps Kalva are rockabilly heads with tastes that include the soulful earthiness of J.J. Cale. But the more accessible side of the Gamechanger design team’s musical interests likely informs the most approachable aspects of the Auto Delay. You can use it like you would any ordinary stompbox echo and take advantage of its three very distinct voices (tape, analog, and digital), copious 2-second delay time, and rangy tone control in order to fashion many compelling delay sounds. This is, needless to say, a vast underutilization of the Auto Delay’s powers.
Routing, Rearranging, and Raging Like a Lunatic
Though you can get lost in the Auto Delay (in good ways and bad), it isn’t necessarily the headache that its patch bay, LEDs, and many switches and knobs suggest. The idea behind the patch bay is simple: Routing a cable from one of the two dynamics or pitch automation input sockets to the level, tone, repeat, or time input sockets means that a change in, say, your picking intensity (dynamics) or where you play on the fretboard (pitch) increases or reduces the value for the parameter you linked to the dynamics or pitch socket. Even if you’ve not been indoctrinated in these methods via modular synthesis, it’s not as complicated as it sounds, and trial-and-error experimentation yields intuitive understanding of these interactions quickly.
The tape, analog, or digital voice can drastically reshape the tone and response of interactions. But so will the fast, rise, and gate dynamics modes, which determine the nature of the dynamic response. Setting thresholds for the dynamic and pitch response is easy. You simply hold down the “auto” footswitch or the bypass footswitch and twist the respective knobs until you reach the desired threshold, which is indicated by the adjacent LED. Like the other functions, getting a feel for how these thresholds work within your playing style takes time. As you might guess, we’ve really only discussed the most fundamental functions here. But in addition to these, you can use alt mode to assign different values to the secondary knobs and toggle between primary and secondary knobs using the auto switch. You can also manipulate the stereo spread or control the clock via MIDI.
The Verdict
The Auto Delay is not for the faint of heart or impatient. Grasping the interrelationships between the controls takes time. In fact, understanding how those interrelationships feel and respond musically will be more challenging for some than understanding how they work conceptually— which, while not elementary, can be sussed out with a careful read of the manual. But when you do find a rhythm and flow with the Auto Delay it can be richly rewarding and even meditative.
Because it can reshape your relationship with the fretboard and your sense of touch, this is a great tool for extracting yourself from ruts, whether in technique or mood. And if you’re a musical tinkerer, the Auto Delay can provide much of the same satisfaction and sense of discovery you experience working with a synthesizer—particularly if you enjoy working in the hardware realm rather than on a computer screen. One should consider the scores here as especially subjective and on a sliding scale. The Auto Delay’s many sonic and functional idiosyncrasies will be nectar to some and poison to others. And more than most pedals, you should probably have a firsthand experience with the thing before you decide how and if it fits your musical objectives. For many restless players, though, the Auto Delay will be a deep well of musical provocation and ideas.